Classic Photographs

CAMI STONE 1892-1976 KNIZE TEN ferrotyped gelatin silver print, the photographer's Berlin credit/copyright stamp on the reverse, 1930s image: 9¼ by 6¾ in. (23.5 by 17.1 cm.)

cami stone | knize ten

Modern Discoveries

Cami Stone 1892 - 1976 The Knize Ten ferrotyped gelatin silver print 9¼ by 6¾ in. 23.5 by 17.1 cm. Executed in the 1930s.

the knize ten

Photographs

plate 13 from 25 Nus Femmes de Sasha Stone (self-published, Brussels, 1933), signed by the photographer in red ink on the image, her '18, Rue de Naples, Bruxelles' studio, copyright, and reproduction rights stamps, numbered '3265' and annotated 'Farde no. 33' by her in red ink, on the reverse, matted, circa 1933

nude

cami stone (active 1930s) study for 'knize ten'

cami stone (active 1930s) photomontage of erwin piscator and the nollen

Photographs, Including Works from the Collection of Ernesto Esposito

Sasha Stone 1895 - 1940 '25 Nus Femmes' (Brussels: Self-Published under Editions Internationales Stone, circa 1933), a portfolio of 25 gelatin silver prints, each signed SASHA STONE and one signed CAMI STONE in red ink on the image, each with the photographer’s studio/copyright/reproduction rights stamp, annotated ‘Farole 27’ and numbered in red ink, on the reverse, circa 1933. Folio, beige linen portfolio with flaps and metal hooks, with stamped credit, the title page affixed to the back cover, signed twice and inscribed 'To [redacted] great artist I dedicate this humble werk [sic] July 1936' in ink and editioned ‘27’ in red ink images: each 39.5 by 29.5 cm (15½ by 11⅝ in.) or the reverse

'25 nus femmes'

S/O Buhl Collection

2 photographs, comprising Hande am Klavier and Hands of Paul Arma, the first ferrotyped and large-format, signed 'S. Stone' in red paint on the image, the Cami Stone 'Kaiserin-Augusta-Strasse 69, Berlin' studio/copyright/reproduction rights stamp and numbered in pencil and red crayon on the reverse, tipped to a mount, a typed 'Atelier Stone, Berlin' and title label on the mount; the second on a folding paper mount, the credit 'Photo FOKA, New York' and date in pencil on the mount, dedicated to Sandra Phillips and with annotation in ink, on the reverse, the first framed, with Buhl Collection label on the reverse, circa 1927-29 (2)

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