Classic Design: Furniture, Clocks, Silver & Ceramics

A Louis XVI style gilt-bronze and Japanese lacquer mounted bois satiné parquetry secrétaire cabinet, attributed to Maison Beurdeley, circa 1890

A Louis XVI style gilt-bronze and Japanese lacquer mounted bois satiné parquetry secrétaire cabinet, attributed to Maison Beurdeley, circa 1890 the three-quarter pierced gallery around a grey marble top, above a fall front door opening to reveal a large compartment above two short drawers flanking a pigeon hole, the reverse of the door lined with a gilt tooled green leather writing surface, above two cupboards doors opening to one adjustable shelf, stamped to the reverse of the bronze mounts to the bottom columns 'H.B. 47', stamped to the reverse of the bronze mounts to the top of the columns 'PZ 42', stamped to the reverse of the bronze frames to the doors '38' 101cm. high, 64cm. wide, 32cm. deep

View 1 of Lot 140: A Louis XVI style gilt-bronze and Japanese lacquer mounted bois satiné parquetry secrétaire cabinet, attributed to Maison Beurdeley, circa 1890

a louis xvi style gilt-bronze and japanese lacquer mounted bois satiné parquetry secrétaire cabinet, attributed to maison beurdeley, circa 1890

Classic Design

A pair of patinated and gilt-bronze six-light candelabra of the "Independance of America", signed by Alfred Beurdeley (1847-1919), second half 19th century

A pair of patinated and gilt-bronze six-light candelabra of the "Independance of America", signed by Alfred Beurdeley (1847-1919), second half 19th century allegory symbolizing the battle of Yorktown in 1781, with the defeat of Great Britain with three leopards chained and submissive listening to the song of victory of the three roosters representing France; with an Indian surmounting the branches escaping from the prow of three ships supported by three mermaids, the pedestal resting on a circular base decorated with porcelain bas-reliefs, on a serpentine base; marked BY (2) Height. 32 1/4 in, length. 13 in --------------------------------------------- Paire de candélabres à six lumières de "L'Indépendance Américaine" en bronze patiné et doré, signés par Alfred Beurdeley (1847-1919), d'après le modèle de Pierre-Philippe Thomire, deuxième moitié du XIXe siècle allégorie symbolisant la bataille de Yorktown en 1781, avec la défaite de la Grande Bretagne avec trois léopards enchainés et soumis écoutant le chant des la victoire des trois coqs représentant la France; avec un indien surmontant les bras de lumière s'échappant de la proue de trois navires soutenus par trois sirènes, le piédouche repsoant sur une base circulaire ornée de bas-reliefs en biscuit, sur un contre-socle en seprentine ; marqué BY (2) Haut. 82 cm, larg. 33 cm

View 1 of Lot 183: A pair of patinated and gilt-bronze six-light candelabra of the "Independance of America", signed by Alfred Beurdeley (1847-1919), second half 19th century | Paire de candélabres à six lumières de "L'Indépendance Américaine" en bronze patiné et doré, signés par Alfred Beurdeley (1847-1919), d'après le modèle de Pierre-Philippe Thomire, deuxième moitié du XIXe siècle

a pair of patinated and gilt-bronze six-light candelabra of the "independance of america", signed by alfred beurdeley (1847-1919), second half 19th century | paire de candélabres à six lumières de "l'indépendance américaine" en bronze patiné et doré, signés par alfred beurdeley (1847-1919), d'après le modèle de pierre-philippe thomire, deuxième moitié du xixe siècle

A pair of French Regence style gilt-bronze two-light candelabra, attributed to Alfred Beurdeley, circa 1840

A pair of French Regence style gilt-bronze two-light candelabra, attributed to Alfred Beurdeley, circa 1840 decorated with lambrequins and shells, one socket written with black ink "D.W / 2071", each base with manucript numbers N°12 and N°25 (2) Height. 12 in ------------------------------------------------- Paire de candélabres à deux lumières en bronze doré de style Régence, attribuée à Alfred Beurdeley, vers 1840 à décor de lambrequins et coquilles, une bobèche avec inscription à l'encre noire "D.W / 2071", chaque base avec inscription manuscrite N°12 and N°25 (2) Haut. 30,5 cm

View 1 of Lot 210: A pair of Régence style gilt-bronze two-light candelabra, attributed to Alfred Beurdeley, circa 1840 | Paire de candélabres à deux lumières en bronze doré de style Régence, attribuée à Alfred Beurdeley, vers 1840

a pair of régence style gilt-bronze two-light candelabra, attributed to alfred beurdeley, circa 1840 | paire de candélabres à deux lumières en bronze doré de style régence, attribuée à alfred beurdeley, vers 1840

Noble & Private Collections Including Property from Corby Castle, Cumbria, and Marco Voena’s London Pied-à-Terre

of baluster form, decorated with ribbon-tied swags of flowers, the handles in the form of entwined serpents, the tapering body applied with gilt-bronze acanthus and scrolling foliage on a round foot with foliate border on a square plinth base, the reverse of the ribbons marked 'BY', and illegible numbers

of baluster form, decorated with ribbon-tied swags of flowers, the handles in the form of entwined serpents, the tapering body applied with gilt-bronze acanthus and scrolling foliage on a round foot with foliate border on a square plinth base, the reverse of the ribbons marked 'BY', and illegible numbers 55cm high, 25cm wide; 21 5/8in., 9 7/8in.

View 1 of Lot 53: A pair of Louis XVI style gilt-bronze mounted green marble urns and covers by Beurdeley

a pair of louis xvi style gilt-bronze mounted green marble urns and covers by beurdeley

Hôtel Lambert, Une Collection Princière, Volume III : À travers l’Hôtel Lambert

A French secrétaire à abattant by Alfred Beurdeley (1847-1919), Paris, circa 1880

A French secrétaire à abattant by Alfred Beurdeley (1847-1919), Paris, circa 1880 amaranth, maple and espenille, hardstones and marbles, gilt-bronze; the portor marble top above a long drawer and a fall front, opening to reveal a gilt-tooled green leather writing surface, the lower section opening with two doors to an interior with a shelf; decorated to the front and sides with Florentine pietre dure marquetry panels; stamped 'A.BEURDELEY A PARIS' to back height 56½in.; width 26¾in.; depth 14½in.; 143,5 cm; 68 cm; 37 cm. (1) ____________________________________________ Secrétaire à abattant en marqueterie d'amarante, érable et espenille, pierres dures, marbres et montures de bronze doré, estampille de Alfred Beurdeley, vers 1880 height 56½in.; width 26¾in.; depth 14½in.; 143,5 cm; 68 cm; 37 cm. (1)

View 1 of Lot 638: A French secrétaire à abattant by Alfred Beurdeley (1847-1919), Paris, circa 1880

a french secrétaire à abattant by alfred beurdeley (1847-1919), paris, circa 1880

A suite of four Louis XV style gilt-bronze three-light wall-lights, by Beurdeley, after the model attributed to Philippe Caffieri, second half 19th century

A suite of four Louis XV style gilt-bronze three-light wall-lights, by Beurdeley, after the model attributed to Philippe Caffieri, second half 19th century the branches ornated with acanthus leaves, the stem surmounted by a vase with two satyr-headed handles, one marked BY and B28; (pierced for electricity) (2) Height. 24 1/2 in, length. 21 in ------------------------------------------- Suite de quatre appliques à trois lumières en bronze doré de style Louis XV, par Beurdeley, d'après le modèle attribué à Philippe Caffieri, deuxième moitié du XIXe siècle les bras ornés de feuilles d'acanthe, le fût surmonté d'un vase à tête de satyre, une marquée BY et B28; (percé pour l'léléctricité) (2) Haut. 62 cm, larg. 53 cm

View 1 of Lot 228: A suite of four Louis XV style gilt-bronze three-light wall-lights, by Beurdeley, after the model attributed to Philippe Caffieri, second half of 19th century | Suite de quatre appliques à trois lumières en bronze doré de style Louis XV, par Beurdeley, d'après le modèle attribué à Philippe Caffieri, deuxième moitié du XIXe siècle

a suite of four louis xv style gilt-bronze three-light wall-lights, by beurdeley, after the model attributed to philippe caffieri, second half of 19th century | suite de quatre appliques à trois lumières en bronze doré de style louis xv, par beurdeley, d'après le modèle attribué à philippe caffieri, deuxième moitié du xixe siècle

New Époque: Adrian Alan - Selected Works

A PAIR OF LOUIS XVI STYLE GILT-BRONZE SEVEN-LIGHT CANDELABRA 'AUX AUTRUCHES', BY ALFRED-EMMANUEL BEURDELEY, AFTER THE MODEL BY FRANÇOIS RÉMOND, CIRCA 1870

A PAIR OF LOUIS XVI STYLE GILT-BRONZE SEVEN-LIGHT CANDELABRA 'AUX AUTRUCHES', BY ALFRED-EMMANUEL BEURDELEY, AFTER THE MODEL BY FRANÇOIS RÉMOND, CIRCA 1870 the nozzles, drip pans with openwork lambrequin and scrolling, stylised foliage branches raised on a foliate cast central baluster, supported by three ostriches around a gadrooned column, above a circular base decorated with swagged drapery and foliage, the bronze stamped underneath ‘BY’ for Beurdeley 78.5cm. high, 45cm. deep; 2ft. 6⅞in., 1ft. 5¾in. To view Shipping Calculator, please click here

a pair of louis xvi style gilt-bronze seven-light candelabra 'aux autruches', by alfred-emmanuel beurdeley, after the model by françois rémond, circa 1870

Vue sur la Riviera – La Villa d’un Collectionneur 

alfred beurdeley (1847 - 1919) a pair of gilt-bronze and patinated bronze four-light wall-appliques in louis xvi style, last quarter 19th century |

alfred beurdeley (1847 - 1919) a pair of gilt-bronze and patinated bronze four-light wall-lights in louis xvi style, last quarter 19th century |

alfred beurdeley (1847 - 1919)a pair of gilt-bronze and patinated bronze four-light wall-lights in louis xvi style, paris, last quarter 19th century |

alfred beurdeley (1847 - 1919)a pair of gilt-bronze and patinated bronze four-light wall-appliques in louis xvi style, paris, last quarter 19th century |

the central cupboard door opening to a citronnier-veneered interior with solid ébène moldings, the stand with one frieze drawer also with citronnier and ebony veneers, the carcass stamped 'A BEURDELEY /  A PARIS' to the top of the stand, stamped on each mount under the Brocatelle d'Espagne marble top

alfred beurdeley (1847 - 1919)a french gilt-bronze mounted ebony and japanese lacquer cabinet à quatre faces, paris, circa 1870 |

Excellence

the circular pediment centered by Mercure's mask and the cornice above the architectural front; the upper part with Corinthian columns applied with interlaced laurel branches, opening with four doors lavishly applied with pietre dure medallions and gilt-bronze ornaments; the frieze opening with four drawers interspersed with red marble panels; the lower part opening with a central door applied with ribbon tied leaves and scrolls, and two side doors applied with the Three Graces holding a basin; the plinth applied with twisted laurel; stamped five times A. Beurdeley Paris

an exceptional napoléon iii gilt-bronze mounted ebony, lapis, jasper and marble cabinet, by louis-auguste-alfred beurdeley, circa 1867 |

after the model by Juste-Aurèle Meissonnier, fitted for electricity, the bases inscribed A. Beurdeley.

a pair of louis xv style gilt-bronze candlesticks by alfred-emmanuel beurdeley, parislate 19th century

Collections: European Decorative Arts

with a sliding leather-inset writing surface and fitted interior

a louis xvi style gilt bronze-mounted mahogany table à écrire by alfred-emmanuel-louis beurdeley late 19th century, stamped a beurdeley a paris

bois de violette, satiné, ébène, and portor des Pyrenées marble top, one spring-released drawer, one shelf, the female mask gilt-bronze mount has been removed to reveal the BY mark from the bronze master model.

amarante, green stained sycomore, loupe de peuplier, black and gold Japanese lacquer within Nashihi lacquer encadrement, brocatelle violette du Jura marble top above a spring-released frieze drawer, the fall front opening to a ébène-veneered interior with fruitwood parquetry and lacquers, four small drawers and gilt-tooled red leather writing surface, the center of the frieze fitted with one drawer, the carcass stamped three times BEURDELEY / A PARIS to the back.

acajou, citronnier, ébène and buis stringing and brocatelle violette d'Espagne marble top, each with a frieze drawer, one escutcheon has been removed to reveal the mark BY to the reverse.

gilt-bronze and Wedgwood porcelain, the white and polychromed painted enamel dial signed P Sormani/A Paris, the twin-train movement stamped R A and numbered 28478, the case marked twice BY from the bronze master model.

amarante, satiné, citronnier, and stained fruitwood marquetry on stained sycomore veneers, each fitted with one large and one small frieze drawer, the small drawer with spring-loaded secret release, one table stamped twice A BEURDELEY / A PARIS to the underside, the other table similarly-stamped once to the underside.

ébène with black and gold Japanese lacquer on all four sides, brocatelle jeune du jura,  the central cupboard door opening to a citronnier-veneered interior with solid ébène moldings, the stand with one frieze drawer also with citronnier and ébène veneers, the carcass stamped A BEURDELEY /  A PARIS to the top of the stand.

brêche violette marble top above a frieze drawer, in solid érable, the fall-front in palissandre with a gilt-tooled brown leather writing surface, enclosing an architectural interior in érable and amarante, above a pair of doors revealing a further pair of doors opening with secret spring-released buttons, branded stamp A.BEURDELEY/A PARIS twice to the top of the carcass underneath the marble and a further branded stamp ..Goumain/1932 to the reverse of the left-hand side lower door.

amarante, sycomore with fruitwood and ébène trellis-parquetry stringing, the cylinder door with a fruitwood musical trophy marquetry medallion opening to a sliding gilt-tooled brown leather-lined writing surface beneath four small drawers and three compartments veneered in bois de violette and amarante, the frieze fitted with three drawers, the right-hand side drawer with a coffre fort and fitted with a compartmentalized tray,  stamped A BEURDELEY / A PARIS to the underside of the carcass.

amarante, satiné, sycomore trellis-parqetry with ébène and buis stringing, one frieze drawer, original wood casters, stamped A. BEURDELEY / PARIS to underside.

citronnier and stained sycomore flower-head trellis-parquetry, both sides with pull-out writing slides with original green velvet surface, two frieze drawers all sides similarly-decorated, the carcass stamped A BEURDELEY / A PARIS to the underside, ivorine plaque MADE IN FRANCE and white-painted number 190 and a further two numbers on paper 246 and 381 to underside.

citronnier, green-stained and fruitwood flower-head trellis parquetry, both sides with a pull-out writing slide with blue silk surface, two frieze drawers, all sides similarly-decorated, one drape-cast corner chute has been removed to reveal the mark BY from the bronze master model.

with a brown onyx inset marble top set within an acanthus leaf-cast border and above a single frieze drawer fronted with scrolling acanthus and vine garlands adorned by birds, squirrels and eagle heads centered by a ribbon-tied escutcheon, all sides similarly decorated, raised on cylindrical tapering legs with acanthus-cast capitals joined by a looped stretcher centered by two entwined dolphins raising aloft a rock crystal sphere, the carcass stamped twice A. BEURDELEY / A PARIS to the underside. 

amaranth, sycamore, satinwood, kingwood bandings with ebony and fruitwood stringings, the molded Rouge de France marble top above a long frieze drawer and another two drawers sans traverse, the side with a fleur de lys pattern marquetry, the carcass stamped twice BEURDELEY / PARIS.

the enamelled dial with Roman and Arabic numerals signed A. Beurdeley a Paris, the movement stamped BD.

19th Century Furniture, Sculpture, Ceramics, Silver and Works of Art

the frieze fitted with three drawers, the far right drawer with a coffre fort, opposed by three dummy drawers, the underside with two branded stamps A BEURDELEY / A PARIS.

19th Century Furniture

bois de rose, the frieze with fruitwood musical and hunting trophies marquetry on sycomore veneers, the hinged top with amarante, sycamore and citronnier cube-parquetry and fitted with a mirror to the reverse, one side drawer, branded stamp A BEURDELEY/ A PARIS to the underside.

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