Poster from the 83rd Fluxus Concert which was entitled Fluxorchestra.<ul><li>Carnegie Recital Hall, New York City, September 1965.</li><li>The orchestra included a host of performers such as Yoko Ono and Anthony Cox.</li><li>Yoko Ono is mentioned three times on the poster.</li><li>The posters were thrown into the audience as paper airplanes during the performance.</li><li>This one is machine folded and unframed.</li></ul>

Fluxorchestra Carnegie Hall Concert Poster 

Exhibition announcement designed by Keith Haring, produced for the occasion of “Dance Plus,” at the Joyce Theater in New York, April 21–April 26, 1987.<ul><li>“Dance Plus" was a week-long performance hosted by Keith Haring, Tseng Kwon Chi, Yoko Ono, Judith Jamison and Jennifer Muller that featured the music of Yoko Ono and theatrical sets created by Keith Haring.</li><li>Offset printed double-sided foldout announcement.</li></ul>

Dance Plus Yoko Ono Event Announcement 

With exceptional access to the couple’s private apartment, Shinoyama immortalizes this iconic couple at a decisive moment in their personal and creative relationship, and just three months before Lennon’s untimely death.<ul><li>Kishin Shinoyama (Japanese).</li><li>Köln:&nbsp;Taschen, 2014.</li><li>174 pages.</li><li>Hardcover.</li><li>Art Edition No. 125–250, edition of 125.</li><li>Signed by Yoko Ono and Kishin Shinoyama.</li><li>Accompanied by a pigment print signed by Shinoyama.</li><li>Presented in a clamshell box.</li></ul>

 Double Fantasy: John Lennon & Yoko Ono: Art Edition

Kishin Shinoyama’s widely unseen portrait series of John Lennon and Yoko Ono, shot at Ono’s request for the cover of the couple’s 1980 album, Double Fantasy.<ul><li>Kishin Shinoyama (Japanese).</li><li>Köln: TASCHEN, 2014.</li><li>174 pages.</li><li>Hardcover.</li><li>Part of an Art Edition of 125 (No. 126–250).</li><li>Signed by Yoko Ono and Kishin Shinoyama.</li><li>Accompanied by an unframed pigment print on Hahnemühle PhotoRag paper, signed by Shinoyama.</li><li>Presented in a clothbound clamshell box.</li></ul> Renowned for his sensual, provocative images, Kishin Shinoyama is one of Japan’s most controversial and acclaimed artists, at once hailed by critics and charged for public indecency. His capacity for ease and intimacy is perhaps most poignantly expressed in his beautiful series of photographs of Yoko Ono and John Lennon, shot for the cover and promotion of the couple’s celebrated 1980 album, Double Fantasy, just three months before Lennon’s untimely death. Featuring many previously unseen images, the series resonates with a remarkable honesty, and immortalizes this iconic couple at a pivotal moment in their personal and creative relationship.

John Lennon and Yoko Ono: Double Fantasy Art Edition No. 126–250 Untitled

First-edition artist book from Yoko Ono's intervention at the Museum of Modern Art in New York.<ul><li>Yoko Ono (Japanese).</li><li>New York:&nbsp;n. p,&nbsp;1971.</li><li>&nbsp;[112] pages.</li><li>Square quarto.</li><li>Bound in white illustrated wrappers.</li></ul> In 1971, "Yoko Ono staged an 'intervention' at MoMA without the museum’s permission, to which she gave the puckish title of 'Yoko Ono — One Woman Show'... Ms. Ono’s guerrilla contribution to MoMA’s program that year took the form of revealing (falsely) that she had released an army of flies around the museum, as a kind of Fluxus fifth column. For the card announcing her fictional show, she retouched a photo of the museum’s signage to insert a naughty letter “f” before its final word, thus creating the 'Museum of Modern (f)Art.' 'I did a conceptual show and that was it, for me,' said Ms. Ono, never expecting her fictional solo exhibition to become reality..." (Gopkin, Blake, "Yoko Ono and MoMA, Together at Last," NY Times, May 6, 2015). MoMA did eventually create a Yoko Ono exhibition, Yoko Ono: One Woman Show, 1960–1971 (May 17 – September 7, 2015). The book takes the form of Fluxus score as well as mail art piece, in the tradition of the New York Correspondence school. The reader is instructed to cut out and mail the postcards with images of flies on them and mail them, marking their recipients on an included map, and to write their own essays about the process, before finally treating the book as a piece of sculpture. Second only to Grapefruit in Ono provocations.

Museum of Modern (f)Art: Yoko Ono

<a href="https://www.sothebys.com/en/search?query=Yoko%20Ono&amp;tab=objects" rel="noopener noreferrer" target="_blank">Yoko Ono</a> Paintings &amp; Drawings <a href="https://www.sothebys.com/en/search?query=exhibition%20invitation%20card&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">exhibition invitation card</a>.<ul><li>After Yoko Ono (Japanese, born 1933).</li><li>An invitation for the exhibition Paintings and Drawings by Yoko Ono held between the 17th and 30th of July, 1967, at AG Gallery, in New York.</li><li>This was Yoko’s first solo exhibition in New York and the gallery at which it was held was owned by Fluxus founder, George Maciunas.</li><li>Text has been stamped onto the reverse of the invitation regarding George’s boycott of the Annual Avant Garde Festival.</li><li>Yoko’s ‘Painting to be Stepped on’ was exhibited amongst others.</li><li>This work is presented unframed.</li></ul>

Paintings And Drawings Exhibition Invitation Card

A United Kingdom signed copy of Ono's Grapefruit, which has been signed by John Lennon and Yoko Ono.<ul><li>Yoko Ono (Japanese).</li><li>London: Sphere Books, 1971.</li><li>Paperback.</li><li>Signed by John Lennon in blue felt-tipped pen and Yoko Ono in black felt-tipped pen on the flyleaf.</li><li>The signatures were either obtained at the launch of the paperback edition of the book on the 15th of July, 1971 at Selfridges book department in London, or on the 16th of July, 1971 at the Claude Gill bookshop, in London.</li></ul>

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