 A Rock & Roll Anthology: From Folk to Fury

1. Reed, Lou. “Heroin”. Annotated typescript. ca. 1965. 1 leaf, 1 page. Lyrics match earliest extant demo of the song as recorded by the band in their Ludlow Street loft in July 1965, a recording released by Polydor Records in 1995 on The Velvet Underground: Peel Slowly & See boxset. Typescript contains significant changes, in Reed’s hand, to the last verse.

1. Reed, Lou. “Heroin”. Annotated typescript. ca. 1965. 1 leaf, 1 page. Lyrics match earliest extant demo of the song as recorded by the band in their Ludlow Street loft in July 1965, a recording released by Polydor Records in 1995 on The Velvet Underground: Peel Slowly & See boxset. Typescript contains significant changes, in Reed’s hand, to the last verse. The lyrics, as typed, read as follows: "I don’t really care no more/bout the Jims-Jims in this town/and the animals making sounds/people selling people pound by pound/and the politicians and the clowns/and the do gooders with their frowns" This has been crossed out, erased and changed to a lyric closer, though still divergent, from the final version of the song as it appears on the Velvet’s debut LP The Velvet Underground and Nico (1967, Verve). The inclusion here of the line “and the do-gooders with their frowns” would ultimately be changed to “and all the dead bodies piled up in mounds”: 2. Reed, Lou. “Heroin”. Carbon typescript ca. 1965. 1 leaf, 1 page. Carbon of the above with Reed’s changes re-written at the bottom of the page by Donald Lyons. 3. Reed, Lou. “Heroin”. Typescript II ca. 1965. 1 leaf, 1 page. Second, retyped, typescript of lyrics with Reed’s changes re-written at the bottom of the page by Donald Lyons. 4. Reed, Lou. “Black Angel’s Death Song”. Typescript ca. 1965. 1 leaf, 1 page. Lyric contains variations and additional verses from those appearing on both the Norman Dolph acetate, the earliest extant version of this song, recorded April 21 – 25, 1966 at Specter Sound Studios, New York and from the final version recorded May 1966, T.T.G Studios in Hollywood, CA and November 1966 at Mayfair Studios, New York, NY: "With subways for horses/No candles for light/the races did fight/In a street/In the east/Come to choose/Choose again"A compositional note, an homage to composer LaMonte Young who John Cale performed with in The Theater of Eternal Music from 1964 – 66, appears, in type, at the bottom of the page: "the myriad choices of his fate. . . set themselves to be repeated indefinitely eventually to be drowned and/or assimilated by the wavering line dependent on the musician" 5. Reed, Lou. “Wrap Your Troubles In Dreams” ca. 1965. 1 leaf, 1 page. Typescript with single annotation in Lyons hand. Written by Lou Reed and demoed by the band, the song was ultimately recorded by Nico for her 1967 debut LP Chelsea Girl (1967, Verve). Lyrics are identical to the acoustic demo version of the song as recorded by the band in their Ludlow Street loft in July 1965, first released by Polydor in 1995 on the boxset The Velvet Underground: Peel Slowly and See. Contains one verse excised from the final Chelsea Girl recording: "Purple is to yellow/As sunlight is to rain/Happiness in death you’ll find/Loveliness in pain" 6. Reed, Lou. “Venus In Furs” ca. 1965. 1 leaf, 1 page. Typescript. Verse and chorus arrangement differs from both the acetate version recorded by Norman Dolph in April 1966 and the version which appears on the band’s debut LP The Velvet Underground and Nico (1967). The verse/chorus structure here matches that of the July 1965 acoustic demo recorded by the band in their Ludlow Street loft.

set of typescript lyrics, with autograph changes by lou reed and donald lyons, of four songs written by reed ca. 1964/1965 and recorded by the velvet underground and nico. including the earliest known iteration of the velvet underground’s groundbreaking ode to addiction, “heroin."

Rock & Pop

58 records in original sleeves, TWO SIGNED BY ANDY WARHOL ON THE SLEEVE (The Velvet Underground and Nico. Verve, 1967, complete with banana [Maréchal 29], and Sticky Fingers. Rolling Stones Records, 1971 [Maréchal 32]), ONE LIMITED EDITION SLEEVE SCREEN-PRINTED BY WARHOL AND INSCRIBED BY BILLY KLÜVER (Giant Size $1.57 Each. c.1963, green cover from the unnumbered limited edition of coloured covers [see Maréchal 25]), sleeve designs mostly by Andy Warhol, the collection including: A Program of Mexican Music. Columbia Records, 1949 [Maréchal 1]; Count Basie. RCA Victor, 1955 [Maréchal 10]; Menlove Ave. EMI/Capital, 1986 [Maréchal 49]; Rockbird. Geffen, 1986, in each of the four colour variants [Maréchal 50]; together with 9 other books, 7" singles and replica sleeves, each record housed in an individual display case, occasional wear and splitting (67)

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