Gamers Only

From the 2015-16 season of Stephen Curry’s unanimous MVP win. Curry wore this pair in four 2016 games: January 5 at Lakers, January 8 at Blazers, January 9 at Kings and January 13 at Nuggets. In total Curry scored 119 points, racked up 39 assists, 24 rebounds, 8 steals and 2 blocks in these sneakers. The Warriors won a record setting 73 games, the best regular season record in the history of the NBA. They are autographed, initialed, scribed and dated by Curry. The second edition of Under Armour’s Curry design feature Charged midsoles, SpeedForm uppers, and multidirectional soles for extra traction.

From the 2015-16 season of Stephen Curry’s unanimous MVP win. Curry wore this pair in four 2016 games: January 5 at Lakers, January 8 at Blazers, January 9 at Kings and January 13 at Nuggets. In total Curry scored 119 points, racked up 39 assists, 24 rebounds, 8 steals and 2 blocks in these sneakers. The Warriors won a record setting 73 games, the best regular season record in the history of the NBA. They are autographed, initialed, scribed and dated by Curry. The second edition of Under Armour’s Curry design feature Charged midsoles, SpeedForm uppers, and multidirectional soles for extra traction. -In black marker they are autographed twice at toebox, initialed ‘WSC’ at outside toe of right shoe and inscribed at both sides of left shoe with two of Curry’s favorite biblical references, Romans 8:28 and ‘I can do all things…’ from Philippians 4:13. -Outsoles are dated in blue pen 1/8/16 and 1.8.16. -Curry 2s made for Stephen Curry’s personal game use, in Golden State warrior colors with bright yellow uppers, bright cobalt blue tongues, logos, and panels with lightening graphics. -30/SC logo in white on tongue and stamped in blue on insoles and outer toes. -Under Armour logos in blue at outer ankles and outsoles. -Signatures are authenticated by Beckett. -The sneakers have been photomatched by Resolution Photomatching. To view Shipping Calculator, please click here

View 1 of Lot 801: Under Armour Stephen Curry Game Worn Dual Signed Curry 2

under armour stephen curry game worn dual signed curry 2

Sotheby’s & Goldin Auctions Present: A Century of Champions

2016-17 Steph Curry Game Used & Signed Under Armour Sneakers Photo Matched To 11/9/2016 (MeiGray & Fanatics)

2016-17 Steph Curry Game Used & Signed Under Armour Sneakers Photo Matched To 11/9/2016 (MeiGray & Fanatics) Like Michael Jordan before him, Stephen Curry has proven to be one of those exceptional players who changed and advanced the game of basketball. Curry’s entrance into the NBA marked the advent of the regular use of the 3-point field goal, a daring and difficult shot only occasionally used before he arrived. With Curry pushing his teammates to go for the three-pointer, the Warriors won three NBA Championships and Steph earned himself a pair of NBA MVP Awards. These sneakers have been definitively photo matched to the November 9, 2016 game against the Dallas Mavericks at the Oracle Arena in Oakland. That night, Curry scored 24 points (with four 3-point shots) with 6 assists as the Warriors downed the Mavericks 116-95. Photo matched to that November 9, 2016 game, the Under Armour sneakers are a brilliant gray-blue tone. The Under Armour logo appears on each tongue as well as on the sole of each sneaker. The two-tone laces are intact and appear to be original to the shoe. The back of each has the “SC” Steph Curry logo embossed in the rubber along with his motto, “I CAN DO ALL THINGS.” The sneakers show good game use with the expected scuffs and markings from the man who could “do all things.” Curry has signed the toe of the right sneaker in black marker and inscribed the outside side of the left sole with “I can do all things.” A great set of sneakers donned by the future Hall of Famer in the photo matched November 9, 2016 game. The sneakers come with a LOA from the MeiGray Group (MGA005059) for the photo matching and game use and a STICKER ONLY from Fanatics (AA0004707) for the signature.

2016-17 steph curry game used & signed under armour sneakers photo matched to 11/9/2016 (meigray & fanatics)

ZENITH | PART II

UNDER ARMOUR, UNDER ARMOUR CURRY 5 Synthetic, Mesh, Cotton, Rubber 2018

View 1 of Lot 10: Stephen Curry 2018 NBA Finals Golden State Warriors Game Worn Sneakers | Game 1 & Game 3

stephen curry 2018 nba finals golden state warriors game worn sneakers | game 1 & game 3

VICTORIAM | PART II

UNDER ARMOUR, UNDER ARMOUR HOVR HAVOC 2 SNEAKERS

UNDER ARMOUR, UNDER ARMOUR HOVR HAVOC 2 SNEAKERS Rubber, Leather, Cotton Circa 2019

View 1 of Lot 8: Joel Embiid 2019 Philadelphia 76ers Game Worn Sneakers

joel embiid 2019 philadelphia 76ers game worn sneakers

Winter Sports Classic

UNDER ARMOUR, Size 12.5 Rubber, Leather, Cotton, Synthetic 2015

View 1 of Lot 24: Stephen Curry Golden State Warriors 2015-2016 Game Worn & Signed Sneakers | Double-Double | Matched to 3 Games | Only Unanimous MVP Season in NBA History

stephen curry golden state warriors 2015-2016 game worn & signed sneakers | double-double | matched to 3 games | only unanimous mvp season in nba history

Part II | Important Sports Memorabilia

UNDER ARMOUR, UNDER ARMOUR SPIN PE CLEATS, SIZE 13

UNDER ARMOUR, UNDER ARMOUR SPIN PE CLEATS, SIZE 13 Rubber, Leather, Cotton, Synthetic

View 1 of Lot 38: Tom Brady 2020 Game Worn & Signed Cleats | First Buccaneers Win

tom brady 2020 game worn & signed cleats | first buccaneers win

Court Classics | Basketball Sneakers 

UNDER ARMOUR, UNDER ARMOUR HOVR HAVOC SNEAKERS

UNDER ARMOUR, UNDER ARMOUR HOVR HAVOC SNEAKERS Rubber, Cotton,Synthetic 2019- 2020

View 1 of Lot 30: Joel Embiid Philadelphia 76ers 2019-2020 Game Worn Sneakers | Matched to 6 Games 

joel embiid philadelphia 76ers 2019-2020 game worn sneakers | matched to 6 games

UNDER ARMOUR, UNDER ARMOUR CURRY 8, SIZE 13.5

UNDER ARMOUR, UNDER ARMOUR CURRY 8, SIZE 13.5 Rubber, Leather, Cotton, Synthetic 2021

View 1 of Lot 29: Stephen Curry 2021 Golden State Warriors Game Worn & Signed Sneakers

stephen curry 2021 golden state warriors game worn & signed sneakers

his head of carved ivory above the damascened steel bust, wearing armour under a sash, on a verde antico marble stand

an ivory and damascened steel bust of charles i, circa 1880, after hubert le sueur

Pierre-Lucien Joitteau, charge and discharge of Julien Alaterre, Paris, 1773

Pierre-Lucien Joitteau, charge and discharge of Julien Alaterre, Paris, 1773 oval, the lid inset with an oval enamel miniature of Peter the Great, wearing armour under a fur-lined mantle with the sash of the Order of  St Andrew, within a swagged frame, the purple enamel ground over scale engine-turning scattered with gold paillon stars within translucent green acanthus borders

a gold and enamel portrait snuff box

Fine Chinese Ceramics & Works of Art

the figure wearing armour under his robes, holding his belt with his right hand, seated on a tiger skin, 25cm., 9 7/8in; together with a figure of Buddha, holding a pearl in his left hand, standing on a lotus base, 32.4cm., 12 3/4in.

a blanc de chine figure of guandiqing dynasty, 17th century

Important Sports Memorabilia and Cards

While everyone thinks of Martina Navratilova as the all-time tennis singles champion (167 total championships, 18 Grand Slam singles titles), few realize that she is also the all-time doubles champion (177 total championships, 31 Women's Grand Slams, 10 Mixed Doubles Grand Slams).

While everyone thinks of Martina Navratilova as the all-time tennis singles champion (167 total championships, 18 Grand Slam singles titles), few realize that she is also the all-time doubles champion (177 total championships, 31 Women's Grand Slams, 10 Mixed Doubles Grand Slams). What is even more amazing is that five years after retiring from competitive tennis, in 2000 Navratilova mounted a doubles comeback. In 2003, at 46, an age where most athletes are working on their golf game, Navratilova and her partner Leander Peas won both the Australian and Wimbledon mixed doubles, becoming the oldest Grand Slam champion ever. In 2006, at Navratilova's final tournament, the US Open, she paired with doubles specialist Bob Bryan, and, just a month shy of her 50th birthday, Navratilova went out in style, winning the mixed doubles championship and increasing her record. Mounted in a specially made shadowbox, Martina used this custom made Bosworth tennis racquet and wore this Under Armour tank top and shorts, in her September 7, 2006 US Open quarterfinal mixed doubles match. Navratilova and Bryan defeated Anna-Lena Groenefeld (GER) and Frantisek Cerniak (CZE) 6-3, 6-4. She has signed all three pieces in black sharpie and has also included a letter hand signed by her attesting to the authenticity of these pieces. In the New York Times article recounting the quarterfinals match her partner Bryan said he felt that Navratilova could play for another 5 to 10 years. "I'm learning a lot playing with her," Bryan said. "Because she doesn't have the big power, she's doing it with a 90-mile-an-hour serve and just with her brain and her reflexes." Navratilova said, "You're only as old as you feel, and I certainly don't feel 49. I just wanted to inspire people." Condition: Racquet and outfit are in excellent overall condition, with minor wear from use. LOA from PSA/DNA.

signed martina navratilova racquet & outfit from 2006 us open mixed double quarterfinals match, her last tournament

the deity seated on a raised platform draped with a tiger skin, wearing armour under his long flowing robes belted at his chest, his face with a stern expression and surmounted by an official cap with two tassels falling on his shoulders, covered overall with a cream ivory glaze

a blanc-de-chine figure of guandiqing dynasty, 19th century

Fine Chinese Ceramics and Works of Art

seated on a raised pedestal, his right hand raised to his chest holding his belt and his left hand rested on his knee, wearing an armour under his flowing robes lightly incised with dragons, his face with a stern expression and surmounted by an official cap with two tassels falling on his shoulders, covered overall with a cream ivory glaze

a 'blanc-de-chine' figure of guandiqing dynasty, kangxi period

each standing with legs apart on a low plinth, dressed in a full armour under a loose fitted robe decorated with stylised chrysanthemum blooms, both hands raised to the chest, one carrying a dragon seal while the other with a square bundle, the face with a benign expression beneath an official cap, glazed in green, yellow, turquoise, blue, aubergine and pink

three 'famille-verte' biscuit figures of guandiqing dynasty, kangxi period

Three-quarter length, standing in an interior, wearing full armour under an ermine lined cloak and lace ruff

portrait of prince christian of brunswick-wolfenbüttel, brother of king george i of england (1671- 1703)

Three-quarter length, wearing armour under a blue coat with gold edging, and a red sash with a prussian order

portrait of frederick i, king of prussia (1657 - 1713)

Travel, Photographs, Maps and Natural History

T.E. Lawrence—Dawson Dickson Collection of material comprising: i)T.E. Lawrence. Seven Pillars of Wisdom. London: Jonathan Cape, 1935. First trade edition, 4to, publisher's brown cloth, inscribed in 1953 by King Hussein of Jordan and Sherif Nadder Jamil in Arabic and English, with a note tipped in by T.W. Macdonald presenting the book to Dawson Dickson (29 July 1935), and 9 photographs of Lawrence and the Arabian campaign mounted on the endpapers ii) Flowers from the Holy Land. In Remembrance of the British Army conqueror of the Holy Land 9th December 1917. [Jerusalem, 1917?]. Oblong 12mo, twelve coloured views with pressed flowers on facing rectos, varnished wooden boards, Dawson Dickson's copy iii) Loose papers and photographs: T.E. Lawrence, 'The Destruction of the 4th Army', mimeograph typescript of his secret despatch for the Arab Bulletin of 22 October 1918, scattered corrections, 6 pages; photographs, including an envelope containing nine vintage photographs the Arabian campaign (some copy prints, five captioned on the reverse), two photographs of Dickson in Arabia, later photographs of Lawrence (including several copies of Lawrence on his bicycle at Bridlington on the day he left the RAF, 26 February 1935), and others; correspondence, including a letter by Dawson Dickson to his parents, Damascus, 1919, cards by Eric Kennington and A.W. Lawrence, two letters by Captain Gilman, Dickson's commanding officer, reminiscing about Arabia, 1971-72, and others relating to Lawrence and his reputation; press cuttings, including several relating to Dawson's connection with Lawrence including accounts of his meeting with King Hussein in Keswick in 1953 Dawson Dickson was a driver in the RASC who served under Lawrence in the Hedjaz Armoured Car Battery. He remained an enthusiastic supporter of Lawrence throughout his life, and was dismayed at revisionist attacks on his hero by Richard Aldington and others. He met King Hussein of Jordan on a trip to Dickson's native Cumbria in 1953.

View 1 of Lot 72: T.E. Lawrence—Dawson Dickson | Collection of material comprising:

t.e. lawrence—dawson dickson | collection of material comprising:

The Samurai: Japanese Arms and Armour

A byotoji yokohagi-do gusoku [armour] Edo period, 18th century the fine sixty-two plate iron bowl with raised ridges, terminating in a five-stage copper-gilt and shakudo tehen kanamono of typical stylised chrysanthemum form, russet iron mabisashi [peak] the fukigaeshi [turnbacks] applied with copper-gilt agari-fuji ni dai no ji mon [ascending wisteria crests with dai character crests], nawame fukurin [ornamental border with rope impression], five-tiered solid plate shikoro [neck guard] with sugake odoshi [spaced lacing] in dark blue braid, gold and black lacquered circular maedate [forecrest] decorated with a further agari-fuji ni dai no ji mon, above kuwagata [stylised horns] fixture, patinated russet iron mempo forged in ryubu style with smooth, unwrinkled face and open mouth, detachable nose plate, red? lacquer interior, three-tiered yodaregake [throat protector] laced in matching braid, the russet iron do [cuirass] hinged in two pieces and comrpised of vertical iron plates rivetted together, hammered with stylised blossoms to some of the rivets, five-tiered sode [shoulder guards], chainmail hyotan-gote [sleeves with gourd-shaped embellishments], orange silk brocade lining, the tekko [guantlets], hammered, chased and engraved with chrysanthemums, seven tassets of five-tiered kusazuri [skirt], chainmail haidate [thigh guards] lined with further silk brocade, shino suneate [shin guards], accompanied with three white and blue silk hata [flags] each decorated with dai no ji under torii gates and further agari-fuji ni dai no ji mon, gold and black lacquered stands, wood bases, with an armour display stand and armour storage boxes

View 1 of Lot 48: A byotoji yokohagi-do gusoku [armour] | Edo period, 18th century

a byotoji yokohagi-do gusoku [armour] | edo period, 18th century

The Property of a Gentleman A tanto Signed Sojijiro Fuji Naokatsu (Fujiwara Naokatsu, 1805-1858) Edo period, dated Tenpo sannen haru nigatsu hi (a day in the 2nd month in the spring of 1832) Sugata [configuration]: shobu-zukuri, iori-mune, mu-zori, thick kasane Kitae [forging pattern]: itame and masame hada Hamon [tempering pattern]: nioi-based narrow suguha hamon Boshi [tip]: omaru-boshi with short turnback Horimono [carvings]: the omote with a three-clawed dragon coiled around suken, the ura with further suken Nakago [tang]: ubu, ha-agari, horizontal file markings becoming katte sagari, the omote signed Sojijiro Fuji Naokatsu, the ura dated Tenpo sannen haru nigatsu hi (a day in the 2nd month in the spring of 1832) Habaki [collar]: single clad, copper-gilt In shirasaya [plain wood scabbard] Koshirae [mount]: the black lacquer saya decorated in hiramaki-e with scattered paulownia motif, the iron fittings with swirling cloud scrolls in low relief, gilt details, the kozuka and kogai with inome-bori opening, the blade of the kozuka with horimono of a suken traced in gilt, the gilt menuki in the form of karashishi, the tsuba inlaid in gilt with ivy and karakusa Nagasa [length from kissaki to machi]: 26.5 cm., 10½ in. Moto-haba [width at the machi]: 3 cm., 1¼ in. Naokatsu (born in 1805 and named Kazusa Jiro) studied sword making under Taikei Naotane and died in 1858.

View 1 of Lot 66: A tanto | Signed Sojijiro Fuji Naokatsu (Fujiwara Naokatsu, 1805-1858) | Edo period, dated Tenpo sannen haru nigatsu hi (a day in the 2nd month in the spring of 1832)

a tanto | signed sojijiro fuji naokatsu (fujiwara naokatsu, 1805-1858) | edo period, dated tenpo sannen haru nigatsu hi (a day in the 2nd month in the spring of 1832)

Property from a Private Collector in Los Angeles

Property from a Private Collector in Los Angeles A katana Signed Tenmangu ni oite rokujunichi kyokuseishin kitae Yukihira kore o tsukru (made by Yukihira and forged to the most extreme purity for sixty days in Tenmangu) Edo period, dated Genroku go mizunoe-saru nigatsu saijobi (an auspicious day in February 1692) Sugata [configuration]: Shinogi-zukuri, iori-mune, deep sori, ko-kissaki Kitae [forging pattern]: Ko-itame hada with ji-nie, almost nashiji-hada﻿ Hamon [tempering pattern]: O-midare in nie with nioi-kuchi, some ashi, becoming more active towards the kissaki, sunagashi and kinsuji to the ha Boshi [tip]: O-maru-boshi with nioi-kuchi Horiomono [carvings]: Dokko-ken [single-blade vajra] to the omote, the ura with kanji and futatsu ko-hi Nakago [tang]: one mekugi-ana, ha-agari-kurijiri, yoko yasurime, signed Tenmangu ni oite rokujunichi kyoku seishin kitae Yukihira kore o tsukru (made by Yukihira and forged to the most extreme purity for sixty days in Tenmngu), and dated Genroku go mizunoe-saru nigatsu saijobi (an auspicious day in February 1692) Habaki [collar]: Copper-gilt Koshirae [mount]: The ribbed black lacquer kizami saya sprinkled overall with aoigai, the fittings similarly decorated with peonies and foliage, the kozuka with field chrysanthemum (nogiku) and irises on a fine nanako ground, plain wood underside, the kogai with wind-buffeted peonies, the round iron tsuba pierced with two villagers and a minogame beside bamboo, under the bough of a large pine tree In shirasaya [plain wood scabbard] Nagasa [length from kissaki to machi]: 70 cm., 27½ in. Sori [curvature]: 2.1 cm., ¾ in. Saki-haba [width at the yokote]: 2 cm., ¾ in. Moto-haba [width at the machi]: 3 cm., 1¼ in. Accompanied by two certificates of registration: the first as Tokubetsu Kicho Token [Especially Precious Sword], no. 5506087, issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword], dated Showa 55 (1980); the second as Tokubetsu Hozon Token [Sword Especially Worthy of Preserving], no. 1015126, issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword], dated Reiwa 3 (2021).

View 1 of Lot 48: A katana | Signed Tenmangu ni oite rokujunichi kyoku seishin kitae Yukihira kore o tsukru (made by Yukihira and forged to the most extreme purity for sixty days in Tenmangu) | Edo period, dated Genroku go mizunoe-saru nigatsu saijobi (an auspicious day in February 1692)

a katana | signed tenmangu ni oite rokujunichi kyoku seishin kitae yukihira kore o tsukru (made by yukihira and forged to the most extreme purity for sixty days in tenmangu) | edo period, dated genroku go mizunoe-saru nigatsu saijobi (an auspicious day in february 1692)

The Property of a European Collector A fine somen [full face mask] Edo period, 17th century the richly patinated russet iron mask well forged with deep wrinkles, furrowed brow and open mouth, the upper lip slightly protruding, otayori no kugi [pegs under the chin to stop the chin cord sliding forward], silver lacquer teeth, red lacquer interior 21 cm., 8¼ in. long

View 1 of Lot 25: A fine somen [full face mask] | Edo period, 17th century 

a fine somen [full face mask] | edo period, 17th century

Armour from an Important Private European Collection

Armour from an Important Private European Collection A nimai-do gusoku [armour] Momoyama - Edo period, late 16th - early 17th century the momonari kabuto [peach shaped helmet] chased and engraved with auspicious characters, silver rivets in the form of blossoms, the flat mabisashi [peak] with floral scrolls in European manner, gilt fukurin, six tier black lacquer shikoro [neck guard] with kebiki odoshi [close-lacing] in a dark blue braid, the maedate [forecrest] of an ichimonji mitsuboshi mon [three stars under one crest], the russet iron mempo with open mouth and broad horse bristle moustache, gilded teeth, four-tier yodaregake [throat protector], the iron do [cuirass] applied with gilt leather embossed with scrolling vines in European manner, black lacquer fukurin and blue braid to the lower section consistent with all parts, the reverse constructed in horizontal plates with spaced lacing, six tier sode [shoulder guards], chain mail sote [sleeves], seven tassets of five-tiered kusazuri [skirt], with shino suneate [shin guards], with an armour storage box and modern armour stand

View 1 of Lot 15: A nimai-do gusoku [armour] | Momoyama - Edo period, late 16th - early 17th century

a nimai-do gusoku [armour] | momoyama - edo period, late 16th - early 17th century

A fine somen [full face mask] Signed Myochin Munesada Edo period, 19th century the russet iron mask well forged with furrowed brow, stylised eyebrows and deep hammered pouched cheeks, the mouth slightly open, rings to the cheek and otayori no kugi [pegs under the chin to stop the chin cord sliding forward], gold lacquer interior

View 1 of Lot 30: A fine somen [full face mask] Signed Myochin Munesada Edo period, 19th century

a fine somen [full face mask] signed myochin munesada edo period, 19th century

The Property of a European Collector A yoshiryu style mempo [face mask] Edo period, 18th century the iron mempo [face mask] forged in yoshiryu style with smooth unwrinkled face, open mouth, detachable nose plate with stylised butterfly hinges, yadome [standing flanges] to the cheeks, inlaid silver moustache, red lacquer interior, rare feature of slight piercing under the chin, five-tiered black lacquer and gilded leather yodaregake [throat protector] with sugake odoshi [spaced-lacing] in dark blue braid, the illustrated fitted black metal stand is sold with this lot 16.5 cm., 6½ in. wide

View 1 of Lot 28: A yoshiryu style mempo [face mask] | Edo period, 18th century

a yoshiryu style mempo [face mask] | edo period, 18th century

View 1 of Lot 24: A yoshiryu style mempo [face mask] | Edo period, 18th century

Style: Private Collections

depicting Vulcan and Venus, with Vulcan seated below and his assistants forging armour, with Venus and her attendants in the clouds above with the chariot with the doves, signed in left hand side of design, in reverse (and without the 'r'), F.Bouche, 1749, lacking original selvedge and without border

'vulcan and venus', a louis xv mythological tapestry, paris, beauvais manufactory,  from series the loves of the gods, after designs by françois boucher, woven under the direction of jean baptiste oudry (1685-1755) and andré charlemagne charron (fl. 1753-1780), mid 18th century |

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