Arts of the Islamic World & India

Arabic manuscript on paper, 308 leaves, plus 4 fly-leaves, 15 lines to the page written in naskh in black ink, verses separated by gold and polychrome illuminated rosettes, within gold and black rules, hizb, sajda and juz' marked by illuminated floral marginal devices, surah headings in white thuluth on gold and polychrome illuminated panels, f.1b and 2a illuminated in gold and polychrome with rococo floral decoration against a gold ground pin-pricked with cintamani motifs, the colophon within similarly illuminated panels, in Ottoman gilt dark brown leather binding with flap, with fitted box

Arabic manuscript on paper, 308 leaves, plus 4 fly-leaves, 15 lines to the page written in naskh in black ink, verses separated by gold and polychrome illuminated rosettes, within gold and black rules, hizb, sajda and juz' marked by illuminated floral marginal devices, surah headings in white thuluth on gold and polychrome illuminated panels, f.1b and 2a illuminated in gold and polychrome with rococo floral decoration against a gold ground pin-pricked with cintamani motifs, the colophon within similarly illuminated panels, in Ottoman gilt dark brown leather binding with flap, with fitted box text panel: 8 by 5.1cm. leaf: 12.5 by 8.2cm.

View 1 of Lot 229: An illuminated Qur'an, copied by Isma'il Najib, Bulgaria, Shumen, Ottoman, dated 1266 AH/1849-50 AD

an illuminated qur'an, copied by isma'il najib, bulgaria, shumen, ottoman, dated 1266 ah/1849-50 ad

Arts of the Islamic World & India including Fine Rugs and Carpets

Arabic manuscript on paper, 221 leaves, 15 lines to the page, written in naskh in black ink, ruled in red, black and gold, verses separated by gold roundels, surah headings in white riqa’ against a gold ground within cartouches, gold and polychrome verse markers in the margins, f.1b and f.2a with an illuminated frontispiece, f.220b and f.221a with a finispiece bifolium, in brown gilt and stamped leather binding, with flap

Arabic manuscript on paper, 221 leaves, 15 lines to the page, written in naskh in black ink, ruled in red, black and gold, verses separated by gold roundels, surah headings in white riqa’ against a gold ground within cartouches, gold and polychrome verse markers in the margins, f.1b and f.2a with an illuminated frontispiece, f.220b and f.221a with a finispiece bifolium, in brown gilt and stamped leather binding, with flap 16.5 by 10cm.

View 1 of Lot 9: An illuminated Qur’an, copied by Mustafa Safwat, student of Mustafa Shukri, Bulgaria, Ottoman, Shumen, dated 1295 AH/1878-79 AD

an illuminated qur’an, copied by mustafa safwat, student of mustafa shukri, bulgaria, ottoman, shumen, dated 1295 ah/1878-79 ad

Arts of the Islamic World & India including Fine Rugs & Carpets

AN ILLUMINATED QUR’AN, COPIED BY 'ABD AL-HALIM, STUDENT OF HASSAN AL-MASHAQI, PROBABLY BULGARIA, SHUMEN, OTTOMAN, DATED 1275 AH/1858-59 AD

AN ILLUMINATED QUR’AN, COPIED BY 'ABD AL-HALIM, STUDENT OF HASSAN AL-MASHAQI, PROBABLY BULGARIA, SHUMEN, OTTOMAN, DATED 1275 AH/1858-59 AD Arabic manuscript on European paper, 308 leaves plus 1 fly-leaf, 15 lines to the page, written in naskh in black, ruled in gold, black and red, verses separated by gold and polychrome roundels, surah heading in white riqa against a gold ground within polychrome cartouches, gold and polychrome verse markers in the margins, f.1b and 2a with a polychrome and gold illuminated frontispiece, f.306a with the colophon written within a gold and polychrome roundel, in a brown gilt leather binding, with flap 17.4 by 11cm.

an illuminated qur’an, copied by 'abd al-halim, student of hassan al-mashaqi, probably bulgaria, shumen, ottoman, dated 1275 ah/1858-59 ad

THE SHAKERINE COLLECTION: Calligraphy in Qur’ans and other Manuscripts

AN ILLUMINATED QUR’AN, COPIED BY MUSTAFA SAFWAT, STUDENT OF MUSTAFA SHUKRI, BULGARIA, OTTOMAN, SHUMEN, DATED 1295 AH/1878-79 AD

AN ILLUMINATED QUR’AN, COPIED BY MUSTAFA SAFWAT, STUDENT OF MUSTAFA SHUKRI, BULGARIA, OTTOMAN, SHUMEN, DATED 1295 AH/1878-79 AD Arabic manuscript on paper, 221 leaves, 15 lines to the page, written in naskh in black ink, ruled in red, black and gold, verses separated by gold roundels, surah headings in white riqa’ against a gold ground within cartouches, gold and polychrome verse markers in the margins, f.1b and f.2a with an illuminated frontispiece, f.220b and f.221a with a finispiece bifolium, in brown gilt and stamped leather binding, with flap text panel: 11.8 by 6.5cm. leaf: 16.5 by 10cm.

Japanese Woodblock Prints

Utagawa Kuniyoshi (1797–1861) Sakata no Kintoki, Usui Sadamitsu and Genji Tsuna subdue monsters while playing go (Shumenosuke Sakata no Kintoki, Takiguchi no toneri Genji Tsuna, Dakoe no jo Usui Sadamitsu) Edo period, 19th century woodblock print, triptych, the centre sheet signed Ichiyusai Kuniyoshi ga (Pictured by Ichiyusai Kuniyoshi), censor's seal aratame (certified), published by Yamaguchiya Tobei (Kinkodo), 1st month 1861 Vertical oban triptych: Left sheet: 36.3 x 24.5 cm., 14¼ x 9½ in. Centre sheet: 36.2 x 24.4 cm., 14¼ x 9½ in. Right sheet: 36.2 x 24.3 cm., 14¼ x 9½ in.

View 1 of Lot 39: Utagawa Kuniyoshi (1797–1861) | Sakata no Kintoki, Usui Sadamitsu and Genji Tsuna subdue monsters while playing go (Shumenosuke Sakata no Kintoki, Takiguchi no toneri Genji Tsuna, Dakoe no jo Usui Sadamitsu) | Edo period, 19th century

utagawa kuniyoshi (1797–1861) | sakata no kintoki, usui sadamitsu and genji tsuna subdue monsters while playing go (shumenosuke sakata no kintoki, takiguchi no toneri genji tsuna, dakoe no jo usui sadamitsu) | edo period, 19th century

Fine Japanese Prints

View 1 of Lot 120: Utagawa Kuniyoshi (1797–1861) | Sakata no Kintoki, Usui Sadamitsu and Genji Tsuna subdue monsters while playing go  (Shumenosuke Sakata no Kintoki, Takiguchi no toneri Genji Tsuna, Dakoe no jo Usui Sadamitsu) | Edo period, 19th century 

Utagawa Kuniyoshi (1797-1861) Sakata no Kintoki, Usui Sadamitsu and Genji Tsuna subdue monsters while playing go (Shumenosuke Sakata no Kintoki, Takiguchi no toneri Genji Tsuna, Dakoe no jo Usui Sadamitsu) Edo period, 19th century woodblock print, triptych, the centre sheet signed Ichiyusai Kuniyoshi ga, censor's seal aratame, published by Yamaguchiya Tobei (Kinkodo), 1st month 1861 Vertical oban triptych: Left sheet: 35.8 x 24.5 cm., 14⅛ x 9⅝ in. Centre sheet: 35.8 x 26 cm., 14⅛ x 10¼ in. Right sheet: 35.8 x 25.5 cm., 14⅛ x 10⅛ in.

View 1 of Lot 70: Utagawa Kuniyoshi (1797-1861) |  Sakata no Kintoki, Usui Sadamitsu and Genji Tsuna subdue monsters while playing go (Shumenosuke Sakata no Kintoki, Takiguchi no toneri Genji Tsuna, Dakoe no jo Usui Sadamitsu) | Edo period, 19th century

utagawa kuniyoshi (1797-1861) | sakata no kintoki, usui sadamitsu and genji tsuna subdue monsters while playing go (shumenosuke sakata no kintoki, takiguchi no toneri genji tsuna, dakoe no jo usui sadamitsu) | edo period, 19th century

Results for "Shumen"