Contemporary Art Online | London

MICHAEL LANDY b. 1963 H.2.N.Y. THEIR TIME RUBS OUT THEY DESTROY THEMSELVES correction fluid on paper sheet: 84 by 59 cm. 33 by 23¼ in. frame: 93.5 by 69 cm. 36¾ by 27⅛ in. Executed in 2007. To view shipping calculator, please click here

michael landy | h.2.n.y. their time rubs out they destroy themselves

A Celebration of British Printmaking

Michael Landy b. 1963 Nourishment each signed in pencil verso, dated, titled and numbered 30/37 the complete portfolio, comprising 12 etchings on Hahnmuhle wove paper, with the colophon, also numbered 30, contained in the original portfolio box each sheet: approx. 895 by 773 mm. 35 by 30½ in. overall: 950 by 830 mm. 37⅜ by 32⅝ in. Executed in 2002; this portfolio is number 30 from the edition of 37, published by Paragon Press, London. (12 prints)

nourishment

Contemporary Art Online

MICHAEL LANDY b. 1963 H.2.N.Y. SELF-MUTILATING MACHINE glue and gouache on paper sheet: 123 by 153 cm. 48⅜ by 60¼ in. frame: 166 by 136 cm. 63 3/8 by 53 1/2 in. Executed in 2006.

michael landy | h.2.n.y. self-mutilating machine

Contemporary Discoveries

Michael Landy b. 1963 H.2.N.Y. Self-Mutilating Machine glue and gouache on paper 123 by 153 cm. 48⅜ by 60¼ in. framed: 136 by 166.5 cm. 52½ by 65½ in. Executed in 2006.

View 1 of Lot 71: H.2.N.Y. Self-Mutilating Machine

h.2.n.y. self-mutilating machine

Made in Britain / Online

signed and dated '94'ink on 4 separate sheets of paper, joined as oneThe career of Michael Landy (b.1963) has been driven by a series of notable installations. These have included Market (1990), Closing Down Sale (1992), Scrapheap Services (1996), Break Down (2001) and H2NY (2006), all of which engendered much documentation such as drawings, photographs, publications and videos. The present work belongs to a group of drawings made in relation to Scrapheap Services, a large-scale installation acquired by Tate in 1997. This was Landy’s most imaginative work in which he invented a waste-disposal firm with the object of cleansing society of undesirable members in a ruthlessly efficient way, while retaining a bright and sunny landscape as its visual logo and smartly uniformed workers. Thousands of cut-out figures (made from street rubbish) are swept up and fed into an alarming shredding machine called the ‘Vulture’. The group of highly detailed ink drawings, recording the work’s evolution and fabrication, remind us in turn of an obsessive ‘mad scientist’, a child’s delight in page-filling and a medieval monk illuminating a manuscript. All combine a comic riff on advertising with mordant social satire. They are unprecedented among works on paper by Landy’s YBA contemporaries.

we leave the scum no place to hide

Contemporary Art

anti-people campaign bin (from the scrapheap services series)

we love the jobs you hate (from the scrapheap services series)

scrapheap services helmet (from the scrapheap services series)

we leave the scum with no place to hide (from the scrapheap services series)

bail

The Robert Devereux Collection of Post-War British Art in aid of the African Arts Trust, Sale 1

gillian #3

if you want it today we can probably do it tomorrow

untitled (from scrapheap services)

we make people black spots a thing of the past

20th Century British and Irish Art

working the land

Israeli & International Art

roof and window in no man's land

Etching on paper26 x 28 in. / 66 x 71.5 cm.signed and numbered by the artist on the reversePrinted by Hope Sufferance Press, LondonEdition of 37 + 5 a/p'sWith thanks to The Paragon PressThis lot is not subject to bidding but individual prints are available for purchase at the price of £750 (unframed) during the Gala EveningPrints can also be reserved from ArtangelCall 00 44 (0) 20 7713 1400 or send an e-mail to natalie@artangel.org.uk

michael landy

Contemporary Art Day

h.2.n.y. suicide carriage breaks down on its way to maillols

michael landy (b. 1963), costermonger's stall, wood, gloss paint, tarpaulin,...

michael landy (b. 1963), scrapheap services, signed, titled and dated 1996 ink on paper...

michael landy (b. 1963), market stall i, steel, red oxide, plywood and artificial...

Made In Britain

h.2.n.y tinguely's contraption, nation

Etching, 2002, from Nourishment, signed in pencil verso, titled, dated and numbered 3/6, on wove paper, co-published by Charles Booth-Clibborn, under his imprint The Paragon Press, and Sabine Kunst, Maximilian Verlag, Munich

common dandelion

Contemporary Art Day Auction

working around the clock to offer you a complete service

Contemporary Curated

semi-detached, lisa, john, ethel, maureen, and michael landy

Made in Britain

a relation of a journey… containing a description of the turkish empire, of ægypt, of the holy land [etc.]. london: andrew crooke, 1637, fourth edition, folio, engraved title, folding engraved plate, engraved illustrations, maps and plans in the text, [weber ii, 243], title defective and repaired, a2 repaired and remargined, both leaves possibly supplied, lacks folding map, i2 torn, occasional dampstaining [bound with]–herbert, thomas. some yeares travels into divers parts of asia and afrique. london: richard bishop, 1638, second edition, folio, engraved additional title, engraved illustrations in the text, contemporary calf, [wilson, p.95], occasional dampstaining, rebacked and repaired retaining most of original spine, new endpapers–la brocquière, bertrandon de. the travels… to palestine. [hafod]: james henderson at the hafod press, 1807, 8vo, half-title, folding map, full-page wood-engraved illustration, tail-piece, contemporary diced russia, double gilt fillet borders on covers, spine gilt in compartments, [blackmer 933], one leaf with blind-stamp, very minor foxing at beginning and end–bianco, noe. viaggio da venezia al s. sepolcro e al monte sinai col disegno delle città, castelli, ville, chiese, monasteri, isole, porti, e fiumi, che fin la si ritrovano. lucca: domenico marescandoli, [c.1780], 16mo, woodcut on title page of christ on the cross with the two marys, numerous woodcuts throughout text, later vellum, flat spine gilt, [cf. blackmer 1206; michel vi, p.22], title page rebacked, edges of most pages frayed with loss of a few words, some browning and staining (3)

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