Modern and Contemporary Southeast Asian Art

LE VAN MAU 1917 - 2003 PORTRAIT OF A YOUNG VIETNAMESE WOMAN FROM THE SOUTH bronze on an original wooden base from the period signed in Chinese on the reverse Executed circa 1940s Bust: 24.5 by 14.5 by 18.5 cm; 9½ by 5¾ by 7¼ in. Base: 10.5 by 10.5 by 10.5 cm; 4 by 4 by 4 in.

le van mau | portrait of a young vietnamese woman from the south

The Collection of Douglas S. Cramer

Katharina Fritsch b. 1956 Maus painted polyester resin 7¼ by 10 by 3 in. 18.41 by 25.4 by 7.6 cm. Executed in 1998; this example is number 107 from an edition of 240.

maus

Art of Africa, Oceania, and the Americas

Property from an American Private Collection

Property from an American Private Collection Mau Mask for the Koma Power Association, Touba Region, Côte d'Ivoire Height: 33 ⅛ in (84 cm) Wood, metal, encrusted patina

View 1 of Lot 70: Mau Mask for the Koma Power Association, Touba Region, Côte d'Ivoire

mau mask for the koma power association, touba region, côte d'ivoire

Modern & Contemporary Discoveries

Heribert C. Ottersbach Katz und Maus (Cat and Mouse) signed, titled and dated 2002 (on the reverse) acrylic on paper collage and canvas 175 by 240 cm. 68⅞ by 94½ in. Executed in 2002.

View 1 of Lot 30: Katz und Maus (Cat and Mouse)

katz und maus (cat and mouse)

The Kindig Collection: Important American Furniture, Paintings, Silver & Decorative Arts

Very Fine and Rare Chippendale Carved And Figured Mahogany Tall Case Clock

Very Fine and Rare Chippendale Carved And Figured Mahogany Tall Case Clock Clock Works by Frederick Maus (active 1785 - 1793), Case attributed to George Pickering (d. 1784) Philadelphia, Pennsylvania Circa 1785 Appears to retain its original finials and rooster cartouche. Dial inscribed Fredk Maus. Philadelphia. Retains a dark possibly original surface. Height 105 1/4 in. by Width 22 3/4 in. by Depth 11 3/4 in.

View 1 of Lot 610: Very Fine and Rare Chippendale Carved And Figured Mahogany Tall Case Clock, Clock Works by Frederick Maus (active 1785 - 1793), Case attributed to George Pickering (d. 1784), Philadelphia, Pennsylvania, Circa 1785

very fine and rare chippendale carved and figured mahogany tall case clock, clock works by frederick maus (active 1785 - 1793), case attributed to george pickering (d. 1784), philadelphia, pennsylvania, circa 1785

Contemporary Prints and Multiples Online

The History of Now: The Collection of David Teiger | Sold to Benefit Teiger Foundation for the Support of Contemporary Art

The History of Now: The Collection of David Teiger | Sold to Benefit Teiger Foundation for the Support of Contemporary Art KATHARINA FRITSCH B.1952 MAUS (MOUSE) Polyester resin multiple painted black, 1998, signed in ink on the Certificate of Authenticity and numbered 227/240 (total edition includes 24 artist's proofs) height: 187 mm 7⅜ in

katharina fritsch | maus (mouse)

Modern and Contemporary Southeast Asian Art Day Sale

rico cucu saya mau bobo

Contemporary Art Day Auction

maus (mouse) 

Morita Shiryu: Bokujin 

mau - dance

Livres et Manuscrits

À deux de ses principaux mécènes belges.

À deux de ses principaux mécènes belges. Lettre à Edmond Picard. 16 avril 1909. 4 p. in-12 (156 x 113 mm), sur un bifeuillet. Papier de grand deuil. Enveloppe autographe.L’avocat et collectionneur belge Edmond Picard (1836-1924) avait rencontré Odilon Redon quand, en 1886, il pense à l’artiste pour illustrer son Juré. Très vite, Picard devient l’un des principaux protecteurs de Redon, avec lequel il entretiendra des rapports très amicaux, comme le montre la complicité qui transparaît dans cette lettre. Redon remercie Edmond Picard du bon accueil qu’ont reçu chez lui sa femme et son fils (dont Picard était le parrain). L’artiste regrette de ne pas écrire davantage à son ami : "toute ma volonté s’est confirmée près de mon chevalet, et […] tout ce qui n’est pas de mon art ne me tient qu’avec effort, malgré les désirs et les voix de mon propre cœur. Hors de mes travaux, je suis comme un infirme." Odilon Redon évoque la santé fragile de son ami âgé : "ah ! vieillir c’est voir mourir. C’est voir la mort plus que les autres." Il évoque avec tendresse la mort de son frère aîné et de sa mère : "elle m’avait révélé, en ces derniers temps cette chose attendrissante qu’est la mère réduite par le grand âge, ce contraste avec son autorité de jadis, vaincue et soumise dans un corps d’enfant." Lettre à Octave Maus. 12 mars 1894. 2 p. in-12 (177 x 112 mm), sur un bifeuillet.Odilon Redon souhaite que les "ouvrages" qu’il a confiés à Octave Maus (1856-1919) pour le premier salon de de La Libre esthétique (17 février-15 mars 1894) soient rapidement expédiés à Paris, pour sa rétrospective chez Durand-Ruel : "Je ne vous ai confié mon envoi que sur la foi d’une durée de un mois, à la Libre Esthétique, qui devait s’ouvrir plus tôt, et conséquemment fermer plus tôt." Redon se montre très pressant, car son exposition parisienne "pour moi une chose importante. […] Vous pouvez aisément distraire de l’exposition mes travaux pendant la dernière semaine." Il demande à ce que les tableaux soient expédiés directement chez son galeriste rue Laffitte. "Encore une fois, je vous supplie".Écrivain, avocat, passionné d'art, le belge Octave Maus (1856-1919) est à l’origine de La Libre Esthétique (1894-1914), qui défend particulièrement l’esthétique symboliste de Redon. Avec Picard, il a beaucoup œuvré pour la reconnaissance de l’artiste. Lettre à un collaborateur d’Édouard Dujardin. 6 juin 1887. Une p. (180 x 115 mm). Il demande si Édouard Dujardin, "directeur de la Revue Indépendante", sera de retour pour "passer en vos bureaux pour terminer l’affaire dont vous avez pris connaissance".Redon a collaboré avec Dujardin dans La Revue wagnérienne (1885-1888) et la Revue Indépendante, en donnant plusieurs illustrations. Voir aussi lots 84, 92 et 93.

ensemble de 3 lettres autographes signées, à des correspondants belge, dont edmond picard, octave maus. [paris,] 1887-1909.

Fix & Foxi - The Rolf Kauka Collection

Art Contemporain

futatsu no mau ougi

mau-mau

Appel

the thumb-piece engraved H below a crown and matching later extinguisher, marked below (2)

a german silver chamber candlestick with the initial of prins hendrik (1876-1934), h. mau, dresden, circa 1900

ZH1106

gemüsestillleben mit mäusen und kaninchen, 1928still life with vegetables, mice and rabbits, 1928

théo van rysselberghe, portrait of mme maus

literatur: 2 bücher: e. heuser, porzellan von strassburg und maus/steinemann, frankenthal

friedrich eduard meyerheim german, 1808-79, fang die maus (catch the mouse!), signed...

Contemporary Curated

egyptian mau

portrait of a young vietnamese woman from the south

a silver candlestick, h. mau, dresden, 19th century,

a chippendale carved and figured mahogany aut omaton tall case clock, frederick maus, phila

maurice denis 1870-1943, la chapelle de kernivinen, signed and dated mau.d.09 oil...

il manico sagomato, con volute di foglie alla cima e alla base, reca sul fronte le iniziali A.R. intrecciate sotto una corona chiusa, sul verso la scritta “ 1900  Hauptmann Senfftv. Pilsach”

cucchiaio da portata in argentoh. mau, germania, secolo xx

Maus – A Survivor’s Tale. New York: Pantheon Books, 1986, presentation copy inscribed by the author with an illustration of a mouse, first edition, original wrappers; Maus II – A Survivor’s Tale. New York: Pantheon Books, 1991, signed by the author with an illustration of a mouse, first edition, original cloth-backed boards, dust-jacket, slight fading at foot of boards--Spiegelman, Art and Françoise Mouly. Raw. Vol. II, No. 1. New York: Penguin Books, 1989, signed on upper cover by seven contributors, first edition, original wrappers; Raw. Vol. II, No. 2. New York: Penguin Books, 1990, first edition, original wrappers; Raw. Vol. II, No. 3. New York: Penguin Books, 1991, first edition, original wrappers--together with one other; all 8vo (6)

a collection of volumes relating to maus, comprising:

A Friend to Artists: The Marisa Perret-Rezzonico Collection

Andreas Slominski b. 1959 Grüne Mäusefalle signed with artist's fingerprint under the base painted metal 8,5 x 41 x 10 cm Executed in 2000.

grüne mäusefalle

Arts of the Islamic World & India including Fine Rugs and Carpets

gouache heightened with gold on paper, 20 lines to the page, above and below the painting, written in small naskh script in black ink in 6 columns, red rules, the reverse with 30 lines of text, titles in larger black and red script

gouache heightened with gold on paper, 20 lines to the page, above and below the painting, written in small naskh script in black ink in 6 columns, red rules, the reverse with 30 lines of text, titles in larger black and red script Painting: 9.8 by 24cm; text panel: 28.9 by 24cm; leaf: 35.9 by 29.3cm.

an illustrated and illuminated leaf from a manuscript of firdausi's shahnameh: rustam fighting isfandiyar, copied by hasan ibn muhammad ibn ‘ali ibn husaini (al-mausili), persia, shiraz, 741 ah/1341 ad

Old Master & 19th Century Paintings Day Auction, Part I

The Property of a Dutch Foundation Herman Saftleven Rotterdam 1609–1685 Utrecht An imaginary Rhenish landscape with figures near a tavern, the town of Bingen and the Mäusenturm in the distance signed with monogram and dated lower centre: HS /1659 oil on copper unframed: 26 x 32.4 cm.; 10¼ x 12¾ in. framed: 36.5 x 43 cm.; 14⅜ x 17 in.

View 1 of Lot 126: An imaginary Rhenish landscape with figures near a tavern, the town of Bingen and the Mäusenturm in the distance

an imaginary rhenish landscape with figures near a tavern, the town of bingen and the mäusenturm in the distance

Opéra de Paris: Auction for Action, Bid for Creation | Online

Nick Mauss b. 1980 Untitled ﻿ signed and dated 20 on the reverse acrylic on board with collage, watercolor and ink on paper 55,9 x 73,6 cm ; 22 x 29 in. Executed in 2020. __________________________________________________ Nick Mauss n. 1980 Untitled signé et daté 20 au dos acrylique sur panneau avec un collage, aquarelle et encre sur papier 55,9 x 73,6 cm ; 22 x 29 in. Exécuté en 2020.

untitled

Old Masters

Property from a Private Collector, Texas FILIPPO TARCHIANI Florence 1576 - 1645 ARTEMISIA DRINKING WINE MIXED WITH THE ASHES OF HER HUSBAND, MAUSOLUS oil on canvas canvas: 55 by 33 in.; 139.7 by 83.8 cm. framed: 62½ by 40½ in.; 158.6 by 102.9 cm.

filippo tarchiani | artemisia drinking wine mixed with the ashes of her husband, mausolus

Impressionist & Modern Art | London

Marcel Dyf 1899 - 1985 Peupliers en Provence à Maussane signed Dyf (lower right) oil on canvas 60 by 73cm., 23⅝ by 28¾in. Framed: 84 by 97cm., 33 by 38⅛in. Painted in 1970. This work is recorded in the Marcel Dyf Archives under No. 4211.

View 1 of Lot 63: Peupliers en Provence à Maussane

peupliers en provence à maussane

Travel, Atlases, Maps and Natural History

FIRST EDITION, folio (366 x 265mm.), PRESENTATION COPY, INSCRIBED on the title "À Monsieur Daumet, hommage de l'Architecte, Le Caire 18 May 1895", plan of the mausoleum, 21 heliotype plates by J. Löwy, contemporary red pebbled cloth gilt, [FRBNF 30414793], minor wear, upper cover and front free endpaper detached

Results for "Maus"