British poster for the <a href="https://www.sothebys.com/en/buy/james-bond" rel="noopener noreferrer" target="_blank">James Bond</a> film Live and Let Die with Roger Moore.<ul><li>Robert E. McGinnis (b. 1926).</li><li>United Artists.</li><li>Linen backed.</li></ul>

James Bond Live and Let Die British Movie Poster

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first United Kingdom edition</a>, first printing of the <a href="https://www.sothebys.com/en/search?query=James%20Bond&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">James Bond</a> novel Live And Let Die by <a href="https://www.sothebys.com/en/search?query=ian%20fleming&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Ian Fleming</a>.<ul><li>Ian Fleming (English).</li><li>London: Jonathan Cape, 1954.</li><li>Raymond Chandler’s ownership stamp to flyleaf (dated May 24 1954).</li><li>Bound in the original black cloth, lettered in gilt, design to upper board in gilt, in the dust wrapper with Kenneth Lewis’ acknowledgement to the front flap.</li></ul> A superb association copy between the two masters of their genres. Ian Fleming and Raymond Chandler began a friendship in 1955, during a dinner at Stephen Spender’s, and it lasted the remaining four years of Chandler’s life. He inscribed a copy of his final novel, Playback for Fleming and received a warmly inscribed copies of Moonraker and Goldfinger from the Bond creator. Their relationship had perhaps the most profound effect on Fleming and his literary career. By the time the two men meet, Fleming was finished with Bond, having “convinced himself that he had gone as far as with writing about James Bond as he ever would or could” (Pearson, pages 232-233). It was in large part thanks to Chandler’s encouragement that Fleming was persuaded not to abandon Bond after the first two literary instalments, but rather to give him greater depth.

Live And Let Die (First Edition, First Printing)

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first edition</a>, first printing of the <a href="https://www.sothebys.com/en/buy/james-bond" rel="noopener noreferrer" target="_blank">James Bond</a> book Live and Let Die, by Ian Fleming, which has been <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?locale=en&amp;Book%20Type=Signed%2520and%2520Inscribed" rel="noopener noreferrer" target="_blank">inscribed</a> by the author.<ul><li>Ian Fleming (English).</li><li>London: Jonathan Cape, 1954.</li><li>Inscribed to Muriel Williams&nbsp;.</li><li>The book is accompanied by the correct first state dust wrapper without the artist's (Kenneth Lewis] credit on the front flap, correctly priced at 10s.6d. net to both the front and rear flaps.</li></ul> Inscribed by the author on the front free end-paper: "To/ MW/ The faithful &amp;/ true!/ from/ The Author". With an additional ownership inscription and date (1954) of M J Williams on the front paste-down. Muriel Williams (often referred to as MJW or MW) was Fleming's Assistant at Kemsley Newspapers when he was the Foreign Manager. She was responsible for the day-to-day running of the Department in particular liaison with the "stringers" who, from far flung parts of the world, submitted stories for inclusion in the Kemsley Publications (including the Sunday Times). The dust wrapper artist, Kenneth Lewis (who worked in the Art Department at Kemsley), remembers her well commenting on her flat-chested appearance, strong and forceful personality, her use of bright red lipstick and that Fleming deferred to her. Fleming inscribed several of his other early novels to her, including Casino Royale and Moonraker.

James Bond Live and Let Die Inscribed First Edition

<a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">First edition</a>, first impression, first issue, and first state of <a href="https://www.sothebys.com/en/search?query=Ian%20Fleming&amp;tab=objects" rel="noopener noreferrer" target="_blank">Ian Fleming</a>'s <a href="https://www.sothebys.com/en/buy/james-bond" rel="noopener noreferrer" target="_blank">James Bond</a> novel Live and Let Die.<ul><li>Ian Fleming (English).</li><li>London:&nbsp;Jonathan Cape,&nbsp;1954.</li><li>Octavo.</li><li>240 pages.</li><li>Black cloth covered boards, in colorful dust jacket, housed in a custom half-morocco clamshell box.</li></ul> A very pretty copy of Fleming’s second novel, written in just two months at his Goldeneye estate, before the reviews of the first Bond novel, Casino Royale, landed.

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