Contemporary Art Online | New York 

The History of Now: The Collection of David Teiger Sold to Benefit Teiger Foundation for the Support of Contemporary Art

The History of Now: The Collection of David Teiger Sold to Benefit Teiger Foundation for the Support of Contemporary Art CORNELIA PARKER b.1956 WEDDING RING DRAWING two 22-carat gold wedding rings drawn into wire, in artist's frame Wire: 9 by 14½ in. (22.8 by 36.9 cm.) Framed: 24 by 24 in. (61 by 61 cm.)

cornelia parker | wedding ring drawing

Contemporary Discoveries

Cornelia Parker b. 1956 Blue Shift i. signed on the reverse ii. signed and dated 2002 on the reverse iii. signed and dated 2002 iiii. signed and dated 2002 on the reverse polaroids, in four parts each: 10.8 by 8.9 cm. 4¼ by 3½ in. each framed: 37.8 by 30.9 cm. 14⅞ by 12⅛ in. Executed in 2002, this work is from an edition of 7.

blue shift

Cornelia Parker b. 1956 Decoy Murano glass and metal, in three parts 72 by 71 by 36 cm. 28⅜ by 28 by 14⅛ in. Executed in 2013, this work is unique.

decoy

Contemporary Art

Property from a Private Collection, Colorado

Property from a Private Collection, Colorado Cornelia Parker b. 1956 Red Abstract brick dust from the house that fell off the White Cliffs of Dover on Plexiglas, in artist's frame 40⅜ by 40½ in. (102.5 by 102.9 cm.) Executed in 2000.

red abstract

The History of Now: The Collection of David Teiger Sold to Benefit Teiger Foundation for the Support of Contemporary Art CORNELIA PARKER b. 1956 MEASURING LIBERTY WITH A DOLLAR silver dollar drawn to the height of the Statue of Liberty Overall: 24¾ by 24⅝ in. (62.9 by 62.5 cm.) Executed in 1998.

measuring liberty with a dollar

Contemporary Art Day Auction

Cornelia Parker b. 1956 Alter Ego (Teapot with reflection) two silver-plated objects, one flattened by a 250 ton press teapot: 15 by 16.5 by 26.5 cm. 5⅞ by 6½ by 10⅜ in. compressed teapot: 26.5 by 26 cm. 10⅜ by 10¼ in. overall dimensions variable Executed in 2003.

View 1 of Lot 679: Alter Ego (Teapot with reflection)

alter ego (teapot with reflection)

Contemporary Curated

Cornelia Parker b. 1956 Alter Ego (Water Fall) two silver-plated objects, one flattened by a 250 ton press jug: 25.8 by 17 by 12.5 cm. 10⅛ by 6¾ by 4⅞ in. compressed jug: 30 by 19.5 cm. 11¾ by 7⅝ in. Executed in 2012.

alter ego (water fall)

Cornelia Parker b. 1956 Decoy Murano glass and metal, in three parts overall: 72 by 71 by 36 cm. 28⅜ by 28 by 14⅛ in. Executed in 2013, this work is unique.

Contemporary Art | London 

Cornelia Parker b. 1956 Bullet Drawing lead from a bullet drawn into wire 52 by 57 cm. 20¼ by 22½ in. framed: 57.7 by 65.7 cm. 25⅞ by 25⅞ in. Executed in 2008.

bullet drawing

Property from the Toby Devan Lewis Collection

Property from the Toby Devan Lewis Collection Cornelia Parker b. 1956 Alter Ego two silver-plated objects, one flattened by a 250 ton press candelabra: 15 by 14 ¾ by 5 ½ in. (38.1 by 36.5 by 14 cm.) compressed candelabra: 12 ⅜ by 11 ½ in. (31.4 by 29.2 cm.) overall installation dimensions variable Executed circa 2004. Please note that this lot will not be on view during the sale exhibition. It is located at our Long Island City, New York storage facility. If you would like to examine it in person before the sale please contact Montserrat Palacios at Montserrat.Palacios@sothebys.com

alter ego

Between Thought and Expression: Works from the Collection of A.G. Rosen, Part II

Between Thought and Expression: Works from the Collection of A.G. Rosen

Between Thought and Expression: Works from the Collection of A.G. Rosen Cornelia Parker b. 1956 Wedding Ring Drawing (Circumference of a Living Room) two 22-karat gold wedding rings drawn into wire, in artist's frame 24 ¾ by 24 ¾ in. 62.9 by 62.9 cm. Executed in 1996.

View 1 of Lot 78: Wedding Ring Drawing (Circumference of a Living Room)

wedding ring drawing (circumference of a living room)

Contemporary Art | London

Cornelia Parker b. 1956 Poisoned Drawing signed, titled, and dated 97 on the reverse rattlesnake venom and ink on paper 55 by 55 cm. 21⅝ by 21⅝ in.

poisoned drawing

measuring niagara with a teaspoon

Made in Britain

poison and antidote drawing 

The Robert Devereux Collection of Post-War British Art in aid of the African Arts Trust, Sale 1

pornographic drawing

S/O Buhl Collection

a suite of 4 unique Polaroid SX-70 prints, each signed and dated in pencil in the margin, framed, Buhl Collection, Guggenheim Museum exhibition, and D'Amelio Terras labels on the reverse, 2002; accompanied by a signed certificate of authenticity (4)

Contemporary Curated - March 2014

thirty pieces of silver (exhaled)

alter ego (reflections)

bullet drawing (crosshairs)

alter ego (mutiny)

(i) feather that went to the top of everest(ii) congregation of whispers (iii) ear plugs

VARIOUS ARTISTS THE HOUSE OF FAIRY TALES The complete portfolio, comprising 22 prints (17 printed in colours), 2008, each signed, numbered 50/60 (the total edition includes 24 Artist's proofs), on various papers, accompanied by the justification text, contained loose (as issued), in the original numbered portfolio box with gilt-lettering, and felt slipcase each sheet: 36 by 30.2cm.; 14¼ by 11⅞in. overall: 39.5 by 32.5 by 5cm.; 15½ by 12¾ by 2in. Including prints by: Fiona Banner, Simon Bill, Sir Peter Blake, Ellen Cantor, Spartacus Chetwynd, Mat Collishaw, Dexter Dalwood, Adam Dant, Enrico David, Jeremy Deller & Alan Kane, Simon English, Georgie Hopton, Harland Miller, Cornelia Parker, Simon Periton, Paula Rego, Jane Simpson, Bob and Roberta Smith, Kiki Smith, Gavin Turk, Francis Upritchard, Rachel Whiteread

various artists | the house of fairy tales

A Park Avenue Treasury: The Alan and Simone Hartman Collection

oval, the lid set with an enamel plaque representing Cornelia, mother of the Gracchi, and her children en grisaille in a classical landscape before curtain-hung pillars, in a gold and blue enamel border of alternating crescent and tulip-shaped paillons, the outer white enamel frame decorated with trailing foliage, the sides and base with pale blue enamel reserves bordered with gold and cobalt blue enamel bands, the sides further decorated with taille d'épargne enamel swag-hung urns on an opaque white enamel ground as dividers, maker's mark crowned R incuse in italics, later control mark to front rim

oval, the lid set with an enamel plaque representing Cornelia, mother of the Gracchi, and her children en grisaille in a classical landscape before curtain-hung pillars, in a gold and blue enamel border of alternating crescent and tulip-shaped paillons, the outer white enamel frame decorated with trailing foliage, the sides and base with pale blue enamel reserves bordered with gold and cobalt blue enamel bands, the sides further decorated with taille d'épargne enamel swag-hung urns on an opaque white enamel ground as dividers, maker's mark crowned R incuse in italics, later control mark to front rim Length 3 3/8 in. 8.5 cm

View 1 of Lot 151: A Gold and Enamel Snuff Box, German, Circa 1790 

a gold and enamel snuff box, german, circa 1790

A Park Avenue Treasury: The Alan and Simone Hartman Collection Part II

rectangular with cut corners, the lid applied with an oval enamel plaque painted with Cornelia and her jewels, attributed to Franz Linck, in a dark blue enamel frame, surrounded by chased scrollwork and acanthus, the sides and base similarly decorated around chevron engine-turned rose gold panels to centre, maker's mark GT incuse, Hanau town mark, 'Alaterre rosette', Hesse lion, the left rim numbered 359, later Austrian standard mark

rectangular with cut corners, the lid applied with an oval enamel plaque painted with Cornelia and her jewels, attributed to Franz Linck, in a dark blue enamel frame, surrounded by chased scrollwork and acanthus, the sides and base similarly decorated around chevron engine-turned rose gold panels to centre, maker's mark GT incuse, Hanau town mark, 'Alaterre rosette', Hesse lion, the left rim numbered 359, later Austrian standard mark Length 3 ⅝ in. 9.2 cm

View 1 of Lot 421: A Two-Coloured Gold and Enamel Snuff Box, Gebrüder Toussaint, Hanau, Circa 1805

a two-coloured gold and enamel snuff box, gebrüder toussaint, hanau, circa 1805

The Library of William O’Brien: Property of the Milltown Park Charitable Trust

2 parts in one volume, 8vo (164 x 106mm.), woodcut printer's device on title-page and on final verso, woodcut headpieces, eighteenth-century English red straight-grained morocco gilt (by Roger Payne, according to note on flyleaf), Cracherode arms gilt in covers, gilt edges, light foxing at beginning and end, extremities very slightly rubbed

ειδυλλια... επιγραμματα... σχολια. [rome]: zacharias kallierges and cornelio benigno, 15 january 1516

Shrubland Park, Suffolk, England - Country House Sale

the first with urn-form handle above a reeded cushion, the bloodstone matrix engraved with the motto and crest of Middleton, 3.2cm; a bloodstone swivel seal engraved with amorous sentiments in German and Italian, the handle formed of coiled snakes, 2.5cm; another with basket-form handle, the cornelian matrix engraved with the arms of Middleton; another engraved with the Middleton crest; the smallest engraved with initials PA

a group of five gold or gold-cased fob seals, english, late 18th and early 19th centuries

comprising: three with gadrooned cushions and scroll handles, one mid 18th century, the cornelian matrix engraved with the arms of Acton, probably for Nathaniel Acton of Bramfield Hall, Suffolk, another with matrix engraved with the arms of Broke impaling Middleton for Sir Philip Bowes Vere Broke (1801-1841), height 3.5cm, the third with rock crystal matrix; three with foliate-chased cushions, two of which circa 1840, both with cornelian matrix engraved: Philip for either Sir Philip Bowes Vere Broke or more likely his eldest son, Sir Philip Broke (d. 1855); two tassel-form seals, circa 1780, one with cornelian matrix inscribed: P. Broke; and three urn-form seals, one with matrix engraved with the collar and motto of the Order of the Bath, another third quarter 18th century, its matrix engraved with the arms of Broke; with six additional seals, one silver

a group of eleven gold and gold-cased fob seals, english, mid 18th to mid 19th centuries

An account of a portable barometer, with reasons and rules for the use of it. London: W. Haws, 1700, [10], 38, 31-70, 81-104, [4]pp. (A-P4), date printed MDCXCX, last leaf with advertisement for Hawes [sic], [Wing P391; Taylor, Tudor & Stuart 526], M1 torn at corner with loss, browned throughout

An account of a portable barometer, with reasons and rules for the use of it. London: W. Haws, 1700, [10], 38, 31-70, 81-104, [4]pp. (A-P4), date printed MDCXCX, last leaf with advertisement for Hawes [sic], [Wing P391; Taylor, Tudor & Stuart 526], M1 torn at corner with loss, browned throughoutCondition Note: [Moranus, G.] Animadversiones in elementorum philosophiae sectionem I. De corpore editam a Thoma Hobbes. Brussels, 1655, 50, [2]pp., illustration: folding engraved plate, running titles shaved or cropped, folding plate trimmed at edge, rare Beveren, Cornelis van. Dissertatio de quadratura circuli, ut de demonsrtatio [sic] methodi Do. de Fermat de maximis & minimis investigandis. Utrecht: Franciscus Halma, 1679, [10], 20, [3]pp., last leaf with errata (spelled "Arrata") on recto, illustration: woodcut illustrations and diagrams Scheuchzer, Johann Jakob (1672-1733). Enchiridion mathematicum. Zurich: Bodmer for the author, 1714, [6], 40pp., illustration: folding engraved table at beginning Forest Duchesne, Nicolas (1595-1650). La fleur des pratiques du compas de proportion... augmentée par l'auteur. Paris: Henry Guenon, 1639, [14], 112pp., dedication followed by preface "au lecteur" and privilege leaf, illustration: folding engraved plate at p.1, folding printed table at p.104, engraved and woodcut illustrations and diagrams in text (2 full-page), ink staining on pp.1-2 obscuring words 5 works in one volume, 8vo (156 x 88mm.), binding: eighteenth-century polished calf, spine gilt in compartments, red morocco lettering-piece, red edgesWe are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE.

miscellaneous tracts--parker, gustavus.

Bibliotheca Brookeriana: A Renaissance Library. Magnificent Books and Bindings

Order of the Golden Fleece (Ordre de la Toison d’or). Les ordonnances de l’ordre de la toison d’or. [Antwerp: Willem Sylvius in the Officina Plantiniana, 1559]

Order of the Golden Fleece (Ordre de la Toison d’or). Les ordonnances de l’ordre de la toison d’or. [Antwerp: Willem Sylvius in the Officina Plantiniana, 1559] The Statutes of the Order of the Golden Fleece, founded by Philippe le Bon, Duc de Bourgogne, in Bruges on the day of his marriage to Isabelle de Portugal, 7 January 1430. It became customary for every Knight to receive a copy of the Statutes regulating the Order, and until 1559 these were manuscripts, written on vellum and illuminated. On the abdication of Charles V, his son Felipe II became head of the Order, and called a meeting (only the 23rd since its inception) in the cathedral of Sint-Baaf, Ghent, on 29 July 1559, and the days following. Two editions of the Statutes were printed, this one in French, and a Latin translation (by Nicolaus Grudius), as Constitutiones clarissimi ordinis velleris aurei (USTC 404310). All copies of both editions were taken off on vellum and in most the woodcut initials are illuminated; in neither does the printer sign his name. Their publisher was Willem Sylvius (Verwilt), a recent graduate of Louvain university (MA, 31 March 1558), who on 6 May 1558 had obtained a printer’s license. Both editions were completed before the Knights assembled on 29 July 1559, with Sylvius availing himself of the materials of Christophe Plantin. Their impressive typographical quality was noticed by the Council of State, and on 26 July 1559 Sylvius was recommended for the position of official court printer (typographus regius)—an appointment which required the personal approval of Felipe II; it was confirmed sometime before 8 October 1559. Sylvius does not seem to have published anything else in 1559: the first book under his name came out in 1560, and for next few years all of his publications were printed by Plantin and others. When Sylvius belatedly established a press, in 1562, it was furnished with ornamental woodcut initials and types that he purchased in the liquidation auction on 28 April 1562 of Plantin’s establishment. These peculiar circumstances have only been fully understood since 1990, when Paul Valkema Blouw published a masterly analysis: “Willem Sylvius’s Remarkable Start, 1559-62,” in Quaerendo 20 (1990), pp. 167–206). They account for contradictory entries in the bibliographies, with early authorities crediting the 1559 Statutes to the Plantin press, then Colin Clair and Leon Voet asserting emphatically that Sylvius was their printer and that Plantin had nothing at all to do with them. Voet did not include a description of either edition in his monumental The Plantin Press, providing instead a general entry for the text, in which he discusses the reprints of both editions issued by Balthasar Moretus—these are often claimed to be the originals, but can be distinguished by the presence of two engravings signed by Cornelis Galle, a printmaker born in 1576). It appears that the French version was printed first and the Latin afterwards. All copies of the French version have a printed text of XVI numbered sections. In our copy, and in five others (see below), additional sections numbered XVII-XXI are written in manuscript on the blank leaves of the final quire. These five sections, the first relating to the exclusion of heretics from the Order, are texts promulgated at the assembly on 29 July 1559. Twenty-one sections are printed in all copies of the Latin version, also in the two 1626 Moretus editions, and elsewhere–notably Leibniz’s Codex juris gentium diplomaticus (1693; II, p. 38), and Les ordonnances de l’ordre de la toison d’or (Vienna, 1757). Copies Printed on Vellum with Manuscript Additions (1) Gaspar-Joseph de Servais (1735–1807; P.J. Hanicq, Catalogue des livres de la bibliothèque de feu monsieur Gaspar-Joseph de Servais, Malines, 3 October 1808, lot 2661. — unidentified owner - bought in sale (FF 121 - Van Praet) — Henry Huth (1815-1878); Alfred Henry Huth (1850-1910); W.C. Hazlitt & F.S. Ellis, The Huth library. A catalogue of the printed books, manuscripts, autograph letters, and engravings (London 1880), III, p.1065; Sotheby Wilkinson & Hodge, Catalogue of the famous library of printed books, illuminated manuscripts, autograph letters and engravings collected by Henry Huth, and since maintained and augmented by his son Alfred H. Huth, Fosbury Manor, Wiltshire; the printed books and illuminated manuscripts. Sixth portion, London, 11-18 July 1917, lot 5429 — J. & J. Leighton, London - bought in sale (£19) — James Tregaskis, Caxton Head Catalogue 796: Rare and interesting books, autograph letters and documents including recent purchases from the Huth Library - October 15, 1917 (London 1917), lot 183 (£52) — Parke Mayhew Pittar (1857-1918); Sotheby Wilkinson & Hodge, Catalogue of valuable books and manuscripts being the second and concluding portion of the library of the late P.M. Pittar, Esq. of 14, Cleveland Square, Hyde Park, W. (sold by order of the executors), London, 4-7 November 1918, lot 674 — Maggs Bros, London - bought in sale (£7 10s); their Catalogue 374: Rare and beautiful books and manuscripts (London 1919), item 275. Current location not traced. (2) Paris, Bibliothèque nationale de France, Vélins 1186. Van Praet, op. cit., p.142; cf. Léopold Delisle, Inventaire alphabétique des livres imprimés sur vélin de la bibliothèque nationale (Paris 1877), p.117 no. 1186 (“vers 1559”). (3) Justin, comte de MacCarthy-Reagh (1744–1811; Notice abrégée des livres imprimés sur vélin de la bibliothèque de feu M. le comte de Mac-Carthy (Paris 1815), no. 226; Debure frères, Catalogue des livres rares et précieux de la bibliothèque de feu M. le comte de Mac-Carthy Reagh, Paris, 27 January–5 May 1817, lot 1240. — De Bure, Paris - bought in sale (FF72); Debure frères, Catalogue des livres rares et précieux … provenant de la vente de feu M. Le Comte de Mac-Carthy-Reagh a vendre aux prix marqués à chaque article (Paris 1817), p.20 item 1240 — Arthur Auguste Brölemann (1826-1904); Catalogue des manuscrits et livres rares de la bibliothèque d’Arthur Brölemann (Lyon 1897), no. 191; Henry-Auguste Brölemann (1775-1869); Madame Étienne Mallet; Sotheby & Co., Catalogue of a collection of very important illuminated manuscripts and fine printed horae, with a few early illustrated books, formed during the early part of the sixteenth century by Henri Auguste Brölemann, and now sold by order of the present owner, his great-grand-daughter and heiress, Madame Etienne Mallet, London, 4-5 May 1926, lot 177 — unidentified owner - bought in sale (£24) — Sotheby & Co., Catalogue of important historical, medieval and literary mss., valuable printed books, Oriental miniatures, mss. and printed books, London, 20-21 December 1948, lot 277 — Adrian Leigh McLaughlin (1910-1979); Sotheby’s Monaco SA, Livres précieux provenant de la bibliothèque de Major Adrian McLaughlin, Monte Carlo, 7-8 October 1980, lot 1893 — unidentified owner - bought in sale (FF 75,000). Current location not traced. (4) Charles Chardin (1742–1826; Leblanc, Catalogue de livres précieux, manuscrits et imprimés sur peau-vélin, du cabinet de M. **, Troisième partie. Imprimés sur vélin (Paris 1811), p. 166, lot 55. — Treuttel & Würtz, Strasbourg and Paris (S. Sotheby, The Entire and Extensive Library of an Amateur of Distinction [but Treuttel & Würtz], London, 12–24 June 1817, lot 1113), purchased by — Robert Triphook, London (£2 2s). Current location not traced. Van Praet, op. cit., IV, p.142. (5) Laurent Beyerlinck (1578–1627; inscription “Laur. Beijerlinck”). — unidentified owner, inscription “Di Nicolai de Weert et di tutti li boni compagni” on title-page — Brussels, Royal Library, II 17.683 A. Blouw, op. cit., p.173 (“contains the additional chapters in manuscript, legalized by the Clerk of the Order”). The same large center medallion decorating the covers of the Bibliotheca Brookeriana copy is found on the British Library’s copy of the 1559 Latin version (C.41.f.11). 4to (254 x 169 mm). Roman type, 26 lines. collation: A–L4: 44 leaves (L2–4 blank, but here accomplished with manuscript text of additional chapters 17–21). Woodcut initials illuminated in gold with leafy backgrounds in red, green, and blue; index on Hiii expanded in manuscript to include the additional chapters. (Very occasional light marginal finger-soiling or natural discoloration.) binding: Antwerp paneled polished brown calf (262 x 178 mm), ca. 1560, gilt fillet around sides, inner rectangular frame of 2 gilt fillets, fleurons at outer corners, large gilt central arabesque medallion in negative producing calf strapwork design against gold background, flat spine, bands of gilt leafy tools between double gilt fillets, compartments filled with a gilt fleuron, paper pastedowns, vellum linings, gilt edges. (Extremities rubbed, joints repaired.) provenance: Original owner unidentified (blank leaves in final quire accomplished with five additional chapters in contemporary manuscript) — “a la vendue de mr. de Seris. 1300” (inscription on flyleaf; unidentified). acquisition: Purchased from Pierre Berès, Paris, 1975. references: BT 2257; STCV 12924141; Van Praet, Catalogue des livres imprimés sur vélin de la Bibliothèque du roi, V, pp. 141–142 no. 157 (citing two copies with manuscript additions)

View 1 of Lot 65: Order of the Golden Fleece, Les ordonnances, [Antwerp, 1559], first edition, printed on vellum

order of the golden fleece, les ordonnances, [antwerp, 1559], first edition, printed on vellum

The Library of the Earls of Macclesfield Removed from Shirburn Castle, Part Eight:  Theology, Philosophy, Law, and Economics

Cowell, John (1554-1611). Institutiones juris Anglicani... Oxford: Henry Hall for Ed. Forrest, 1676, 8vo, contemporary calf, [Wing C6643; Madan 3100]

Cowell, John (1554-1611). Institutiones juris Anglicani... Oxford: Henry Hall for Ed. Forrest, 1676, 8vo, contemporary calf, [Wing C6643; Madan 3100]Duck, Sir Arthur (1580-1648). De usu & auctoritate juris civilis Romanorum, per dominia principum Christianorum. London: Thomas Dring, for sale by John Dunmore, 1689, 12mo, contemporary calf, [Wing D2429], title-leaf damaged by embossed stamp with slight loss, binding rubbedEck, Cornelis van (1662-1732). Principiorum juris civilis, secundum ordinem digestorum, pars altera. Utrecht: Water and Broedelet, 1713, 8vo, contemporary vellum, volume 2 onlyEden, Robert (1701-1759). Jurisprudentia philologica, sive elementa juris civilis. Oxford: Sheldonian Theatre, 1744, 4to, engraved frontispiece, contemporary calf, spine gilt in compartmentsGodefroy, Jacques (1587-1652). Manuale iuris, seu parva iuris mysteria... Sexta editio. Geneva: Jean Antoine & Samuel de Tournes, 1654, 12mo, contemporary calf, slightly rubbedGrégoire, Pierre (1540-1617). Syntaxes artis mirabilis (Commentaria in prolegomena syntaxeon...). Lyon: Antoine Gryphius, 1575, 2 parts in one volume, 16mo, later marbled paper boards, spine wornGrotius, Hugo. Florum sparsio ad ius Justinianeum. Amsterdam: J. Janszoon, 1644, 16mo, contemporary calf, binding rubbedJustinian I, Emperor. Institutiones... Amsterdam: Daniel Elzevir, 1664, 24mo, additional engraved title-page, contemporary calf, [Willems 1342], extremities slightly rubbedIbid. Institutiones... Amsterdam: Wetstein, 1710, 12mo, additional engraved title-page, printed in red and black, contemporary calf, inscription of George Parker dated 1743Lyndwood, William (1375?-1446). Provinciale vetus provinciae Cantuariensis... Oxford: Henry Hall for Richard Davis, 1664 (1663), 8vo, engraved frontispiece of the arms of the Province of Canterbury, contemporary calf, armorial bookplate of White Kennett, dean of Peterborough, and inscribed by him on title-page, [Wing L3564C; Madan 2669], binding rubbedPérez, Antonio (1583-1673). Ius publicum, quo arcana & iura principis exponuntur. Amsterdam: Louis & Daniel Elzevir, 1657, 12mo, additional engraved title-page, contemporary calf, [Willems 1220], upper cover detachedIbid. Praelectiones in duodecim libros Codicis Justiniani Imp... editio nova. Amsterdam: Daniel Elzevir, 1671, 2 parts in one volume, 4to, contemporary calf, spine gilt in compartments, [Willems 1457], upper cover detachedRebuffi, Pierre (1487-1557). Tractatus de decimis tam feudalibus, quam aliis, novalibus... Cologne: Johann Birckmann, 1572, 8vo, contemporary blind-stamped calf, musical manuscript on vellum used as board liners, early ownership inscription of Stephen Staple, binding wornSchultingh, Anton (1659-1734). Jurisprudentia vetus ante-Justinianea... Leiden: Jan vander Linden, 1717, 4to, contemporary calf, slight browning at beginning and end, rubbedSharrock, Robert (c. 1630-1684). Hupothesis ethike de finibus & officiis secundum naturae jus... Editio recens. London: H. Dickinson, S. Simpson, 1682, 8vo, folding letterpress table, contemporary calf, [Wing S3015A], joints weak, extremities rubbedTriglandius, Theodorus (fl. 1671). Paedia juris, sive examen institutionum. Oxford: Sheldonian Theatre, 1710, 12mo, contemporary calfWeidler, Johann Friedrich. Institutiones iuris naturae et gentium methodo geometrica. Wittemberg: G.H. Schwarz, 1731, 8vo, nineteenth-century half calf, spine giltZouche, Richard (1590-1661). Solutio quaestionis veteris et novae... Oxford: Henry Hall for Thomas Robinson, 1657, 12mo, title ruled in red, contemporary calf, [Wing Z26; Madan 2362], inscription of Thomas Noble dated 1694, binding rubbed together 19 volumes

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