Prints Part II

David Hockney b. 1937 What is this Picasso?, from The Blue Guitar (Scottish Arts Council 218; Museum of Contemporary Art, Tokyo 197) signed in pencil and numbered 103/200 etching and aquatint printed in colors on Inveresk mould-made paper plate: 13 ½ by 16 ¾ in. 345 by 426 mm. sheet: 18 by 20 ⅝ in. 458 by 524 mm. Executed in 1976-77, this impression is number 103 from the edition of 200 plus 35 artist's proofs, published by Petersburg Press.

View 1 of Lot 247: What is this Picasso?, from The Blue Guitar (Scottish Arts Council 218; Museum of Contemporary Art, Tokyo 197)

what is this picasso?, from the blue guitar (scottish arts council 218; museum of contemporary art, tokyo 197)

A Walden F-450 acoustic <a href="https://www.sothebys.com/en/search?query=guitar&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">guitar</a> with natural wood finish and a decorative scratch plate, from the personal collection of singer/songwriter Peter Green.<ul><li>Indian rosewood bridge, Indian rosewood fingerboard with dot markers.</li><li>Serial number 025171.</li></ul> Please note: This item is excluded from complimentary shipping. Shipping quote will be calculated at time of purchase.

Walden F-450 Acoustic Guitar From Peter Green's Collection

A Fender Stratocaster guitar autographed by <a href="https://www.sothebys.com/en/search?query=Brian+May&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Brian May</a>, one of the founding members of the band <a href="https://www.sothebys.com/en/search?query=Queen&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Queen</a>.<ul><li>An Olympic white Fender Squire Stratocaster guitar autographed by Brian May in black felt tipped pen.</li></ul> Please note: This item is excluded from complimentary shipping. Shipping quote will be calculated at time of purchase.

Brian May Autographed Fender Stratocaster Guitar

JACQUESLIPCHITZ1891-1973Homme à la guitareincised with initials JL, dated XI I -20 and numbered 2/7 on the side of the baseterracottaH. 47 cm ; H. : 18½ in.Conceived in 1920.

Homme à la guitare

Rock & Pop

A Martin Smith W-101-N-PK acoustic guitar, autographed on body by Bob Dylan in black marker, Joan Baez in silver marker, Eric Andersen in red marker, and Charlie Sexton in silver marker. Dylan has added “Best wishes;” Baez has added “Sending Love;” Andersen has added “5/13/22 / Italy” to mark the date of his corresponding Bob Dylan tribute concert in Parma on that day.

A Martin Smith W-101-N-PK acoustic guitar, autographed on body by Bob Dylan in black marker, Joan Baez in silver marker, Eric Andersen in red marker, and Charlie Sexton in silver marker. Dylan has added “Best wishes;” Baez has added “Sending Love;” Andersen has added “5/13/22 / Italy” to mark the date of his corresponding Bob Dylan tribute concert in Parma on that day. Excellent condition. Dimensions Guitar: 40 ½ x 14 ⅝ x 4 ¼ in.

bob dylan

11 x 14 ⅛ in. 2 pp. manuscript in black pen on unruled white notebook paper, being a working draft of Jimmy Buffett’s “The Good Fight.” Lyrics on recto and verso; verso also contains guitar chords.

jimmy buffett

A black Ernie Ball cloth guitar strap used by Kurt Cobain on tour in 1992-1993. With signed letter from Cobain’s guitar tech Big John Duncan.

kurt cobain

A Mitchell MD-100 acoustic guitar with mother of pearl decoration on sound hole, autographed by Ed Sheeran on body in black permanent marker. Inscription reads: “With love Ed Sheeran (Ed).” Together with gig bag.

A Mitchell MD-100 acoustic guitar with mother of pearl decoration on sound hole, autographed by Ed Sheeran on body in black permanent marker. Inscription reads: “With love Ed Sheeran (Ed).” Together with gig bag. Excellent condition; guitar has no strings and headstock has been repaired. Dimensions Guitar: 42 x 16 x 4 ½ in. Case: 44 x 17 x 6 ½ in.

ed sheeran

2 manuscript pages measuring 8 x 13 in., 1 typed page measuring 8 x 10 in.

2 manuscript pages measuring 8 x 13 in., 1 typed page measuring 8 x 10 in. A collection of lyric sheets for Pink Floyd’s “Apples and Oranges,” the band’s third UK single and the final one written by Syd Barrett. Manuscript sheets written in blue ballpoint on off-white ruled notepaper. Typed page set in black on off-white copy paper. The typed page omits one line found in the first verse of the manuscript version: “Getting everything she wants from the supermarket stores.” Manuscript also includes three lines of accompanying guitar chords.

View 1 of Lot 85: Syd Barrett | Pink Floyd

syd barrett | pink floyd

An Epiphone EJ-200 acoustic guitar, serial # S94070027, previously owned and played by Noel Gallagher: principal songwriter and guitarist of the band Oasis. Guitar features fretboard inlays and Gibson’s decorative vine and flowers design on the pickguard. Lot includes letter of authenticity on Oasis and Creation Records letterhead signed by Noel Gallagher. Letter dated August 3, 1996, states “…guitar was used by Noel when he was writing songs for the album (What’s the Story Morning Glory) [sic].”

An Epiphone EJ-200 acoustic guitar, serial # S94070027, previously owned and played by Noel Gallagher: principal songwriter and guitarist of the band Oasis. Guitar features fretboard inlays and Gibson’s decorative vine and flowers design on the pickguard. Lot includes letter of authenticity on Oasis and Creation Records letterhead signed by Noel Gallagher. Letter dated August 3, 1996, states “…guitar was used by Noel when he was writing songs for the album (What’s the Story Morning Glory) [sic].” Guitar is autographed by Noel Gallagher on the body, inscribed with a paint pen. Letter also states the guitar “can be seen in the “Wonderwall" promotional video.” Note: the official video for “Wonderwall” features numerous guitars similar in appearance to this EJ-200, and some which were covered with decorative craft paper that consequently obscured portions of the instruments. Guitar in excellent condition, includes case and letter of authenticity signed by Gallagher. Dimensions Guitar: 41 ¾ x 16 ¾ x 4 ⅝ in. Case: 43 x 18 x 5 ¾ in.

noel gallagher | oasis

This Westminster electric guitar, serial # 027338, patterned after a Gibson Les Paul Jr. was owned and played by guitarist Randy Rhoads. Rhoads acquired the guitar at the 1978 NAMM Show.

This Westminster electric guitar, serial # 027338, patterned after a Gibson Les Paul Jr. was owned and played by guitarist Randy Rhoads. Rhoads acquired the guitar at the 1978 NAMM Show. With letter signed by Rhoads’ brother Kelle Rhoads on Musonia School of Music stationery, the music school run by Randy Rhoads’ family. Dimensions Guitar: 39 ¼ x 13 x 2 ¼ in. Case: 41 x 14 x 3 ½ in.

randy rhoads

This burgundy red Fender Telecaster, serial #S835696, was owned and played by Queen’s lead vocalist and songwriter Freddie Mercury. Guitar shows wear from moderate use.

This burgundy red Fender Telecaster, serial #S835696, was owned and played by Queen’s lead vocalist and songwriter Freddie Mercury. Guitar shows wear from moderate use. Mercury gave the present guitar to his close friend Paul Prenter. Letter from Paul Prenter states: “He [Freddie Mercury] had it at home and played it but said that I should have it.” Dimensions Guitar: 38 ½ x 12 ½ x 1 ⅞ in. Case: 40 ½ x 18 ½ x 5 in. Offered with case and letter from Paul Prenter.

freddie mercury

A Höfner HI-BB bass guitar, serial #W0801H118, wrapped with a Union Jack design. Signed on pickguard by Paul McCartney in black marker.

A Höfner HI-BB bass guitar, serial #W0801H118, wrapped with a Union Jack design. Signed on pickguard by Paul McCartney in black marker. Dimensions 43 ½ x 11 x 3 ¼ in.

paul mccartney

A 12-string Ovation acoustic guitar with trademark rounded back, owned and played by Bon Jovi lead guitarist and songwriter Richie Sambora. Offered with flight case with “SAMBORA” stenciled on the case with white paint. Interior of case has backstage pass for Pousette-Dart Band and Kinderhook at Seton Hall University.

A 12-string Ovation acoustic guitar with trademark rounded back, owned and played by Bon Jovi lead guitarist and songwriter Richie Sambora. Offered with flight case with “SAMBORA” stenciled on the case with white paint. Interior of case has backstage pass for Pousette-Dart Band and Kinderhook at Seton Hall University. Dimensions Guitar: 41 x 15 ¾ x 5 in. Case: 42 ½ x 18 x 8 ½ in.

richie sambora

An Electra 2249 “Super Rock” Japanese Les Paul-style guitar with blonde maple finish. Signed by Stevie Ray Vaughn on the body in black marker, underneath the clear pickguard.

An Electra 2249 “Super Rock” Japanese Les Paul-style guitar with blonde maple finish. Signed by Stevie Ray Vaughn on the body in black marker, underneath the clear pickguard. Dimensions 39 x 13 x 2 ½ in.

stevie ray vaughn

A double-neck guitar in red finish, signed by Jimmy Page and Robert Plant on the pickguard. Plant dated signature “October 2011.”

A double-neck guitar in red finish, signed by Jimmy Page and Robert Plant on the pickguard. Plant dated signature “October 2011.” Dimensions Guitar: 42 ½ x 15 x 3 in. Case: 46 ½ x 18 x 4 ½ in.

View 1 of Lot 48: Robert Plant | Jimmy Page

robert plant | jimmy page

A Warwick Dolphin Pro four-string electric bass, serial #G08389, African rosewood body with satin finish played by Kurt Cobain and Krist Novoselic during a Nirvana recording session on 25 November 25 1991 in Hilversum, North Holland, Netherlands, prior to the group’s concert at the famous Paradiso music hall in Amsterdam.

A Warwick Dolphin Pro four-string electric bass, serial #G08389, African rosewood body with satin finish played by Kurt Cobain and Krist Novoselic during a Nirvana recording session on 25 November 25 1991 in Hilversum, North Holland, Netherlands, prior to the group’s concert at the famous Paradiso music hall in Amsterdam. The instrument’s distinctive wood grain has been matched to photographs taken at the recording studio, one of which appeared on the cover of Rolling Stone Argentina #185. Lot includes copy of the magazine. Dimensions Guitar: 45 ½ x 14 x 2 in. Case: 48 x 16 ½ x 5 ½ in. Offered with SIA letter of authenticity.

nirvana

Phil Lesh Bass Cabinet with JBL D140F Loudspeaker with birch construction built in the San Francisco Bay Area by the Grateful Dead road crew (later known as Hard Truckers) in collaboration with Alembic. Assigned to Phil Lesh's bass array and matched to his famous Osiris bass guitar. Lesh debuted his Osiris bass on stage 16 June 1974, and he played it at nearly every show through 1979, including footage shot at Cornell University on 8 May 1977, the Great Pyramid concerts, and the closing of Winterland. This cabinet was purpose-built for that specific instrument.

Phil Lesh Bass Cabinet with JBL D140F Loudspeaker with birch construction built in the San Francisco Bay Area by the Grateful Dead road crew (later known as Hard Truckers) in collaboration with Alembic. Assigned to Phil Lesh's bass array and matched to his famous Osiris bass guitar. Lesh debuted his Osiris bass on stage 16 June 1974, and he played it at nearly every show through 1979, including footage shot at Cornell University on 8 May 1977, the Great Pyramid concerts, and the closing of Winterland. This cabinet was purpose-built for that specific instrument. Lesh's bass setup featured a custom quadraphonic, six channel instrument that sent each of its four strings to a separate channel. This cabinet was one of the dedicated low frequency boxes in that bass array. A New Riders of the Purple Sage sticker on the cabinet side places its use in 1974, when the New Riders regularly opened for the Dead and shared access to the “Wall of Sound.” With new custom road case decorated with stickers. Dimensions Speaker cabinet: 25 ¼ x 20 x 28 ½ in. Road case: 29 x 23 ¾ x 32 ½ in.

grateful dead

This 10 ½ in. EMI master tape is an effects tape that was used during the overdubbing and mixing stages of the album. It contains nearly 22 minutes of takes/tracks of songs written by John Lennon and recorded toward the end of the recording process. Included on the tape are the following recordings:

This 10 ½ in. EMI master tape is an effects tape that was used during the overdubbing and mixing stages of the album. It contains nearly 22 minutes of takes/tracks of songs written by John Lennon and recorded toward the end of the recording process. Included on the tape are the following recordings: 1. Recorded 8 October 1968 – An unreleased take of “I’m So Tired,” focusing on John’s vocals. Includes Lennon’s count in (1-2-3) and a single tracked (not double, like the release) alternate take with Lennon’s vocal in front. Ringo’s drums are way in the background with Mellotron keyboard and no rhythm guitar. Includes four full takes and four with tape roll-back. 2. Recorded 8 October 1968 – Unreleased backing track for “I’m So Tired” – Includes unused George Harrison guitar solo “track” meant for “I’m So Tired” and never released. This solo lays on top of the Mellotron and Ringo’s drums. This can be heard faintly on a version of “I’m So Tired” in the 50th Anniversary box set; the entire backing track in full studio quality included herein. 3. Recorded 25 September 1968 – Unreleased backing track for “Happiness is a Warm Gun” – This unused backing track includes Mellotron, Ringo Starr’s drums, and George Harrison guitar solos, piano, and tambourine. Includes one full take and two with tape roll back. 4. Recorded 29 August 1968 – Unreleased backing track for “Dear Prudence” – This unused backing track includes the backing harmonies (“aaaah, ooohs”) and hand clapping. Lennon’s vocals can be heard in the background.

the beatles

Fragment of Pete Townshend’s black Coral Hornet electric guitar, consisting of part of the body with piece of pickguard. Wear consistent with stage use and subsequent destruction.

Fragment of Pete Townshend’s black Coral Hornet electric guitar, consisting of part of the body with piece of pickguard. Wear consistent with stage use and subsequent destruction. Dimensions 19 x 9 x 1 ½ in.

pete townshend

A Sunburst Les Paul Jr., serial # 614303, played by Neil Young on stage during his Continental Tour across North America and Europe. Offered with original Gibson case and signed letter of authenticity from Young’s longtime guitar tech Larry Cragg.

A Sunburst Les Paul Jr., serial # 614303, played by Neil Young on stage during his Continental Tour across North America and Europe. Offered with original Gibson case and signed letter of authenticity from Young’s longtime guitar tech Larry Cragg. Dimensions Guitar: 39 x 13 x 2 in. Case: 41 ½ x 15 x 4 ½ in.

neil young

A Fender Musicmaster short scale bass guitar, serial #328371, originally belonging to Rolling Stones bassist Bill Wyman. Features cream finish and white Pearloid pickguard. Light play wear. Together with original hard case.

A Fender Musicmaster short scale bass guitar, serial #328371, originally belonging to Rolling Stones bassist Bill Wyman. Features cream finish and white Pearloid pickguard. Light play wear. Together with original hard case. Dimensions Guitar: 42 x 12 x 2 in. Case: 44 ½ x 14 ½ x 4 in.

bill wyman

16 x 19 ¾ in. Framed manuscript for the piano ballad “Don’t Look Back in Anger,” handwritten in blue ballpoint pen on 8 ½ x 11 in. ruled paper with three-hole punch. With various chord notations including “C G” “F F# and E” on the left side of the page. Likely written out for another band member.

16 x 19 ¾ in. Framed manuscript for the piano ballad “Don’t Look Back in Anger,” handwritten in blue ballpoint pen on 8 ½ x 11 in. ruled paper with three-hole punch. With various chord notations including “C G” “F F# and E” on the left side of the page. Likely written out for another band member. With signed letter from Oasis’ guitar tech, Jason Rhodes.

View 1 of Lot 73: Noel Gallagher | Oasis 

A 12-string Rickenbacker 360 with Fireglow finish, owned and played by Oasis’ principal songwriter and lead guitarist Noel Gallagher for over ten years of the band’s history. Autographed by Noel Gallagher on the pickguard, “God bless – Noel Gallagher.”

A 12-string Rickenbacker 360 with Fireglow finish, owned and played by Oasis’ principal songwriter and lead guitarist Noel Gallagher for over ten years of the band’s history. Autographed by Noel Gallagher on the pickguard, “God bless – Noel Gallagher.” Letter of provenance from Oasis’ guitar tech Jason Rhodes states: "this was the only Rickenbacker Fireglow 12 String the band owned and so any studio pictures out there featuring a 12 string Ricky it is definitely this guitar.” Offered with signed letter from Oasis guitar tech Jason Rhodes, photograph of Gallagher signing the instrument, and original metal flight case featuring “Oasis” stenciled in white. Dimensions Guitar: 39 ¼ x 15 x 2 ½ in. Case: 46 ¼ x 19 ⅜ x 5 ¾ in.

View 1 of Lot 72: Noel Gallagher | Oasis 

The Hagstrom Viking II electric guitar, serial #732240, played by Elvis Presley during the '68 Comeback Special. Swedish-made semi-hollow body guitar with flame maple top, cherry red finish, f-holes, ebony fretboard and gold hardware, dual humbucker pickups and dedicated volume control. Together with guitar strap produced in the same style as the original.

The Hagstrom Viking II electric guitar, serial #732240, played by Elvis Presley during the '68 Comeback Special. Swedish-made semi-hollow body guitar with flame maple top, cherry red finish, f-holes, ebony fretboard and gold hardware, dual humbucker pickups and dedicated volume control. Together with guitar strap produced in the same style as the original. Dimensions Guitar: 41 ¼ x 16 x 2 ¼ in. Case: 43 ¼ x 17 5/8 x 3 ¾ in.

elvis presley

Martin D-35, serial #352888, in blonde finish, with spruce top and rosewood back and sides. Originally belonging to Bruce Springsteen, who used the instrument to write and record songs on several landmark albums, including Nebraska, Born to Run, and Born in the U.S.A. Wear consistent with use.

Martin D-35, serial #352888, in blonde finish, with spruce top and rosewood back and sides. Originally belonging to Bruce Springsteen, who used the instrument to write and record songs on several landmark albums, including Nebraska, Born to Run, and Born in the U.S.A. Wear consistent with use. Dimensions Guitar: 41 x 15 ⅝ x 4 ¾ in. Case: 44 x 18 ½ x 6 ¾ in. Together with blue Martin hardshell case and letter of authenticity from Michael Batlan, Springsteen’s guitar tech from 1973 to 1986.

bruce springsteen

A Takamine LTD-89 acoustic guitar, serial #89040666, owned and played by Pete Townshend of the Who. Guitar with spruce top, rosewood fingerboard and four channel EQ. Offered with hard case and letter of provenance from producer John Porter.

A Takamine LTD-89 acoustic guitar, serial #89040666, owned and played by Pete Townshend of the Who. Guitar with spruce top, rosewood fingerboard and four channel EQ. Offered with hard case and letter of provenance from producer John Porter. Letter from John Porter states that the guitar “was gifted by my good friend Alan Rogan, famed guitar technician to The Who, who confirmed that the instrument was owned and used by Pete Townshend of The Who.” Dimensions Guitar: 41 x 14 ¾ x 4 in. Case: 45 x 19 x 7 ½ in.

A Gibson ES-5 semi hollow-body electric guitar, serial # 91707006, with transparent cherry finish and f holes; gold tuners, hardware and trapeze tail piece. Signed on pickguard: “B.B. King 5-20-99."

A Gibson ES-5 semi hollow-body electric guitar, serial # 91707006, with transparent cherry finish and f holes; gold tuners, hardware and trapeze tail piece. Signed on pickguard: “B.B. King 5-20-99." Offered with original factory case and letter of provenance by John Porter, who produced King’s 1997 album, Deuces Wild, which this guitar was played on. Dimensions Guitar: 42 ½ x 16 ¾ x 4 in. Case: 46 x 19 x 6 1/8 in.

b.b. king

A Sanox classical acoustic guitar, serial # 00050001, owned and played by Pink Floyd keyboardist, singer and songwriter Richard Wright. Offered with hard case and letter of provenance signed by Franka Wright, his wife from 1984-1994.

A Sanox classical acoustic guitar, serial # 00050001, owned and played by Pink Floyd keyboardist, singer and songwriter Richard Wright. Offered with hard case and letter of provenance signed by Franka Wright, his wife from 1984-1994. Dimensions Guitar: 39 ½ x 14 5/8 x 4 in. Case: 45 x 19 x 7 ½ in.

richard wright

A pre-production prototype of the Eric Clapton EC Fender Stratocaster, serial #V037766, with pewter finish and Fender Lace Sensor Pickups as per Clapton’s specifications.

A pre-production prototype of the Eric Clapton EC Fender Stratocaster, serial #V037766, with pewter finish and Fender Lace Sensor Pickups as per Clapton’s specifications. Letter from Lee Dickson, Eric Clapton’s guitar tech from 1979-2009, states that “the instrument is a pre-production prototype Eric Clapton model in Pewter that was supplied by the Fender Custom Shop and features an early heavy v neck profile….guitar was played and used by Eric Clapton prior to the release of the official Fender production Eric Clapton signature model.” Offered with Fender case and signed letter of authenticity from Lee Dickson. Dimensions Guitar: 39 x 12 ¾ x 2 in. Case: 40 ½ x 14 x 5 in.

eric clapton

Précieuses reliures d’une bibliophile — Collection Georgette J. Salles 

Vertès, Marcel ─ Francis Carco L’Amour vénal. Paris, [La Roseraie], 1926. In-4 (248 x 188 mmm) Maroquin vert bouteille, décor d’inspiration cubiste à caissons mosaïqués (guitare, archet, vaguelettes, porte avec judas), fers et filets dorés et à l'oeser, avec titre courant sur les deux plats, incrustation d’une grille métallique, doublure mosaïquée d’un décor de portes battantes en maroquin rouge et noir, gardes de soie, chemise, étui (Paul Bonet, [1929]). Reliure cubiste à éléments métalliques de Paul Bonet. De la bibliothèque Carlos R. Scherrer, l’un des plus grands commanditaires de Paul Bonet. Exemplaire personnel de Vertès, avec dessins originaux. Un des exemplaires hors commerce sur Hollande (justifié HC), tirés en plus des 69 exemplaires sur ce papier, d’un tirage total à 95 exemplaires. Illustré de 43 eaux-fortes de Vertès (vignette gravée sur la couverture et la page de titre, frontispice, 15 figures libres à pleine page, 14 vignettes dans le texte et 11 culs-de-lampe). Exemplaire de Vertès, spécialement imprimé pour lui, enrichi de : - 2 ou 3 suites selon les gravures (premier état, avec remarques, sur Chine) ; - 3 dessins originaux signés, contrecollés en tête (mine de plomb et aquarelle sur papier à en-tête du bar Le Sélect à Montparnasse ; pierre noire, mine de plomb et aquarelle ; plume, encre noire et mine de plomb). L’un des grands collectionneurs de reliures de Bonet : l’argentin Carlos R. Scherrer fut l'un des commanditaires majeurs de Paul Bonet dans les années 1930, l’une des périodes les plus fécondes et les plus novatrices du relieur. Ces nombreuses commandes et celles de M. Marly permirent à Bonet de s’établir définitivement comme relieur et d’abandonner le métier de modéliste (Carnets, 78b). Le grand nombre de reliures commandées par Scherrer donnèrent lieu au catalogue de la Bibliothèque reliée par Paul Bonet (1963), un ouvrage de référence. Exécutée en 1929 et exposée au Salon des artistes décorateurs de 1930, cette reliure fait partie des quelques rares et précieuses reliures incorporant un élément métallique : un judas que l’on imagine placé sur les portes du bordel où où se déroule le roman de Carco ; la doublure est décorée de portes battantes surmontées d’un cœur. Les Carnets de Bonet résument ainsi la composition : "décor schématique, synthétisant le décor de l’amour vénal". Avec ce décor cubiste, la filiation avec Pierre Legrain est évidente : à la mort de Legrain en 1929, Bonet reconnut son influence prépondérante : "il avait su voir le cubisme et l’art abstrait, personne encore dans le petit monde de la reliure ne s’en était avisé […] je dois tout à Pierre Legrain […] car sans lui je ne sais pas si je serais relieur. […] Je lui dois aussi d’être moi-même. Dès mes premiers essais, j’eus la volonté cachée, mais tenace, d’être un jour son égal ; donc d’échapper à son emprise […] Je n’ai jamais connu personnellement Legrain ; il est mort à 40 ans ; il était mon contemporain par l’âge, pourtant il est mort, tandis que je naissais" (juillet 1929, Carnets, 88).

View 1 of Lot 153: L’Amour vénal. 1926. Reliure cubiste de Paul Bonet. Exemplaire personnel de Vertès, avec dessins originaux et suite. De la bibliothèque de Carlos R. Scherrer. 

l’amour vénal. 1926. reliure cubiste de paul bonet. exemplaire personnel de vertès, avec dessins originaux et suite. de la bibliothèque de carlos r. scherrer.

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