Prints & Multiples

David Hockney b. 1937 Celia Seated in an Office Chair (M.C.A.T. 160) etching and aquatint printed in colours on BFK Rives wove paper plate: 685 by 545 mm. 27 by 21½ in. sheet: 905 by 750 mm. 35⅝ by 29½ in. Executed in 1974, this impression is an archive proof aside from the edition of 60 plus 16 artist's proofs, published by Petersburg Press.

View 1 of Lot 33: Celia Seated in an Office Chair (M.C.A.T. 160)

celia seated in an office chair (m.c.a.t. 160)

David Hockney b. 1937 Pool Made with Paper and Blue Ink for Book (M.C.A.T. 234) signed in pencil, dated and numbered 618/1000 lithograph printed in colours on Arches Cover mould-made paper sheet: 265 by 228 mm. 10½ by 9 in. Executed in 1980, this impression is number 618 from the edition of 1000 plus 100 artist's proofs, with the blindstamp of the publisher, Tyler Graphics Ltd.

View 1 of Lot 32: Pool Made with Paper and Blue Ink for Book (M.C.A.T. 234)

pool made with paper and blue ink for book (m.c.a.t. 234)

David Hockney b. 1937 Lithographic Water Made of Lines, Crayon, and a Blue Wash (MCA Tokyo 212) signed in pencil, dated and numbered 18/48 lithograph printed in colors on TGL handmade paper image: 541 by 685 mm. 21⅜ by 27 in. sheet: 744 by 862 mm. 29¼ by 34 in. Executed in 1978-80, this impression is number 18 from the edition of 48 plus 14 artist's proofs, with the blindstamp of the publisher, Tyler Graphics, Ltd.

View 1 of Lot 30: Lithographic Water Made of Lines, Crayon, and a Blue Wash (MCA Tokyo 212)

lithographic water made of lines, crayon, and a blue wash (mca tokyo 212)

Modern & Contemporary Evening Auction

David Hockney b. 1937 The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 18 March signed in pencil (lower right), dated and numbered 15/25 (lower left) iPad drawing printed in colours on wove paper sheet: 139.7 by 105.4 cm. 55 by 41½ in. Executed in 2011, this impression is number 15 from an edition of 25, published by the artist. ---------------------------------------------- 大衛 · 霍克尼 1937年生 東約克郡沃蓋特的春臨（2011年）- 3月18日 款識 藝術家簽名（右下）；2011，15／25（左下） iPad繪圖印於紙本 紙張：139.7 x 105.4 公分，55 x 41½ 英寸 版數 15／25 2011年作 此作品共25版，由藝術家出版

View 1 of Lot 38: David Hockney 大衛 · 霍克尼 | The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 18 March 東約克郡沃蓋特的春臨（2011年）- 3月18日

david hockney 大衛 · 霍克尼 | the arrival of spring in woldgate, east yorkshire in 2011 (twenty eleven) - 18 march 東約克郡沃蓋特的春臨（2011年）- 3月18日

David Hockney b. 1937 Hotel by the Sea xerox copy of facsimile drawing in 16 parts, with original cover sheet overall approx.: 870 by 1435 mm. 34¼ by 56½ in. frame: 942 by 1511 mm. 37⅛ by 59½ in. Executed in 1989.

hotel by the sea

David Hockney b. 1937 Celia Observing etching and aquatint printed in colours on BFK Rives wove paper plate: 682 by 544 mm. 27 by 21½ in. sheet: 910 by 710 mm. 35⅞ by 28 in. Executed in 1976, this impression is an archive proof aside from the edition of 60 plus 14 artist's proofs, published by Petersburg Press.

celia observing

David Hockney b. 1937 The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 17 April signed in pencil (lower right), dated and numbered 15/25 (lower left) iPad drawing printed in colours on wove paper sheet: 139.7 by 105.4 cm. 55 by 41½ in. Executed in 2011, this impression is number 15 from an edition of 25, published by the artist. ---------------------------------------------- 大衛 · 霍克尼 1937年生 東約克郡沃蓋特的春臨（2011年）- 4月17日 款識 藝術家簽名（右下）；2011，15／25（左下） iPad繪圖印於紙本 紙張：139.7 x 105.4 公分，55 x 41½ 英寸 版數 15／25 2011年作 此作品共25版，由藝術家出版

View 1 of Lot 37: David Hockney 大衛 · 霍克尼 | The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 17 April 東約克郡沃蓋特的春臨（2011年）- 4月17日

david hockney 大衛 · 霍克尼 | the arrival of spring in woldgate, east yorkshire in 2011 (twenty eleven) - 17 april 東約克郡沃蓋特的春臨（2011年）- 4月17日

David Hockney b. 1937 Celia in a Wicker Chair (M.C.A.T. 158) etching and aquatint printed in colours on BFK Rives wove paper plate: 683 by 543 mm. 26⅞ by 21½ in. sheet: 906 by 749 mm. 35⅝ by 29½ in. Executed in 1974, this impression is an archive proof aside from the edition of 60 plus 16 artist's proofs, published by Petersburg Press.

View 1 of Lot 31: Celia in a Wicker Chair (M.C.A.T. 158)

celia in a wicker chair (m.c.a.t. 158)

David Hockney b. 1937 The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 16 May signed in pencil (lower right), dated and numbered 15/25 (lower left) iPad drawing printed in colours on wove paper sheet: 139.7 by 105.4 cm. 55 by 41½ in. Executed in 2011, this impression is number 15 from an edition of 25, published by the artist. ---------------------------------------------- 大衛 · 霍克尼 1937年生 東約克郡沃蓋特的春臨（2011年）- 5月16日 款識 藝術家簽名（右下）；2011，15／25（左下） iPad繪圖印於紙本 紙張：139.7 x 105.4 公分，55 x 41½ 英寸 版數 15／25 2011年作 此作品共25版，由藝術家出版

View 1 of Lot 36: David Hockney 大衛 · 霍克尼 | The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 16 May 東約克郡沃蓋特的春臨（2011年）- 5月16日

david hockney 大衛 · 霍克尼 | the arrival of spring in woldgate, east yorkshire in 2011 (twenty eleven) - 16 may 東約克郡沃蓋特的春臨（2011年）- 5月16日

David Hockney b. 1937 Homage to Michelangelo, from Omaggio a Michelangelo (Scottish Arts Council 73; M.C.A.T. 162) signed in pencil, dated and numbered 58/200 etching and aquatint printed in red and black on Rives mould-made paper plate: 464 by 670 mm. 18¼ by 26⅜ in. sheet: 594 by 791 mm. 23⅜ by 31⅛ in. Executed in 1975, this impression is number 58 from the edition of 200 plus 25 artist's proofs, printed by Atelier Crommelynck, published by Studio Bruckmann.

View 1 of Lot 34: Homage to Michelangelo, from Omaggio a Michelangelo (Scottish Arts Council 173; M.C.A.T. 162)

homage to michelangelo, from omaggio a michelangelo (scottish arts council 173; m.c.a.t. 162)

This <a href="https://www.sothebys.com/en/search?query=SUMO+edition&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">SUMO collector's edition</a> of&nbsp;A Bigger Book&nbsp;is a majestic visual survey of <a href="https://www.sothebys.com/en/search?query=david+hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Hockney</a>’s more than 60 years of work, from his teenage days at art school up to his recent extensive series of portraits, iPad drawings and Yorkshire landscapes.<ul><li>Sold as a set of 3: 2 volumes, 1 stand.</li><li>David Hockney (British).</li><li>Edited by Hans Werner Holzwarth (German).</li><li>Bookstand designed by Marc Newson (Australian).</li><li>Köln: Taschen, 2016.</li><li>498 pages.</li><li>Hardcover.</li><li>Collector's Edition No. 1,001–10,000, edition of 9,000.</li><li>Signed by Hockney.</li><li>13 foldouts plus an illustrated 680-page chronology book with an adjustable bookstand.</li></ul> Please note: This item is excluded from complimentary shipping. Shipping quote will be calculated at time of purchase.

A Bigger Book

Extending, February, 1990, by <a href="https://www.sothebys.com/en/search?query=David+Hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">David Hockney</a>.<ul><li>David Hockney (British, born 1937).</li><li>This work was commissioned by the Prints and Drawings Council of LACMA, Los Angeles and printed and published by the artist in June 1990.</li><li>Home-made Xerox print in color on laid paper.</li><li>Hand signed and numbered.</li><li>It is comprised of two sheets, as issued.</li><li>This work is presented unframed.</li></ul> This home-made Xerox is hand signed in pencil by the artist "David Hockney" at the lower right margin. It is dated in pencil “90” [1990] next to the signature. It is also hand numbered in pencil from the edition of 50, at the lower left corner. Please note: This item is excluded from complimentary shipping. Shipping quote will be calculated at time of purchase.

Extending, February

A Bigger Book&nbsp;is a majestic visual survey of Hockney’s more than 60 years of work.<ul><li>Sold as a set of 2: book and bookstand.</li><li>First listing photo of book on stand is for reference only and is not a photo of the actual copy for sale.</li><li>Köln: Taschen,&nbsp;2018.&nbsp;</li><li>Elephant folio.</li><li>498 pages.</li><li>13 foldouts, with an illustrated 680-page chronology book.</li><li>Signed by David Hockney.</li><li>Part of a limited collector's edition, this being number 1,343 of 10,000.&nbsp;</li><li>Housed in publisher's original box with limited-edition label.</li><li>Presented with a Marc Newson bookstand for display.</li></ul>

A first edition hardback copy of the book Hockney’s Alphabet, signed on an inside title page by Hockney and also by the editor.<ul><li>David Hockney (English).</li><li>Edited by Stephen Spender.</li><li>The book is bound in yellow buckram, printed on exhibition fine art cartridge paper and housed in the grey cloth slip case.</li></ul> The book is a collaboration between David Hockney and several British and American writers who contributed text to go along with the illustrated alphabet, all to raise money for the AIDs Crisis Trust. Contributors included Douglas Adams, Martin Amis, Julian Barnes, William Boyd, Margaret Drabble, Patrick Leigh Fermor, William Golding, Seamus Heaney, David Hockney, Kazuo Ishiguro, Erica Jong, Doris Lessing, Norman Mailer, Ian McEwan, Arthur Miller, Iris Murdoch, Nigel Nicolson, John Julius Norwich, Joyce Carol Oates, V. S. Pritchett, Craig Raine, Susan Sontag, Stephen Spender, John Updike, Anthony Burgess, Ted Hughes, Paul Theroux, Gore Vidal and T. S. Eliot. Norman Mailer declined his invitation, but his "letter refusing seemed such a good model for Polite Rejection" that it was published as his contribution.

Hockney’s Alphabet 

Celia - Adjusting her Eyelash, 1979, by <a href="https://www.sothebys.com/en/search?query=David+Hockney&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">David Hockney</a>.<ul><li>David Hockney (British, born 1937).</li><li>Printed and published at Gemini G.E.L., Los Angeles.</li><li>Lithograph on Twinrocker handmade paper.</li><li>Hand signed and numbered.</li><li>This work is presented unframed.</li></ul> This original lithograph is hand signed in green pencil by the artist "Hockney" in the lower right margin. It is also dated "79" (1979) in pencil. It is hand numbered and inscribed in green pencil AP XVI next to the signature. It is one of sixteen artists proofs aside from the standard edition of 100 numbered with Arabic numerals. The paper bears the Gemini G.E.L. blind stamp and the Twinrocker watermark. There is another impression of this work in the collection of the National Gallery of Australia. Hockney and Celia Birtwell, a fashion designer, met in 1968 in Portobello Road. She soon began to appear in the artist’s work, but particularly in his prints. She sits for 30 portraits, which compose about a quarter of his total printed portrait oeuvre. Many of the Celia portraits recall those made by Matisse and Degas. Celia Birtwell said: “We have always felt completely comfortable in each other’s company. We amused each other. I found posing for him to be a very intimate, and silent, affair…Before commencing we have a conversation about how he wants me to look. I could look left or right. He may say, ‘Move your arm.’ ‘Sit further back.’ ‘Look out of the window.’ then comes the moment when he suddenly says, ‘I like that.’ whilst he’s drawing me I can see the intensity, struggle and concentration on his face. The intensity is extraordinary. After an hour or so he’ll say, ‘do you want to take a break, luvvie?’ Sometimes I take a peek at the portrait, other times I prefer to wait until it’s finished. He always says he doesn’t appeal to vanity. Whatever my feelings are, they are always amazing.” Please note: This item is excluded from complimentary shipping. Shipping quote will be calculated at time of purchase.

Celia - Adjusting her Eyelash, 1979

Classic Continental Cellars | Mature Bordeaux, Burgundy Gems and Rare Spirits

Château Mouton Rothschild 2014 Pauillac, 1er Cru Classé Label: David Hockney 81% Cabernet Sauvignon, 16% Merlot, 3% Cabernet Franc. In 2018, an opulent, forceful cassis nose - signature Mouton. Woodsmoke, cedarwood and that rich, juicy black fruit on the palate. There are many layers to this so just revel in it as they unfold. Serena Sutcliffe, MW 12 bts (2 owc) Image is for Reference only. For bottle condition please refer to cataloguing notes. L'image est fournie à titre de référence uniquement. Pour l'état des bouteilles, veuillez vous référer aux notes d'inspection. Provenance: This exceptional European collection represents a lifelong dedication to the world’s finest terroirs, centered on a comprehensive selection of Bordeaux spanning 1970 to 2016. From the classified growths of the Médoc to the "crown jewels" of the Right Bank, every bottle was secured by the owner exclusively at the time of release—either purchased En Primeur or via direct merchant allocations—and preserved since in a pristine, AC-controlled cellar. The offering is further elevated by rare offfering of old Domaine de la Romanée-Conti bottles, vintage Champagnes, Italian superstars, and iconic Californian labels. The collection also includes a selection of 31 exceptional spirits, many offered without reserve. Highlights include the legendary 1964 Bowmore Black (Final Edition), a curated selection of independent bottlers, three rare lots from the Springbank distillery, a Macallan 18-Year-Old Sherry Cask and a remarkable piece of liquid history: an 1868 Armagnac from Bisquit Dubouché. Cette collection européenne exceptionnelle reflète une vie de passion pour les plus grands terroirs, avec un focus sur une sélection complète de Bordeaux allant de 1970 à 2016. Des crus classés du Médoc aux « joyaux » de la Rive Droite, chaque bouteille a été acquise par le propriétaire exclusivement au moment de sa sortie — en primeur ou via des allocations directes de négociants — et conservée depuis dans une cave impeccable, climatisée et parfaitement contrôlée. L’ensemble est enrichi par de rares bouteilles anciennes de Domaine de la Romanée-Conti, des Champagnes millésimés, des grands vins italiens et des références emblématiques californiennes. La collection comprend également une sélection de 31 spiritueux d’exception, dont beaucoup sont proposés sans prix de réserve. Parmi les pièces remarquables figurent le légendaire Bowmore Black 1964 (Final Edition), une sélection soignée de petits embouteilleurs indépendants, trois lots rares de la distillerie Springbank, un Macallan 18 ans Sherry Cask, ainsi qu’une pièce historique exceptionnelle : un Armagnac Bisquit Dubouché de 1868. LYING AT HILLEBRAND BEAUNE, Offered Duty Paid in EU STOCKÉ À HILLEBRAND BEAUNE, Offert en droits acquittés en UE Please note that for Wine and Spirits Lots, the Buyer’s Premium rate is 24% of the Hammer Price and the Overhead Premium rate is 1% of the Hammer Price. The Buyer’s Premium and Overhead Premium are subject to any applicable VAT and/or sales tax. Please refer to the Conditions of Business for further details. Merci de noter que pour les lots de vins et spiritueux, la prime d'acheteur est de 24 % du prix d'adjudication et la prime de frais généraux est de 1 % du prix d'adjudication. La prime d'acheteur et la prime de frais généraux sont soumises à la TVA. Veuillez-vous référer aux Conditions Générales de Vente pour plus de détails.

View 1 of Lot 494: Château Mouton Rothschild 2014  (12 BT)

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