A <a href="https://www.sothebys.com/en/buy/luxury/collectibles/vintage-poster/film" rel="noopener noreferrer" target="_blank">movie poster</a> for the film <a href="https://www.sothebys.com/en/search?query=The+Graduate&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">The Graduate</a>.<ul><li>Embassy Pictures.</li><li>Unfolded, paper backed.</li><li>Conservation framed with UV plexiglass.</li></ul>

The Graduate Movie Poster

A <a href="https://www.sothebys.com/en/buy/luxury/collectibles/vintage-poster/film" rel="noopener noreferrer" target="_blank">movie poster</a> for the film <a href="https://www.sothebys.com/en/search?query=The%20Graduate&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">The Graduate</a>.<ul><li>VISTA.</li><li>Unfolded.</li><li>Linen backed.</li><li>Conservation framed with UV plexiglass.</li></ul> This poster was produced as a tie-in with VISTA, who are an anti-poverty program in the USA, created by Lyndon Johnson's Economic Opportunity Act of 1964, as the domestic version of the Peace Corps. In the film's opening party scene Mr. Maguire, a friend of the Robinsons says to Benjamin "I've got one word for you, Benjamin: plastics." On the bottom of the poster above the word 'VISTA' it says 'You can put off plastics for a year' This piece was designed for Vista. It was released in conjunction with the film's 1968 release.

Fine Jewelry

The necklace composed of graduated square links set with round and baguette diamonds, the ring of matching design.

The necklace composed of graduated square links set with round and baguette diamonds, the ring of matching design. Necklace length approximately 14½ inches, ring size 6¼Each signed Boucheron, the ring numberedFrench assay and workshop marks18 karat goldAccompanied by a signed box

View 1 of Lot 339: Gold and Diamond Necklace and Ring, France

gold and diamond necklace and ring, france

The Jay T. Snider Collection of Benjamin Franklin

Jonathan Edwards The Distinguishing Marks of a Work of the Spirit of God. Applied to the Uncommon Operation that has Lately Appeared on the Minds of Many of the People of the Land. … A discourse delivered at New-Haven, September 10th, 1741. … Boston, Printed: Philadelphia: Re-printed and Sold by Benjamin Franklin, in Market-Street, 1742 8vo (154 x95 mm). Typographic ornaments in text, occasional annotations; Light even toning, a few small spots and stains, corners rounded, text-block trimmed close and skimming the footnotes on p. iv, occasional creasing and one small loss (leaf E3) at corners, a thin hole in the title-page affecting four lines of text, small loss at the tail of the gutter in the last two leaves just touching a catchword and a few lines of text. Disbound; the first gathering sewn, a few remnants of early sewing in the text. Half green morocco folding-case, chemise. The exceedingly rare Franklin edition of Jonathan Edwards's important sermon on identifying God's true works, written in defense of the First Great Awakening by one of the movement's pivotal leaders. This sermon was given at Yale College in September of 1741. The college's administration had invited their esteemed alumnus, a child prodigy who matriculated at the age of 13 and graduated as valedictorian, back to campus to give a commencement speech. They hoped that Edwards would quell certain revivalist students' extreme behaviors. What they got was something else entirely. As the First Great Awakening stretched into the 1740s, Edwards and his fellow revivalists faced increasing backlash from orthodox church leaders, who argued that his movement favored emotionalism and individualism over theology and authority. Jonathan Edwards responded in this work, presenting a well-considered argument in support of the evangelical revival. He cautiously defended the revivalists' penchant for fire and brimstone preaching, and addressed the ecstatic swooning and convulsing that was common in evangelical congregations. He explained that these "bodily effects," though not marks of God in themselves, were signs of an increased love of Christ, scripture, and truth among his congregants. The text is an expanded version of Edwards' Yale sermon, with a preface by the Reverend William Cooper of Boston. The first edition was published in Boston by S. Kneeland and T. Green in 1741. Four subsequent editions were published the following year, in London, Glasgow, Edinburgh, and the present Philadelphia edition put out by Franklin, a testament to the sermon's widespread popularity. Rare—ESTC lists just four institutions with copies (though none are at Yale), and apparently this copy is the last example offered at auction, in 1919, and this is the only example we can trace in private hands. REFERENCES Miller 279; ESTC W18765; Evans 4937; Hildeburn 760; Johnson, Edwards 51; T. A. Schafer, "Jonathan Edwards" in Encyclopedia Britannica, March 18, 2026 (https://www.britannica.com/biography/Jonathan-Edwards) PROVENANCE Arnold Boyd (early ownership signature on title) — Evidently the copy sold at Henkels on 26 June, 1919, "Important Historical and Literary Sale. From the Library of Caesar Rodney, Signer of the Declaration of Independence …," lot 202 ("unbound. … The present copy is time-stained, and the corners rounded, or as we say cat-eared.")

View 1 of Lot 26: Jonathan Edwards | A rare Franklin imprint written in defense of early evangelicalism

jonathan edwards | a rare franklin imprint written in defense of early evangelicalism

Composed of graduated wirework bombé links, the center links pavé set with round diamonds.

Composed of graduated wirework bombé links, the center links pavé set with round diamonds. Internal circumference approximately 6¼ inchesSigned HB for Hammerman Brothers18 karat gold and platinumGross weight approximately 46 dwts

View 1 of Lot 367: Gold and Diamond Bracelet

gold and diamond bracelet

High Jewelry

Featuring an octagonal step-cut emerald weighing 10.03 carats, the shoulders and shank accented by graduated baguette diamonds, size 6, signed Reza, numbered.

Featuring an octagonal step-cut emerald weighing 10.03 carats, the shoulders and shank accented by graduated baguette diamonds, size 6, signed Reza, numbered. Accompanied by Gübelin report no. 23082152 dated September 13, 2023 stating that the emerald is of Colombian origin, clarity enhancement: insignificant.

View 1 of Lot 75: Emerald and Diamond Ring 10.03克拉「哥倫比亞」祖母綠 配 鑽石 戒指

emerald and diamond ring 10.03克拉「哥倫比亞」祖母綠 配 鑽石 戒指

Artistic Luxury: Fabergé, Gold Boxes, Silver & Ceramics

in three graduated sizes, with running acanthus borders, the two smaller engraved with initial H, marked on bases and numbered 18887-5523 (2), 18868 (2), and 18864 (1)

in three graduated sizes, with running acanthus borders, the two smaller engraved with initial H, marked on bases and numbered 18887-5523 (2), 18868 (2), and 18864 (1) 143.5 oz 4462 g diameters 11 to 13 in. 28 to 33 cm

View 1 of Lot 66: A Set of Five American Silver Circular Trays, Tiffany & Co., New York, Circa 1920

a set of five american silver circular trays, tiffany & co., new york, circa 1920

A Marvelous Journey: The Collection of Maurice Tempelsman

oval, all sides inlaid in 'Zellenmosaik' with differently patterned hardstone specimens within wavy bands of gold engraved with small numbers above each panel, surrounded with reeded or stippled engraving, framed by borders of white opal ovals and with lapis lazuli quatrefoils, the lid further centred with an ingeniously inlaid flower spray including a peony with separately inlaid agate petals, a red carnation also inlaid in pietre dure, agate tulips and foiled smaller blossoms, as well as turquoise forget-me-nots of varying sizes, surrounded with cloisons of bloodstone leaves and stems, some reaching as far as the opal border, all of the 43 numbered irregularly-shaped hardstone specimens on the lid mounted à jour, creating the impression of a stained glass window, the sides inlaid with a Zellenmosaik of 72 slightly asymmetrical and seemingly floating lozenge-shaped hardstones arranged by colour and from various places of occurrence, including agates, jaspers and nephrite within white opal borders matching those on the lid and engraved interlaced gold ribbons on a reeded ground, the base similarly decorated with another 72 hardstone specimens within sinuous gold lines resembling a graduated web around a central lilac with foiled amethyst petals and bloodstone leaves, fitted with a secret sliding compartment opening when one of the opals to lower side is pressed, containing a handwritten paper booklet titled ‘Catalogue de toutes Sortes de Pierres qui se trouvent en Saxe’, listing all the hardstones chosen for the box as well as their place of occurrence sorted by lid, sides and base, both in French and in old German script (Kurrent), apparently unmarked apart from later French hibou control mark,

oval, all sides inlaid in 'Zellenmosaik' with differently patterned hardstone specimens within wavy bands of gold engraved with small numbers above each panel, surrounded with reeded or stippled engraving, framed by borders of white opal ovals and with lapis lazuli quatrefoils, the lid further centred with an ingeniously inlaid flower spray including a peony with separately inlaid agate petals, a red carnation also inlaid in pietre dure, agate tulips and foiled smaller blossoms, as well as turquoise forget-me-nots of varying sizes, surrounded with cloisons of bloodstone leaves and stems, some reaching as far as the opal border, all of the 43 numbered irregularly-shaped hardstone specimens on the lid mounted à jour, creating the impression of a stained glass window, the sides inlaid with a Zellenmosaik of 72 slightly asymmetrical and seemingly floating lozenge-shaped hardstones arranged by colour and from various places of occurrence, including agates, jaspers and nephrite within white opal borders matching those on the lid and engraved interlaced gold ribbons on a reeded ground, the base similarly decorated with another 72 hardstone specimens within sinuous gold lines resembling a graduated web around a central lilac with foiled amethyst petals and bloodstone leaves, fitted with a secret sliding compartment opening when one of the opals to lower side is pressed, containing a handwritten paper booklet titled ‘Catalogue de toutes Sortes de Pierres qui se trouvent en Saxe’, listing all the hardstones chosen for the box as well as their place of occurrence sorted by lid, sides and base, both in French and in old German script (Kurrent), apparently unmarked apart from later French hibou control mark, 7.4 cm., 2 7/8 in. wide

View 1 of Lot 27: A magnificent and rare gold and hardstone ‘Steinkabinett’ Tabatiere, Christian Gottlieb Stiehl, Dresden, circa 1770, 

a magnificent and rare gold and hardstone ‘steinkabinett’ tabatiere, christian gottlieb stiehl, dresden, circa 1770,

Featuring an emerald-cut Fancy Deep Yellow diamond weighing 5.08 carats, flanked by lines of graduated baguette diamonds and surrounded by pavé-set round diamonds, size 5¾, signed Bvlgari.

Featuring an emerald-cut Fancy Deep Yellow diamond weighing 5.08 carats, flanked by lines of graduated baguette diamonds and surrounded by pavé-set round diamonds, size 5¾, signed Bvlgari. ﻿Accompanied by GIA report no. 2235895564 dated March 9, 2026 stating that the diamond is Fancy Deep Yellow, Natural color, VS2 clarity, with Excellent polish and symmetry.

View 1 of Lot 49: Fancy Deep Yellow Diamond and Diamond Ring  寳格麗 | 5.08克拉 深彩黃色鑽石 配 鑽石 戒指

fancy deep yellow diamond and diamond ring 寳格麗 | 5.08克拉 深彩黃色鑽石 配 鑽石 戒指

Designed as a line of 73 graduated emerald-cut diamonds, length approximately 16¼ inches.

Designed as a line of 73 graduated emerald-cut diamonds, length approximately 16¼ inches. Accompanied by 73 GIA reports dated from June 10, 2025 to December 29, 2025 stating that the diamonds weighing 3.01 to 1.00 carat, are G to I color, Internally Flawless to VS2 clarity.

View 1 of Lot 105: Diamond Necklace 鑽石 項鏈 (鑽石共重86.59克拉)

diamond necklace 鑽石 項鏈 (鑽石共重86.59克拉)

both of elongated oval shape, the first decorated to all sides with engine-turned graduated pellets around reeded bands, framed by chased rose and leaf borders on a sablé ground, illegible maker's mark, rubbed charge and discharge marks of Henri Clavel (1782-1789), Paris date letter P87, 3 3/4 in., 9.4 cm. wide;

both of elongated oval shape, the first decorated to all sides with engine-turned graduated pellets around reeded bands, framed by chased rose and leaf borders on a sablé ground, illegible maker's mark, rubbed charge and discharge marks of Henri Clavel (1782-1789), Paris date letter P87, 3 3/4 in., 9.4 cm. wide; the second decorated with reeded panels surrounded with interlaced acanthus and s-scroll borders alternating with flower sprays en quatre couleurs, the sides and base with matching decoration, the sides further with chased rose vase dividers, Hanau marks including partially rubbed maker's mark FS crowned, 3 1/2 in., 9 cm wide

View 1 of Lot 84: Two Varicolor Gold Snuff Boxes, Paris 1787/1788 and Frères Souchay, Hanau, Similar Date 

two varicolor gold snuff boxes, paris 1787/1788 and frères souchay, hanau, similar date

Featuring 75 graduated round diamonds. Diamonds weighing a total of 41.67 caratsLength approximately 16¼ inches18 karat white goldAccompanied by 75 GIA reports dated June 5, 2024 to December 10, 2025 stating that the diamonds, weighing 3.00 to 0.31 carat, are H to I color, VS1 to SI2 clarity

diamond necklace

Suspending six graduated emerald-cut diamonds weighing a total of 12.05 carats, the surmounts decorated with lines of round diamonds.

Suspending six graduated emerald-cut diamonds weighing a total of 12.05 carats, the surmounts decorated with lines of round diamonds. Accompanied by GIA report no. 7235282974 dated June 13, 2024 stating that the diamond weighing 3.01 carats is D color, Flawless, with Excellent polish and symmetry. Accompanied by GIA report no. 1488998541 dated April 8, 2024 stating that the diamond weighing 3.01 carats is D color, Internally Flawless. Accompanied by GIA report no. 5231294212 dated May 24, 2024 stating that the diamond weighing 2.01 carats is D color, Internally Flawless. Accompanied by GIA report no. 7518524138 dated March 21, 2025 stating that the diamond weighing 2.00 carats is D color, Internally Flawless. Accompanied by GIA report no. 6511575444 dated March 6, 2024 stating that the diamond weighing 1.01 carats is D color, Internally Flawless. Accompanied by GIA report no. 6512573586 dated March 12, 2025 stating that the diamond weighing 1.01 carats is D color, Internally Flawless.

View 1 of Lot 98: Pair of Diamond Pendant-Earrings 方形 D色 鑽石 耳墜一對 (鑽石共重12.05克拉)

Results for "The Graduate"