Artistic Luxury: Fabergé, Gold Boxes, Silver & Ceramics

engraved with monogram, comprising: 12 dinner forks 12 lunch forks 12 tablespoons 10 dessert spoons 9 teaspoons 2 sauce ladles 57 pieces Together with: 12 crested dinner knives, London, 1872 12 Olympian pattern butter spreaders, by Tiffany & Co. 81 pieces total, in tarnish preventing felt case 122 oz weighable 3794 g

View 1 of Lot 138: A Victorian "Shakespeare" Pattern Silver Flatware Set, Frederick Elkington for Elkington & Co., Birmingham, 1888

a victorian "shakespeare" pattern silver flatware set, frederick elkington for elkington & co., birmingham, 1888

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first edition</a>, limited folio edition of <a href="https://www.sothebys.com/en/search?query=The%20Tempest&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">The Tempest</a>, signed by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>.<ul><li>Marc Chagall (French-Russian).</li><li>After William Shakespeare (English).</li><li>Monte Carlo:&nbsp;Andre Sauret,&nbsp;1975.</li><li>Folio.&nbsp;</li><li>Fifty lithographs overall, with original tissue guards.</li><li>Limited edition of 250 signed and numbered copies (this is #96), 270 the entire edition.</li><li>Original glassine wrappers; printed on Arches wove paper, in a cream vellum box, stamped in gilt on cover, held in original publisher's cardboard shipping box with label.</li></ul> A wonderful and evocative series of lithographs, produced when Chagall was 88 years old. When Raymond Levy of Editions André Sauret first approached the artist about illustrating Shakespeare's Tempest, Chagall initially hesitated because he was afraid he might not do justice to the text, but then between March and May 1975, he produced fifty drawings on tracing paper, which were transferred onto zinc plates and sent back to Chagall for final retouching.

The Tempest | Signed by Chagall

A finely bound edition of Boaden's Shakespeare inquiry.<ul><li>James Boaden (English).</li><li>An Inquiry into the Authenticity of Various Pictures and Prints, Which, from the Decease of the Poet to Our Own Times, Have Been Offered to the Public as Portraits of Shakespeare.</li><li>London: Printed for Robert Triphook [B. M'Millan, Printer, Bow-street, Covent-Garden], 1824.</li><li>Octavo.</li><li>206 pages.</li><li>Bound in full red morocco with five Cosway-style watercolor miniatures under glass on the upper cover, by Riviere &amp; Son, in open-faced red cloth slipcase.</li></ul>

An Inquiry Into the Authenticity of Various Pictures and Prints...of Shakespeare

Finely bound sixth edition copy of Othello.<ul><li>William Shakespeare (English).</li><li>Othello, The Moor of Venice. A Tragedy.</li><li>London: for Richard Bentley, 1695.</li><li>(ii)76 pages.</li><li>Bound in full red morocco, vertical lettered spine, covers ruled in gilt and gilt dentelles.</li></ul>

Othello

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?locale=en&amp;Book%20Type=Fine%2520Bindings%2520and%2520Sets" rel="noopener noreferrer" target="_blank">set</a> of limited edition Letterpress <a href="https://www.sothebys.com/en/search?locale=en&amp;Book%20Type=Fine%2520Bindings%2520and%2520Sets&amp;query=Shakespeare&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Shakespeare</a>.<ul><li>Sold as a set of 39 volumes.</li><li>William Shakespeare (English).</li><li>London:&nbsp;The Folio Society,&nbsp;1982-2008.&nbsp;</li><li>Folios.</li><li>Each folio is three quarter bound in leather, with gilt lettering to spine, marbled paper boards, gilt top, deckled text-block, silk ribbon bookmark, and accompanied by a companion Octavo.</li><li>The Folio Tragedies (Vols. 1-12) are bound in red leather with red cloth-bound companion Octavos and red clamshell cases.</li><li>The Folio Comedies (Vols. 13-28) are bound in green leather with green cloth-bound companion Octavos and green clamshell cases.</li><li>The Folio Histories (Vols. 29-38) are bound in blue leather with blue cloth-bound companion Octavos and blue clamshell cases.</li><li>The Folio Sonnets &amp; Poetry (Vol. 39) is bound in teal leather with teal cloth-bound companion Octavo and teal clamshell case.</li><li>All volumes have a matching limitation number (#300).</li></ul> CONTENTS: Volume 1.&nbsp;Anthony and Cleopatra&nbsp;(Folio 126 pages, #300/3750 copies; companion Octavo xi, 388 pages)Volume 2.&nbsp;Coriolanus&nbsp;(Folio 127 pages, #300/3750 copies; companion Octavo ix, 388 pages)Volume 3.&nbsp;Cymbeline&nbsp;(Folio 122 pages, #300/1000 copies; companion Octavo ix, 287 pages)Volume 4.&nbsp;Hamlet&nbsp;(Folio 129 pages, #300/3750 copies; companion Octavo ix, 406 pages) Volume 5.&nbsp;Julius Caesar&nbsp;(Folio 98 pages, #300/3750 copies; companion Octavo ix, 253 pages)Volume 6.&nbsp;King Lear&nbsp;(Folio 115 pages, #300/3750 copies; companion Octavo x, 321 pages)Volume 7.&nbsp;Macbeth&nbsp;(Folio 92 pages, #300/3750 copies; companion Octavo xii, 249 pages)Volume 8.&nbsp;Othello&nbsp;(Folio #300/3750; companion Octavo x, 491 pages)Volume 9.&nbsp;Romeo and Juliet&nbsp;(Folio 113 pages, #300/1000 copies; companion Octavo ix, 450 pages)Volume 10.&nbsp;Timon of Athens&nbsp;(Folio 87 pages, #300/1000 copies; companion Octavo ix, 370 pages)Volume 11.&nbsp;Titus Andronicus&nbsp;(Folio, 97 pages, #300/3750 copies; companion Octavo ix, 226 pages)Volume 12.&nbsp;Troilus and Cressida&nbsp;(Folio 120 pages, #300/1000 copies; companion Octavo vii, 205 pages)Volume 13.&nbsp;All's Well That Ends Well&nbsp;(Folio 103 pages, #300/1000 copies, closed tear to back free endpaper; companion Octavo ix, 245 pages)Volume 14.&nbsp;As You Like It&nbsp;(Folio 94 pages, #300/3750 copies; x, 245 pages)Volume 15.&nbsp;Comedy of Errors&nbsp;(Folio 75 pages, #300/1000 copies; companion Octavo viii, 232 pages)Volume 16.&nbsp;Love's Labour's Lost&nbsp;(Folio 101 pages, #300/1,000 copies; companion Octavo viii, 263 pages)Volume 17.&nbsp;Measure for Measure&nbsp;(Folio 100 pages, #300/1000 copies; companion Octavo ix, 255 pages)Volume 18.&nbsp;The Merchant of Venice&nbsp;(Folio 97 pages, #300/1000 copies; companion Octavo xi, 241 pages)Volume 19.&nbsp;Merry Wives of Windsor&nbsp;(Folio 92 pages, #300/1000 copies; companion Octavo ix, 242 pages)Volume 20.&nbsp;A Midsummer Night's Dream&nbsp;(Folio 82 pages, #300/3750 copies; companion Octavo ix, 275 pages)Volume 21.&nbsp;Much Ado About Nothing&nbsp;(Folio 93 pages, #300/1000 copies; companion Octavo ix, 214 pages)Volume 22.&nbsp;Pericles&nbsp;(Folio 90 pages, #300/1000 copies; companion Octavo ix, 306 pages)Volume 23.&nbsp;The Taming of the Shrew&nbsp;(Folio 101 pages, #300/1000 copies; companion Octavo 248 pages)Volume 24.&nbsp;The Tempest&nbsp;(Folio 80 pages; #300/3750 copies; companion Octavo x, 248 pages)Volume 25.&nbsp;Twelfth Night&nbsp;(Folio 87 pages, #300/3750 copies; companion Octavo viii, 247 pages)Volume 26.&nbsp;Two Gentlemen of Verona&nbsp;(Folio 88 pages #300/1000 copies; companion Octavo ix, 190 pages)Volume 27.&nbsp;The Two Noble Kinsmen&nbsp;(Folio 112 pages, #300/1000 copies; companion Octavo ix, 233 pages; mild wear to cardboard insert separating Folio and Octavo)Volume 28.&nbsp;The Winter's Tale&nbsp;(Folio 110 pages, #300/1000 copies; companion Octavo viii, 295 pages; mild bumping to clamshell case)Volume 29.&nbsp;Henry IV Part 1&nbsp;(Folio 101 pages, #300/1000 copies; companion Octavo ix, 315 pages)Volume 30.&nbsp;Henry IV Part 2&nbsp;(Folio 111 pages, #300/1000 copies; companion Octavo ix, 287 pages)Volume 31.&nbsp;Henry V&nbsp;(Folio 109 pages, #300/1000 copies; companion Octavo ix, 330 pages)Volume 32.&nbsp;Henry VI Part 1&nbsp;(Folio 109 pages, #300/1000 copies; companion Octavo ix, 256 pages) Volume 33.&nbsp;Henry VI Part 2&nbsp;(Folio 123 pages, #300/1000 copies; companion Octavo x, 319 pages)Volume 34.&nbsp;Henry VI Part 3&nbsp;(Folio 121 pages, #300/1000 copies; companion Octavo x, 392 pages)Volume 35.&nbsp;King Henry VIII&nbsp;(Folio 115 pages, #300/1000 copies; companion Octavo ix, 230 pages)Volume 36.&nbsp;King John&nbsp;(Folio 100 pages, #300/1000 copies; companion Octavo ix, 303 pages)Volume 37.&nbsp;Richard II&nbsp;(Folio 106 pages, #300/1000 copies; companion Octavo x, 297 pages)Volume 38.&nbsp;Richard III&nbsp;(Folio, 133 pages; #300/1000 copies; companion Octavo ix, 414 pages)Volume 39.&nbsp;Sonnets and Poems&nbsp;(Folio 222 pages, #300/1980 copies; companion Octavo ix, 750 pages).

Letterpress Shakespeare

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?locale=en&amp;Book%20Type=Fine%2520Bindings%2520and%2520Sets" rel="noopener noreferrer" target="_blank">finely bound</a> set of The Dramatic Works of <a href="https://www.sothebys.com/en/search?query=William+Shakespeare&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">William Shakespeare</a>.<ul><li>Sold as a set of 10 volumes.</li><li>William Shakespeare (English).</li><li>Notes by S. W. Singer, A Life... by W. Watkiss Lloyd.</li><li>London: George Bell and Sons, 1888.</li><li>Bound in full tan calf, ribbed gilt decorated spines, gilt lettered red and black morocco spine labels, covers ruled in gilt and blind, blind tooled dentelles, marbled pastedowns, endpapers, and edges, engraved bookplate to front pastedowns of Ascott House Buckinghamshire.</li></ul>

The Dramatic Works of William Shakespeare | With A Life Of The Author

First American edition of the Boydell collection of the Illustrations of the Dramatic Works of Shakespeare.<ul><li>Sold as a set of 2.</li><li>William Shakespeare (English).</li><li>Edited by John Boydell (English).</li><li>New York:&nbsp;Shearjashub Spooner,&nbsp;1852.&nbsp;</li><li>205 pages; 200 pages.</li><li>Folio.</li><li>51 illustrated plates; 49 illustrated plates.</li><li>Three-quarter bound in red morocco and red buckram with gilt ruling and lettering to spine and gilt ruling to boards.</li></ul> Boydell was a British publisher and engraver who decided to undertake the massive project of creating an illustrated folio edition of Shakespeare’s works that took nearly twenty years to complete, and the first edition was published in 1805. It incorporates engravings based on the works of dozens of prominent artists, including George Romney, Henry Fuseli, Benjamin West and Angelica Kauffman.

Illustrations of the Dramatic Works of Shakespeare

Shelf Life: Books, Manuscripts and Works on Paper from the Library of Stanley J. Seeger and Christopher Cone

William Shakespeare Tragedy of Hamlet. London: J.M. Dent, 1915 16mo (128 x 98mm), frontispiece, SEVERAL PASSAGES CROSSED OUT IN RED AND BLACK INK OR IN PENCIL IN GUINNESS'S HAND, publisher's roan, housed in a modern cloth case, front cover detached, backstrip split and a few gatherings loose A REMARKABLE COPY OF SHAKESPEARE'S MAGNUM OPUS, OWNED BY THE LEGENDARY ENGLISH ACTOR SIR ALEC GUINNESS. Guinness starred in several productions of Hamlet throughout the course of his professional career. John Gielgud cast the then 22-year-old as Osric in a 1934 New Theatre production: Guinness's "first real part" in a West End play (ODNB). Guinness first played the Dane himself in a famous—but controversial—modern-dress staging at the Old Vic Theatre in London, directed by Tyrone Guthrie. He returned to the titular role in a self-directed 1951 New Theatre production. It seems most plausible that the present copy was annotated by Guinness in preparation for the 1951 production. Several lines initially crossed out in pencil or black ink have subsequently been re-annotated in red ink accompanied by the word "stet" in the margin (denoting that these passages were initially cut from the script but subsequently re-added). Reflecting upon the production at the culmination of its six week run, Guinness agonised over his directorial decision not to excise more of the text: "Very little of the play was cut. Maybe this was a mis-judgement for it has only recently occurred to me that perhaps Elizabethan audiences were able to stomach long entertainments for the simple reason that they were in the open air" (Guinness, "My Idea of Hamlet", The Spectator, 6 July 1951). PROVENANCE: Alec Guinness (1914–2000), pencil ownership inscription to front free endpaper; "Kenneth Wilkinson | from D.W.", crossed-out ink ownership inscription to front free endpaper; Donald and Mary Hyde, bookplate; sale, Christie's New York, 14 April 2004, lot 85

View 1 of Lot 69: Sir Alec Guinness | His marked-up copy of Hamlet

Results for "Shakespeare"