A Belorussian-born French painter, printmaker, and designer, Marc Chagall created a singularly poetic figurative oeuvre full of rich colors and dreamlike imagery – flying lovers, massive bouquets, melancholy clowns, fantastic animals, lonely fiddlers, and vibrant hearts – that made him one of the most popular early modern and Western artists of the 20th century. Born Moishe Shagal on 7 July 1887, in Vitebsk, in the Russian Empire, Chagall grew up among a devout Jewish community. After learning the elements of drawing at a local school and studying painting at Zvantseva in St. Petersburg. He moved to Paris in 1910, befriending such audacious Expressionist and Cubist painters including Chaim Soutine, Robert Delaunay, Fernand Leger, Andre Lhote, and other members of the young avant-garde. Chagall’s own practice, however, also absorbed the rich hues of the Impressionist, post-Impressionist, and Fauvist paintings popular at the time. Responding to these stimuli, Chagall produced works such as I and the Village, 1911, The Fiddler, 1912, and Paris Through the Window, 1913, essentially establishing the whimsical and emotional vocabulary that would characterize his art of the next 60 years. The development of his career and the vagaries of two World Wars forced Chagall to move repeatedly between France, Germany, and Russia while also spending time in the United States. While in North America, Chagall excelled beyond painting, designing sets and costumes for numerous performances by the American Ballet Theatre. Eventually returning to Paris, Chagall would continue to work in France alongside his two great loves: one, lasting more than 30 years, with Bella Rosenfeld, who appeared in myriad paintings from Birthday, 1915–23, to Around Her, 1945; the other, with Valentina Brodsky, who was featured in several of his later portraits. The artist died in Saint-Paul-de-Vence on the French Riviera, where he had settled with Brodsky. Chagall’s six-panel stained-glass installation American Windows is permanently on view at the Art Institute of Chicago. Similarly, Chagall famously repainted the ceiling of Paris’s Palais Garnier for free, fulfilling the institution’s efforts to modernize. His works can also be found in the collections of the Montreal Museum of Fine Arts and the Solomon R Guggenheim Museum, New York. According to Sotheby’s Mei Moses, the average compound annual return for Chagall resold at auction between 2003 and 2017 was 6.8% and 85.0% of 294 such works increased in value.

Marc Chagall

Modern & Contemporary Evening Auction

Marc Chagall 1887 - 1985 Les paysans signed Marc Chagall (lower right); signed again (on the reverse) oil, tempera, colored ink and sawdust on canvas 115.5 by 81 cm. 45½ by 31⅞ in. Executed in 1971. The authenticity of this work has kindly been confirmed by the Comité Chagall. This work is accompanied by a certificate of authenticity issued by the Comité Marc Chagall, dated 2018 and numbered 2018077. Pierre Matisse Gallery label affixed to the stretcher. ---------------------------------------------- 馬克 · 夏加爾 1887－1985年 農村戀人 款識 Marc Chagall（右下） Marc Chagall（作品背面） 油畫、蛋彩、彩墨及木碎畫布 115.5 x 81 公分 45½ x 31⅞ 英寸 1971年作 夏加爾委員會已為此作提供認證 附：夏加爾委員會於2018年開立之作品保證書（編號2018077） 作品內框附有皮耶 · 馬蒂斯畫廊標籤

View 1 of Lot 135: Marc Chagall 馬克 · 夏加爾 | Les paysans 農村戀人

marc chagall 馬克 · 夏加爾 | les paysans 農村戀人

Modern Day Auction

Marc Chagall 1887 - 1985 Les Glaïeuls signed Marc Chagall (lower left) gouache, watercolor, pastel and colored wax crayons on paper 65 by 50.7 cm. 25⅝ by 20 in. Executed in 1950. The authenticity of this work has kindly been confirmed by the Comité Chagall. This work is accompanied by a certificate of authenticity issued by the Comité Marc Chagall, dated 2 May 2024 and numbered 2024103. ---------------------------------------------- 馬克・夏加爾 1887 - 1985年 劍蘭 款識 Marc Chagall（左下） 水粉、水彩、粉彩及彩色蠟筆紙本 65 x 50.7 公分 25⅝ x 20 英寸 1950年作 夏加爾委員會已為此作提供認證 附：夏加爾委員會於2024年5月2日開立之作品保證書（編號2024103）

View 1 of Lot 236: Marc Chagall 馬克 · 夏加爾 | Les Glaïeuls 劍蘭

marc chagall 馬克 · 夏加爾 | les glaïeuls 劍蘭

Marc Chagall 1887 - 1985 L'homme au parapluie signed chagall marc (lower left) watercolor and pen and ink over pencil on paper 39 by 28.5 cm. 15⅜ by 11¼ in. Executed in 1936. The authenticity of this work has kindly been confirmed by the Comité Chagall. This work is accompanied by a certificate of authenticity signed by Jean-Louis Prat of the Comité Marc Chagall, dated 3 June 2026 and numbered 202652. ---------------------------------------------- 馬克・夏加爾 1887 - 1985 年 持傘男子 款識 chagall marc（左下） 水彩、鋼筆、墨水及鉛筆紙本 39 x 28.5 公分 15⅜ x 11¼ 英寸 1936年作 夏加爾委員會已為此作提供認證 附：夏加爾委員會Jean-Louis Prat於2026年6月3日開立並親簽之作品保證書（編號202652）

View 1 of Lot 235: Marc Chagall 馬克 · 夏加爾 | L'homme au parapluie  持傘男子

marc chagall 馬克 · 夏加爾 | l'homme au parapluie 持傘男子

The Rainbow, by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>, 1969.<ul><li>Marc Chagall (Russian-French, 1887-1985).</li><li>Lithograph in colors on Arches Wove paper.</li><li>Hand-signed and numbered.</li><li>This work is presented unframed.</li></ul> This original lithograph in colors is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 75, at the lower left margin. This work was printed by Charles Sorlier in a limited edition of 75 hand signed and numbered impressions. It was published by Editions des Musees Nationaux in 1969. The paper bears the Arches watermark along the right margin.

 The Rainbow

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first edition</a>, limited folio edition of <a href="https://www.sothebys.com/en/search?query=The%20Tempest&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">The Tempest</a>, signed by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>.<ul><li>Marc Chagall (French-Russian).</li><li>After William Shakespeare (English).</li><li>Monte Carlo:&nbsp;Andre Sauret,&nbsp;1975.</li><li>Folio.&nbsp;</li><li>Fifty lithographs overall, with original tissue guards.</li><li>Limited edition of 250 signed and numbered copies (this is #96), 270 the entire edition.</li><li>Original glassine wrappers; printed on Arches wove paper, in a cream vellum box, stamped in gilt on cover, held in original publisher's cardboard shipping box with label.</li></ul> A wonderful and evocative series of lithographs, produced when Chagall was 88 years old. When Raymond Levy of Editions André Sauret first approached the artist about illustrating Shakespeare's Tempest, Chagall initially hesitated because he was afraid he might not do justice to the text, but then between March and May 1975, he produced fifty drawings on tracing paper, which were transferred onto zinc plates and sent back to Chagall for final retouching.

The Tempest | Signed by Chagall

The Ride [Le Chevaucheé], by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>,&nbsp;1970.<ul><li>Marc Chagall (Russian-French, 1887-1985).</li><li>Lithograph in colors on Wove paper.</li><li>Hand-signed and inscribed.</li><li>This work is presented unframed.</li></ul> This original lithograph in colors is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also inscribed in pencil 'epreuve d'artiste,' at the lower left margin. It is an artist's proof aside from the standard edition of 50. This work was printed in by Fernand Mourlot, Paris and published by Éditions Maeght, Paris.

The Ride | Le Chevaucheé, 1970

The Automobilist, from My Life [Der Automobilist: Mein Leben] by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>, 1922.<ul><li>Marc Chagall (Russian-French, 1887-1985).</li><li>Etching with drypoint on laid paper.</li><li>Hand-signed and numbered.</li><li>Edition 49/110.</li><li>This work is presented unframed.</li></ul> This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was published by Paul Cassirer, Berlin in 1923. The work was part of Chagall's important and renowned series Mein Leben (My Life), which included different etchings, all relating to significant events in his life. It was intended to illustrate his first autobiography.

The Automobilist, from: My Life | Der Automobilist: Mein Leben

Now the King loved Science and Geometry... from Four Tales from the Arabian Nights [Contes des Mille et une Nuits], by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>,&nbsp;1948.<ul><li>Marc Chagall (Russian-French, 1887-1985).</li><li>Lithograph in colors on Laid paper.</li><li>Hand-signed and numbered.</li><li>This work is presented unframed.</li></ul> This original lithograph in colors is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also numbered in pencil from the edition of 90 and inscribed “pl. 10” at the lower left margin The work is the 10th plate (of 12) from the album Four Tales from the Arabian Nights. This work was printed in 1948 in a limited edition of 90 signed and numbered impressions by Albert Carman, New York. It was published by Pantheon, New York. There is a thirteenth composition which was only included in ten of the portfolios. Each composition illustrates a piece of text from one of four tales from the Arabian nights. This composition relates to the story of “The Tale of the Ebony Horse”. The text from which the image was created is – “Now the King loved science and geometry and one festival day as he sat on his kingly throne there came to him three wise men…”

Now the King loved Science and Geometry…, from Four Tales from the Arabian Nights

Woman with Bouquet, from Nice and the Côte d’Azur [Femme au Bouquet: Nice Côte d’Azur], by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>, 1964.<ul><li>Marc Chagall (Russian-French, 1887-1985).</li><li>Lithograph in colors on Arches Wove paper.</li><li>Hand-signed and numbered.</li><li>This work is presented unframed.</li></ul> This lithograph is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil with Roman numerals from the edition of 75, at the lower left margin. A further 150 impressions were numbered in Arabic numerals and there were ten artist's proofs. It was printed by Charles Sorlier and published by Editions Mourlot in 1964. The paper bears the Arches watermark in the left margin. With the ink stamp of the publisher, verso.

Woman with Bouquet, from: Nice and the Côte d’Azur | Femme au Bouquet: Nice Côte d’Azur

Le Bouquet Rose by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>, 1980.<ul><li>Marc Chagall (Russian-French, 1887-1985).</li><li>Lithograph on Arches paper.</li><li>Signed and numbered in pencil.</li><li>Edition 34/50.</li><li>Published by Maeght Éditeur, Paris.</li><li>This work is presented framed.</li></ul> This still life employs several of Chagall's recurring motifs, such as a bird (in this case a rooster), a bouquet of flowers, and a crescent moon hanging above a distant and hazy village. His sketch-like technique translates well to the medium, giving this limited edition work the visual quality of an original sketch. The print is signed and numbered in pencil by the artist.

Le Bouquet Rose

<a href="https://www.sothebys.com/en/search?query=Gogol&amp;tab=objects" rel="noopener noreferrer" target="_blank">Gogol</a>'s Les Âmes Mortes (Dead Souls), the first major book entirely illustrated and signed by <a href="https://www.sothebys.com/en/search?query=marc%20chagall&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Chagall</a>.<ul><li>Sold as a set of 2 volumes.</li><li>Nicolai Gogol (Russian).</li><li>Illustrated by Marc Chagall (French-Russian).</li><li>Paris: Tériade, 1948.</li><li>Folio.</li><li>Illustrated with 96 etchings, hors-texte, and 11 etched vignettes, en-texte on Japon nacré.</li><li>Signed by Chagall in ink on the justification page.</li><li>Limited edition, one of 50 copies on vélin d’arches filigrané, this being numbered 27, from a total edition of 368.</li><li>Text in French.</li><li>All loose as issued in publisher’s printed cream colored wrappers, with cream colored chemises.</li></ul>&nbsp;Gogol’s masterpiece Dead Souls, the first major book entirely illustrated by Chagall and his first illustrations for Vollard. Written over five years at the end of the long pilgrimage that brought Gogol to Germany, Switzerland, France and Italy, Dead Souls offers a vivid and ruthless portrait of a small swindler in provincial Russia in 1820. Published for the first time in 1842, the novel went on to exert a huge influence over the development of Russian literature. In 1923 the French publisher Ambroise Vollard asked Chagall to produce an illustrated edition. Chagall, who had always felt a strong emotional connection to the country where he spent his youth, agreed with enthusiasm and pursued the project between 1923 and 1927. However, like many other Vollard projects, the production of the work was interrupted and only completed years later. The final plate presents a particularly curious image in which Gogol reads and Chagall paints a portrait of Vollard.

Les Âmes Mortes

Marc Chagall(1887 - 1985) Scène biblique signed Marc Chagall (lower right) oil on canvas 43 ¼ by 49 ⅜ in. 109.9 by 125.4 cm. Executed circa 1980.&nbsp;

Scène biblique

Composition XXXIV, from Circus [Planche XXXIV: Cirque], by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>,&nbsp;1967.<ul><li>Marc Chagall (Russian-French, 1887-1985).</li><li>Lithograph in colors on Arches Wove paper.</li><li>Hand-signed and numbered.</li><li>Printed by Fernand Mourlot, Paris.</li><li>Published by Tériade Éditeur, Paris in 1967.</li><li>This work is presented unframed.</li></ul> This original lithograph in colors is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also numbered in pencil from the edition of 24, at the lower left margin. There was also an unsigned book edition of 250 and 20 hors commerce impressions in Roman numerals. This is the thirty-fourth composition from the series of thirty-eight created for Cirque [Circus].

Composition XXXIV, from: Circus | Planche XXXIV: Cirque, 1967

An Old Jew, from: My Life [Ein alter Jude: Mein Leben], by <a href="https://www.sothebys.com/en/search?query=Marc+Chagall&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Marc Chagall</a>, 1922-23.<ul><li>Marc Chagall (Russian/French 1887-1985).</li><li>Etching and drypoint on laid paper.</li><li>Hand-signed.</li><li>Part of an edition of 110.</li><li>This work is presented unframed.</li></ul> This original etching and drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin.&nbsp;It is also hand numbered in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper.&nbsp;It was printed by Pan-Presse, Berlin in 1922 and published by Paul Cassirer, Berlin in 1923. The work has been inscribed with the number 53/110 by another hand in the lower left corner.&nbsp;The work was part of Chagall's important and renowned series Mein Leben (My Life), which included different etchings, all relating to significant events in his life. It was intended to illustrate his first autobiography.

An Old Jew, from: My Life | Ein alter Jude: Mein Leben

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