Finely bound set of the novels, works and letters of Jane Austen.<ul><li>Sold as a set of 12.</li><li>Jane Austen (English).</li><li>Edinburgh: John Grant, 1911-12.</li><li>Engraved frontis portrait plate in volume one.</li><li>The Winchester Edition.</li><li>Bound by Atkinson in full tan morocco, gilt lettered red and green morocco spine labels, top edges gilt with marbled pastedowns and endpapers.</li></ul>

The Novels of Jane Austen

<a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">First US edition</a> of Northanger Abbey by <a href="https://www.sothebys.com/en/search?query=Jane+Austen&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Jane Austen</a>, in a <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?locale=en&amp;Book%20Subject=Fine%2520bindings" rel="noopener noreferrer" target="_blank">fine art binding</a> by the acclaimed Argentinian design bookbinder Sol Rébora.<ul><li>Sold as a set of 2 volumes.</li><li>Jane Austen (English).</li><li>Philadelphia:&nbsp;Carey &amp; Lea,&nbsp;1833.</li><li>12mo.</li><li>195, [1]; 196 pages.</li><li>Cotton and abaca handmade paper grey-pink endpapers.&nbsp;</li><li>Modern full grey-lavender design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper, each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey.</li></ul> Often misread as critical of the gothic novels that were popular at the period of its first composition, Northanger Abbey is a more complex exploration of the genre that is especially notable for its passages in defense of the novel form – written, uncharacteristically, in first person directly from the narrator. First published in late 1817 in three volumes, this is the first edition to appear in the United States, published in two volumes by Carey &amp; Lea in an edition of only 1250 copies; it includes the famous "Biographical Notice of the Author" that first revealed Austen's name to the public as the author (as her books were all published anonymously in her lifetime). Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex, as in the carefully structured multiple layers used here. They are not only visually stunning, but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced, creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared, complete with deep-relief hot-stamping impressions."

Northanger Abbey First American Edition

<a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">First Illustrated edition</a> of Mansfield Park by <a href="https://www.sothebys.com/en/search?query=Jane+Austen&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Jane Austen</a>.<ul><li>Jane Austen (English).</li><li>London:&nbsp;Richard Bentley,&nbsp;1833.</li><li>Octavo.</li><li>[4], 424, [4] pages.</li><li>Illustrated with frontispiece scene of Mary Crawford and Fanny Price, publisher's ads at rear.</li><li>Original plum cloth, black gilt-stamped spine labels, with series printed title, engraved title, and individual printed title.</li></ul> First illustrated edition, and first single-volume edition, of Austen's third published novel — in the exceptionally scarce first issue cloth binding. Mansfield Park centers on the comedic neighborhood drama caused by the amateur theater production: Morally upright Fanny gets pulled into a neighbor's scheming via an adaptation of Elizabeth Inchbald's well-known play, Lovers' Vows. Among Austen's works, Mansfield Park especially demonstrates how careful contrasts of characters and plot twists can bring out subtle ironies. In 1832, publisher Richard Bentley acquired the rights to all of Austen's novels and set about a project that would define the Victorian reception of her work. First published in 1814 in three volumes, this first Bentley printing of Mansfield Park was the third edition overall, and issued as part of Bentley's Standard Novels — "one of the longest lasting and most influential series in the Victorian period" (Troy J. Bassett). The series republished books that had been first printed in the standard triple-decker (i.e. three volume) format into a new, single-volume format. Bentley's editions were also the first of Austen's novels to be illustrated in Britain, thus exerting an immense influence on the visual iconography of the classic romances. Copies of the Bentley edition are extremely rare in the original cloth binding as here and thus highly desirable.

Mansfield Park | First Illustrated Edition

First US edition of <a href="https://www.sothebys.com/en/search?query=jane+austen&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Austen</a>'s first novel — in a stunning <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?locale=en&amp;Book%20Subject=Fine%2520bindings" rel="noopener noreferrer" target="_blank">fine art binding</a> by the acclaimed Argentinian design bookbinder Sol Rébora.<ul><li>Sold as a set of 2 volumes.</li><li>Jane Austen (English).</li><li>Philadelphia:&nbsp;Carey &amp; Lea,&nbsp;1833.</li><li>12mo.</li><li>199, [1]; 189, [1] pages.</li><li>Modern full grey-pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper, each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey, cotton and abaca handmade paper grey-pink endpapers.</li></ul> Austen's first novel uses the love stories of two sisters to explore the complexities and contradictions in the gendered expectations of the Regency era: a woman will be praised for her capacity to feel emotion (her sensibility), but not too much; a woman will be praised for her independent and responsible nature (her sense), but not too much. First published in late 1811 in three volumes, this is the first edition to appear in the United States, published in two volumes by Carey &amp; Lea in an edition of only 1250 copies. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex, as in the carefully structured multiple layers used here. They are not only visually stunning, but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced, creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared, complete with deep-relief hot-stamping impressions." A magnificent, unique copy of an Austen first.

Sense And Sensibility | First American Edition

The <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first US edition</a>, first printing of Pride and Prejudice by <a href="https://www.sothebys.com/en/search?query=jane+austen&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Jane Austen</a>.<ul><li>Sold as a set of 2 volumes.</li><li>Jane Austen (English).</li><li>Philadelphia:&nbsp;Carey &amp; Lea,&nbsp;1832.</li><li>12mo.</li><li>199, [1]; 209, [1] pages</li><li>Publisher's catalogue bound at front of Volume I.</li><li>Modern full peach design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper, each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey, cotton and abaca handmade paper peach endpapers.</li></ul> First US edition in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Austen's most beloved novel is simultaneously a unique production of profound artistic confidence and an entertaining popular love story: it builds on a long-established tradition of English courtship novels in conversation with many women authors before her like Frances Burney (from whose book Cecelia Austen may have borrowed the very phrase "pride and prejudice"). Austen admitted in a letter that she thought her book's heroine, Elizabeth Bennett, "as delightful a creature as ever appeared in print" (29 January 1813) – and generations of readers have agreed with her. First published in 1813 in three volumes, this is the first edition to appear in the United States, published in two volumes by Carey &amp; Lea in an edition of only 750 copies. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex, as in the carefully structured multiple layers used here. They are not only visually stunning, but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced, creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared, complete with deep-relief hot-stamping impressions." A magnificent, unique copy of an Austen first.

Pride And Prejudice | First American Edition

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first edition</a> of Mansfield Park by <a href="https://www.sothebys.com/en/search?query=Jane+Austen&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Jane Austen</a>, in a silk-impressed <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?locale=en&amp;Book%20Subject=Fine%2520bindings" rel="noopener noreferrer" target="_blank">fine binding</a>.<ul><li>Sold as a set of 2 volumes.</li><li>Jane Austen (English).</li><li>Philadelphia:&nbsp;Carey &amp; Lea,&nbsp;1832. </li><li>12mo.</li><li>4, 200; 204 pages.&nbsp;</li><li>Publisher's catalogue bound at front of volume I. </li><li>Cotton and abaca handmade paper peach endpapers.</li><li>Modern full pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper, each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey. </li></ul> First US edition of Austen's third published novel — in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. "I was quiet but I was not blind." Among Austen's works, Mansfield Park especially demonstrates how careful contrasts of characters and plot twists can bring out subtle ironies. First published in 1814 in three volumes, this is the first edition to appear in the United States, published in two volumes by Carey &amp; Lea in an edition of only 1250 copies. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex, as in the carefully structured multiple layers used here. They are not only visually stunning, but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced, creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared, complete with deep-relief hot-stamping impressions."

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