A third edition, fifth impression of The Hobbit, <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?locale=en&amp;Book%20Type=Signed%2520and%2520Inscribed" rel="noopener noreferrer" target="_blank">signed</a> by <a href="https://www.sothebys.com/en/search?query=J.R.R.+Tolkien&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">J.R.R. Tolkien</a>.<ul><li>J.R.R. Tolkien (British).</li><li>London: George Allen $ Unwin, 1970.</li><li>With 12 illustrations and an advertisement leaf at the end. </li><li>Author’s presentation copy, inscribed by Tolkien on the half-title.</li><li>Publisher’s green cloth, in the original dust-jacket, price-clipped. </li></ul> A particularly lovely example, retaining the increasingly scarce original jacket.

The Hobbit | Signed by Tolkien

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first edition</a>, first printing of The Return of the King by <a href="https://www.sothebys.com/en/search?query=J.R.R.+Tolkien&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">J.R.R. Tolkien</a>.<ul><li>J.R.R. Tolkien (English).</li><li>United Kingdom: George Allen and Unwin, 1955.</li><li>Original fold out map is still present to the rear.</li><li>Bound in the publisher’s rich red boards, in the dustwrapper.</li></ul> The third installment in the Lord of the Rings trilogy.

The Return of the King First Edition

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?locale=en&amp;Book%20Subject=Letters&amp;Book%20Subject=Manuscripts%252C%2520Letters%252C%2520Documents&amp;Book%20Subject=Manuscripts%252C%2520Letters%252C%2520Documents%252C%2520Ephemera" rel="noopener noreferrer" target="_blank">letter</a> from <a href="https://www.sothebys.com/en/search?locale=en&amp;Book%20Subject=Letters&amp;Book%20Subject=Manuscripts%252C%2520Letters%252C%2520Documents&amp;Book%20Subject=Manuscripts%252C%2520Letters%252C%2520Documents%252C%2520Ephemera&amp;query=J.R.R.%20Tolkien&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">J.R.R. Tolkien</a> to Ken Jackson concerning a production of The Hobbit.<ul><li>J.R.R. Tolkien (English).</li><li>Dated January 4th, 1968.</li><li>Handwritten and signed.</li><li>1 ½ pages.</li><li>Signed by JRR Tolkien with the characteristic 3 dots and underscore.</li><li>Written on blind stamped headed paper: 76 Sandfield Road, Headington, Oxford.</li></ul> A fine original Tolkien letter, handwritten and signed to Ken Jackson, technical director of Humphrey Carpenter's musical adaptation of The Hobbit. An adaptation of The Hobbit, dramatized and produced by Humphrey Carpenter, was staged by New College Choir School in the late 1960s. Tolkien provided autographs for the actors but neglected the technical crew. Tolkien offers to send some 'stick-in autographs" to Mr. Jackson, technical director of Humphrey Carpenter's musical adaptation of The Hobbit at the end of 1967, who was "left out" of an autographing session Tolkien. The author then apologizes to "the back-room boys of the drama" noting their "necessary, indeed very important, functions". He explains that his eldest son, John Tolkien Jr, “used to perform the same functions at his school". Tolkien also signed copies of the program for the performance for Mr. Jackson and the children.

Handwritten Letter From J.R.R. Tolkien

Uncorrected proof of the <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first US edition</a> of <a href="https://www.sothebys.com/en/search?locale=en&amp;query=Tolkien&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Tolkien</a>'s long essay on fairy tales, accompanied by an exemplary story — W.H. Auden's copy.<ul><li>J.R.R. Tolkien (English).</li><li>Tree and Leaf, Includes Mythopoeia and The Homecoming of Beorhtnoth.</li><li>Boston:&nbsp;Houghton Mifflin Company,&nbsp;1965.</li><li>82 pages.</li><li>With Auden's marginal marks throughout and his notes on the final leaf.&nbsp;</li><li>Original plastic-comb-bound printed pale blue wrappers.</li></ul> "In describing a fairy story which they think adults might possibly read for their own entertainment, reviewers frequently indulge in such waggeries as: 'this book is for children from the ages of six to sixty'. But I have never yet seen the puff of a new motor-model that begun thus: 'this toy will amuse infants from seventeen to seventy'; though that to my mind would be much more appropriate." Though unsigned, this copy is W.H. Auden's, with his markings in the text and notes (including a list of the seven deadly sins) on the blank verso of the last leaf. Auden famously wrote a 1954 New York Times review raving about The Fellowship of The Rings, which in no small part helped legitimize Tolkien in literary circles: "No fiction I have read in the last five years has given me more joy." He also shared a friendly correspondence with Tolkien, exchanging letters frequently over the years and receiving advance copies of the next two installments of the series. He also, the year after Tree And Leaf appeared, spoke at a New York gathering of the Tolkien Society. Tolkien himself later contributed a lovely poem in Anglo-Saxon and English titled "For W.H.A." as part of a festschrift for Auden's sixtieth birthday in Shenandoah. This book, in many ways a critical defense of the kind of stories Auden had previously so lavishly praised, would have undoubtedly been of particular interest. An excellent association and rare in this format.

Tree And Leaf

<a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">First complete paperback edition</a>, of The Lord of the Rings Trilogy by <a href="https://www.sothebys.com/en/search?query=J.R.R.+Tolkien&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">J.R.R. Tolkien</a>, finely rebound in red leather.<ul><li>J.R.R. Tolkien (English, 1892-1973).</li><li>London: George Allen and Unwin, 1968.</li><li>Rebound in red Morocco leather with five raised bands, with gilt tooling and titling and marbled endpapers. with the ‘Eye of Sauron’ vignette to the front board; enclosed in a custom-made slip case, mirroring the red leather of the book and also with ‘Sauron’ vignette to the front panel.</li></ul> The first complete collection of The Lord of the Rings; containing the trilogy: The Fellowship of the Ring / The Two Towers / The Return of the King, and preceding the Deluxe Edition of 1969. J.R.R. Tolkien’s The Lord of the Rings has had a profound cultural impact since its publication in the mid-20th century. The epic fantasy trilogy has not only set the standard for the genre but has also influenced a wide range of media, from literature and film to gaming and music. Its richly detailed world of Middle-earth, complete with its own languages, history, and mythology, has inspired countless authors, including George R.R. Martin and J.K. Rowling. The 2001-2003 film adaptations by Peter Jackson further cemented its cultural significance, bringing Tolkien’s world to a global audience and achieving critical and commercial success. These films set new benchmarks for cinematic achievements in special effects, storytelling, and epic scale, impacting the film industry and popularizing fantasy cinema. The work’s lasting appeal is evident in its dedicated fanbase, conventions, and its influence on modern fantasy, making The Lord of the Rings a cornerstone of contemporary culture.

The Lord of the Rings | First Complete Paperback Edition

A typed and <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?Book%20Type=Signed%2520and%2520Inscribed" rel="noopener noreferrer" target="_blank">signed</a> letter from <a href="https://www.sothebys.com/en/search?query=J.R.R.%20Tolkien&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">J.R.R. Tolkien</a>, which reveals the origin of Frodo and Bilbo’s house name, 'Bag-End.'<ul><li>J.R.R. Tolkien (English).</li><li>Dated 29th January 1968.</li><li>1 page.</li><li>Signed with Tolkien's distinctive three dots and underscore.</li><li>Typed on embossed paper from 76 Sandfield Road, Oxford, with a Basildon Bond watermark.</li><li>Accompanied by the original envelope with a 4d postage stamp.</li></ul> This typed, signed letter from J.R.R. Tolkien to K. Jackson, dated 29th January 1968, offers a fascinating insight into the origins of one of&nbsp;The Lord of the Rings' most iconic names—Bag-End. Responding to a request to name a house "Bag-End," Tolkien reveals its source: the local name of a house in Worcestershire where his Aunt Jane lived. He humorously notes that "it is impossible to patent mere names," and recounts how the name came from an old, tumbledown manor at the end of an untidy lane. A significant piece of Tolkien's personal history featuring the rare and coveted mention of Bag-End.

J.R.R. Tolkien Signed Typed Letter

<a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">First editions</a>, early mixed impressions of The Lord of the Rings trilogy, each <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book?locale=en&amp;Book%20Type=Signed%2520and%2520Inscribed" rel="noopener noreferrer" target="_blank">signed</a> by <a href="https://www.sothebys.com/en/search?query=J.R.R.+Tolkien&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">J.R.R. Tolkien</a>.<ul><li>Sold as a set of 3 volumes.</li><li>J.R.R. Tolkien (British).</li><li>London: George Allen &amp; Unwin, 1965-1966.</li><li>Each individually signed by J.R.R. Tolkien. </li><li>With the folding map at the end of each volume. </li><li>Publisher’s red cloth, in the original dust-jackets</li></ul> A complete signed set of The Lord of the Rings, with Tolkien’s signature appearing in each of the three volumes. The present set combines early impressions, Tolkien’s signature in all three volumes and an unusually attractive group of original dust-jackets.

The Lord of the Rings | Signed First Editions, Early Impressions

First edition second impression and the first with color plates of The Hobbit, Tolkien's best-known work.<ul><li>J.R.R. Tolkien (English).</li><li>The Hobbit or There and Back Again.</li><li>London: George Allen &amp; Unwin Ltd, 1937.</li><li>Five plates (4 color), 8 illustrations by the author, advertisement leaf at end.</li><li>Bound in full dark green morocco, ribbed gilt decorated spine, covers ruled in gilt, Smaug the dragon gilt to lower right corner of the front cover, gilt dentelles, all edges gilt, marbled pastedowns and endpapers, original cloth covers and spine bound in rear, original front and rear map pastedowns and endpapers bound in, by Bayntun.</li></ul> Tolkien began writing The Hobbit, or There and Back Again, as a professor of English Language and Literature at Oxford University. Tolkien's creative perspective was born from a childhood spent briefly in South Africa and then rural England, a short but wretched tour during World War I, and an avid fascination with German philology. Although it was originally billed as a children's book, The Hobbit attracted a varied audience and has been wildly popular since its initial publication. Tolkien built upon the tradition of fantasy literature developed by George MacDonald, Lewis Carroll and the folk tales of Arabian Nights by inventing a new language—Elvish—and making it accessible for modern-day readers. Such creativity brought rave reviews for The Hobbit, which sold out of its original print run of 1,500 copies three months after publication.

The Hobbit

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first edition</a> of The Fellowship of the Ring by <a href="https://www.sothebys.com/en/search?query=J.R.R.+Tolkien&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">J.R.R. Tolkien</a>.<ul><li>J.R.R. Tolkien (English).</li><li>London: &nbsp;George Allen &amp; Unwin, 1954.</li><li>[vi], 423, [1] pages.</li><li>“First published in 1954” to verso.</li><li>Presented in the original unclipped dust wrapper.</li></ul> When The Lord of the Rings appeared between 1954 and 1955, it was issued quietly, in modest print runs, by the London publisher George Allen &amp; Unwin. Tolkien’s achievement was not merely narrative but architectural. Drawing upon philology, medieval literature, mythology, and his own linguistic inventions, he constructed a secondary world of unprecedented depth and internal coherence. Middle-earth was not a setting but a civilisation: languages, genealogies, cosmology, and moral philosophy interwoven with epic narrative. In doing so, Tolkien effectively established the template for modern high fantasy. The trilogy’s publication history underscores its rarity. The first impression of The Fellowship of the Ring numbered only 3,000 copies and the amount of unrestored dust-jackets now, was never high. More than seventy years after publication, The Lord of the Rings remains one of the most widely read and culturally resonant works of the modern era.

The Fellowship of the Ring | First Edition

A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first edition</a> of The Return of the King by <a href="https://www.sothebys.com/en/search?query=J.R.R.+Tolkien&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">J.R.R. Tolkien</a>.<ul><li>J.R.R. Tolkien (English).</li><li>London: George Allen &amp; Unwin, 1955.</li><li>[vi], 423, [1] pages.</li><li>“First published in 1955” to verso.</li><li>In the unrestored dust wrapper.</li></ul> When The Lord of the Rings appeared between 1954 and 1955, it was issued quietly, in modest print runs, by the London publisher George Allen &amp; Unwin. Tolkien’s achievement was not merely narrative but architectural. Drawing upon philology, medieval literature, mythology, and his own linguistic inventions, he constructed a secondary world of unprecedented depth and internal coherence. Middle-earth was not a setting but a civilisation: languages, genealogies, cosmology, and moral philosophy interwoven with epic narrative. In doing so, Tolkien effectively established the template for modern high fantasy. The trilogy’s publication history underscores its rarity. The first impression of The Return of the King at 7,000 copies and the amount of unrestored dust-jackets now, was never high. More than seventy years after publication, The Lord of the Rings remains one of the most widely read and culturally resonant works of the modern era.

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