A <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first edition</a> of <a href="https://www.sothebys.com/en/search?query=Daido+Moriyama&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Daido Moriyama</a>'s Shashin yo Sayonara, <a href="First edition, signed in black ink on title-page; 4to (230 x 181 mm, 9 x 7¼ in); black &amp; white photographs printed in gravure, transcript of a conversation between Moriyama Daido and Nakahira Takuma; plain endpapers with small mark from bookseller's label, printed wrappers, black, grey, and blue, light reading crease, printed white dust jacket, text in black, blue, and grey, lightly rubbed and marked, light darkening to spine, an excellent copy in a custom drop spine box ; 308, [2]pp." rel="noopener noreferrer" target="_blank">signed</a> by the artist.<ul><li>Daido Moriyama (Japanese).</li><li>Tokyo: Shashin Hyoron-sha, 1972.</li><li>Quarto.</li><li>308, [2] pages.</li><li>Black and white photographs printed in gravure.</li><li>Transcript of a conversation between Moriyama Daido and Nakahira Takuma.</li><li>Signed in black ink on title-page.</li><li>Text in Japanese. </li><li>Plain endpapers with small mark from bookseller's label, printed wrappers, black, grey, and blue, printed white dust jacket, text in black, blue, and grey, in a custom drop spine box.</li></ul> Shashin yo Sayonara is the central book of the Provoke movement, born out of Moriyama's perceived limitations of Provoke's manifesto and photography as a medium. The resulting combination of images re-photographed from newspapers, magazines, television screens, other people's negatives, and his own pictures composed mainly of out-takes, scratched frames, and blurred images was sequenced by two editors at Shashin Hyoron-sha in a seemingly random order to create a visual manifestation of the overpowering density of life in modern Japan.

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