A movie studio promotional <a href="https://www.sothebys.com/en/buy/luxury/collectibles/famous" rel="noopener noreferrer" target="_blank">photograph</a> from the film <a href="https://www.sothebys.com/en/search?query=Cartouche&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Cartouche</a>.<ul><li>Oversize silver gelatin studio promotional photograph.</li><li>Conservation framed with UV plexiglass.</li></ul>

Cartouche Movie Studio Promotional Photograph

Important Americana including, Early American Silver from the Roy J. Zuckerberg Collection

double bellied tall baluster form on chased foot with cast rococo spout, gadrooned urn finial, shell-cast upper handle terminal, chased with sprays of flowers, one side with ruffled-edge cartouche, marked under base (Yale 951-953)

double bellied tall baluster form on chased foot with cast rococo spout, gadrooned urn finial, shell-cast upper handle terminal, chased with sprays of flowers, one side with ruffled-edge cartouche, marked under base (Yale 951-953) 42 oz 15 dwt gross 1328 g height 13 ½ in. 34.3 cm

View 1 of Lot 125: A Large American Silver Coffee Pot, William Ball, Baltimore, Maryland, 1789-1815

a large american silver coffee pot, william ball, baltimore, maryland, 1789-1815

on claw and ball feet with foliate headers, fluted and gadrooned rim with foliated cartouches at the points, the cavetto with chased leaves at the angles, the center engraved with elaborate rococo cartouche enclosing monogram EW , the back engraved AW to EW 1773, marked on reverse

on claw and ball feet with foliate headers, fluted and gadrooned rim with foliated cartouches at the points, the cavetto with chased leaves at the angles, the center engraved with elaborate rococo cartouche enclosing monogram EW , the back engraved AW to EW 1773, marked on reverse 12 oz 10 dwt 388.8 g diameter 8 ⅝ in. 21.8 cm

View 1 of Lot 121: An American Silver Salver, David Hall, the engraving attributed to James Smither, Philadelphia, dated 1773

an american silver salver, david hall, the engraving attributed to james smither, philadelphia, dated 1773

of double-bellied form with chased foot, elaborate cast rococo spout, gadrooned urn finial, chased with floral branches and ruffled cartouches, one engraved M, marked under base (Yale 951-953)

of double-bellied form with chased foot, elaborate cast rococo spout, gadrooned urn finial, chased with floral branches and ruffled cartouches, one engraved M, marked under base (Yale 951-953) 28 oz 10 dwt dwt gross 883.2 g height 7 ¾ inches 19.7 cm

View 1 of Lot 126: A Large American Silver Teapot, William Ball, Baltimore, Maryland, 1789-1815

a large american silver teapot, william ball, baltimore, maryland, 1789-1815

unusual wide-bodied baluster shape on molded foot, baluster finial, part-fluted cast spout, engraved on side with a crest above a vacant cartouche, with scratch weight 15 oz -18 dwt, marked twice under base (Yale 826) and with two leaf incuse marks (Belden d)

unusual wide-bodied baluster shape on molded foot, baluster finial, part-fluted cast spout, engraved on side with a crest above a vacant cartouche, with scratch weight 15 oz -18 dwt, marked twice under base (Yale 826) and with two leaf incuse marks (Belden d) 15 oz 15 dwt 488.3 g height 6 ¼ in. 15.9 cm

View 1 of Lot 117: An American Silver Teapot, Philip Syng, Jr., Philadelphia, Circa 1760

an american silver teapot, philip syng, jr., philadelphia, circa 1760

Master Drawings from the Collection of Diane A. Nixon

Mattia Preti (Taverna 1613 - 1699 La Valletta) Recto: Study for the Figure of Adrian Fortescue Verso: Study for the Figure of Juan d'Eguaras Red chalk (recto and verso), bears inscriptions in black chalk, verso, lower left: R; and in red chalk in a cartouche on a piece of paper formerly attached to the verso: fait par Preti Mattia / Surnomme le Calabrais; formerly inscribed in pencil in a modern hand, verso: Coll, M. le Comte de Lestang Paradeld ' Aix en Provence / Hotel Drouot 19 mai 82 376 by 270 mm; 14⅞ by 10⅝ in.

View 1 of Lot 26: Recto: Study for the Figure of Adrian Fortescue; Verso: Study for the Figure of Juan d'Eguaras

recto: study for the figure of adrian fortescue; verso: study for the figure of juan d'eguaras

chased with a shellwork cartouche at front and flower baskets on the sides between shells and scrolls, with shaped rim and capped double-scroll handle, the base engraved with block initials G/LS, marked twice under base IR in rectangle

chased with a shellwork cartouche at front and flower baskets on the sides between shells and scrolls, with shaped rim and capped double-scroll handle, the base engraved with block initials G/LS, marked twice under base IR in rectangle 4 dwt 124.4 g height 4 in. 10.1 cm

View 1 of Lot 115: A Rare American Silver Chased Creamer, Joseph Richardson, Sr., Philadelphia, Circa 1755

a rare american silver chased creamer, joseph richardson, sr., philadelphia, circa 1755

comprising one larger and two smaller, baluster form, the domed cover pierced and engraved with panels of lattice and foliage, baluster finial, engraved under the feet E/IA, marked on bases S[pellet]E with a star below in a shaped cartouche (Kane mark B)

comprising one larger and two smaller, baluster form, the domed cover pierced and engraved with panels of lattice and foliage, baluster finial, engraved under the feet E/IA, marked on bases S[pellet]E with a star below in a shaped cartouche (Kane mark B) 15 oz 5 dwt 472.7 g heights 7 and 5 ½ in. 17.8 and 14 cm

View 1 of Lot 113: A Rare Set of Three American Silver Casters, Samuel Edwards, Boston, Circa 1750

a rare set of three american silver casters, samuel edwards, boston, circa 1750

A Celebration of Breguet’s 250th Anniversary

14.5’’’ gilded movement, large mainspring barrel, double wheel duplex escapement with ruby impulse pallets and ruby resting roller, bi-metallic compensation balance with 22 platinum screws, parachute suspension on both pivots, flat blued steel balance spring, polished steel hammer striking smaller intermediary hammer to repeat on coiled gong, repeating racks, calendar work and blued steel regulation extension arm mounted to bottom plate, bottom plate numbered 4730 (4 obscured)

14.5’’’ gilded movement, large mainspring barrel, double wheel duplex escapement with ruby impulse pallets and ruby resting roller, bi-metallic compensation balance with 22 platinum screws, parachute suspension on both pivots, flat blued steel balance spring, polished steel hammer striking smaller intermediary hammer to repeat on coiled gong, repeating racks, calendar work and blued steel regulation extension arm mounted to bottom plate, bottom plate numbered 4730 (4 obscured) silvered dial, vertical Roman numerals, outer minute ring, two recessed subsidiary dials for date and day advancing counterclockwise, aperture for regulation between, aperture for moon phases above 6 o’clock, gold Breguet hands, signed and numbered Breguet Neveu et Cnie 20ct gold Joly case, case back, bezel and band engine-turned à grains d’orge, small monogrammed cartouche to centre engraved NR, quarter-turn piston for repeat between 1 and 2 o'clock, slide between 10 and 11 o’clock for revealing female winding square to case back, recessed pushers to band for calendar/moon adjustment marked M, L, S, plain ring pendant, case back numbered 4730 B and 685, case maker’s mark LJ with a bird and pellet in lozenge cartouche for Joly, Paris assay Pegasus 2 in hexagonal cartouche (2nd standard gold 840/1000, 1819-1838), pendant with Paris ox head assay mark in circular cartouche (1822-1838) Measurements diameter 36.5mm depth 7.5mm weight 34.7g Accompaniments With Breguet certificate no. 4428 and a double-ended male/female Breguet ratchet key and a Breguet 250th anniversary certificate

View 1 of Lot 25: An exceptionally rare and very fine and small 20ct gold open-faced half-quarter repeating calendar watch with moon phases and double wheel duplex escapement 

an exceptionally rare and very fine and small 20ct gold open-faced half-quarter repeating calendar watch with moon phases and double wheel duplex escapement

tapered cylindrical with molded baseband below engraved scalloped cut-card work, flat-domed cover with shaped and engraved peak matching the base cut-card design, scroll thumbpiece, the hinge decorated with wrigglework and engraved to each side repeating scallop motif, scroll handle with applied multi-reel baluster, shaped square terminal with applied cherub head between engraved borders, the front finely engraved with contemporary interlace cypher JW within elaborate baroque cartouche with two cherub masks, scalework scrolls, laurel swags and perched exotic birds, marked CK in square at rim each side of handle and on cover near thumbpiece

tapered cylindrical with molded baseband below engraved scalloped cut-card work, flat-domed cover with shaped and engraved peak matching the base cut-card design, scroll thumbpiece, the hinge decorated with wrigglework and engraved to each side repeating scallop motif, scroll handle with applied multi-reel baluster, shaped square terminal with applied cherub head between engraved borders, the front finely engraved with contemporary interlace cypher JW within elaborate baroque cartouche with two cherub masks, scalework scrolls, laurel swags and perched exotic birds, marked CK in square at rim each side of handle and on cover near thumbpiece 33 oz 10 dwt 1041.8 g height 7 ¼ inches 18.4 cm

View 1 of Lot 107: An American Silver Tankard, Cornelius Kierstede, New York, Circa 1715

an american silver tankard, cornelius kierstede, new york, circa 1715

Pear form with stepped molded foot, matching domed cover and hoop thumbpiece, finely engraved with a large-scale rococo cartouche enclosing arms, multiple scroll handle with oval terminal, marked left of handle IB in oval, marked center of Base I.BAYLY incuse and engraved 37 oz

Pear form with stepped molded foot, matching domed cover and hoop thumbpiece, finely engraved with a large-scale rococo cartouche enclosing arms, multiple scroll handle with oval terminal, marked left of handle IB in oval, marked center of Base I.BAYLY incuse and engraved 37 oz 36 oz 5 dwt 1125.8 g height 8 ½ in. 21.6 cm

View 1 of Lot 120: An American Silver Tankard, John Bayly Sr., the engraving possibly by James Smither, Philadelphia, circa 1770

an american silver tankard, john bayly sr., the engraving possibly by james smither, philadelphia, circa 1770

Francesco Brizio (Bologna 1575 – 1623) Wooded River Landscape with Three Men Drinking ﻿Pen and brown ink; laid down on the original Mariette mount bearing his attribution, in cartouche: Lud. Carracci bears inscription in pencil on the mount, verso: Somewhere I have read that this drawing represents the three brothers Carracci 212 by 295 mm; 8⅜ by 11⅝ in.

View 1 of Lot 40: Wooded River Landscape with Three Men Drinking

wooded river landscape with three men drinking

tapered cylindrical with tuck-in bases, the capped scroll handle with applied baluster at upper handle terminal, the front engraved with coat-of-arms in baroque cartouche, marked on base and near rim to left of handle K.Leverett in rectangle (Kane mark A)

tapered cylindrical with tuck-in bases, the capped scroll handle with applied baluster at upper handle terminal, the front engraved with coat-of-arms in baroque cartouche, marked on base and near rim to left of handle K.Leverett in rectangle (Kane mark A) 21 oz 5 dwt 659 g height 5 ½ in. 14 cm

View 1 of Lot 112: A Pair of American Silver Canns of Medical Interest, Knight Leverett, Boston, Circa 1745

a pair of american silver canns of medical interest, knight leverett, boston, circa 1745

Scarce <a href="https://www.sothebys.com/en/buy/luxury/books-&amp;-manuscripts/book/first-edition?locale=en" rel="noopener noreferrer" target="_blank">first edition</a> and only edition of The Vampire.<ul><li>James Robinson Planche (English).</li><li>Pierre-Frederic-Adolphe Carmouche (French).</li><li>The Vampire; or, Bride of the isles, A Tale, founded on the popular superstition of Caledonia.... From which is taken the much-admired piece of that name now performing with unbounded applause at the English Opera House in the Strand.</li><li>&nbsp;London: Printed and Sold by J. Bailey, n.d., [1820].</li><li>(i)24pp.</li><li>Complete with the hand-colored frontis.</li><li>Bound in one-quarter maroon morocco, gilt lettering, marbled boards.</li></ul> A scarce edition of The Vampire. OCLC locates only 3 copies held by institutions. One in the U.S. and two in the UK. According to RBH &amp; ABPC, only one copy of this edition has ever appeared at auction.Within a year after The Vampire was published, the Vampyre Ruthven became hugely popular throughout Western Europe. By June of 1819, he was already onstage at the Theatre de la Porte-Saint-Martin (Paris) in a melodrama called Le Vampire, written by Charles Nodier. The title page has a 10-line quotation stating "Lord Byron's description of a vampire." This is an adaptation of the French play by Charles Nodier, The book is itself an adaptation of the extremely popular 1819 short story by Dr. Polidori, Lord Byron’s traveling doctor. It is said that the character of the protagonist vampire, Lord Ruthven, was based on the wild lifestyle of Lord Byron and the character from the original book was used in adaptations by a number of authors at the time. This English reworking for the stage was undertaken by James Robinson Planché (1796–1880), playwright and herald. At least four other stage adaptations of the book were written during 1820. Widely regarded as the exception to Planche’s earlier unexceptional writing, The Vampire, or, The Bride of the Isles, created a stir at the Lyceum (then called the English Opera House) in August 1820. The play was heralded for its use of the innovative "Vampire trap" which enabled the protagonist to emerge in a dream, and later disappear as the earth is destroyed.

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