Born in 1898 in Lawnton, Pennsylvania, Alexander Calder is considered one of the pioneers of Kinetic art, a movement referencing art created between approximately 1920 and 1970 that utilizes both real and apparent motion. Although his parents were both artists, Calder initially studied mechanical engineering at Stevens Institute of Technology in Hoboken, New Jersey. After graduating in 1922, Calder went on to study painting at the Art Students League of New York. In 1926, he moved to Paris where he began undertaking his first formal wire sculptures, which were effectively prototypes for his later hanging works. A visit in 1930 to the studio of Piet Mondrian proved particularly influential, effectively marking Calder’s shift from figuration to abstraction; in a letter he wrote to Marcel Duchamp, Calder described a desire to make “moving Mondrians.” In the subsequent years, he began to create abstract, moving constructions that Duchamp would name “mobiles,” a term that would lead artist Jean (Hans) Arp to label Calder’s static works “stabiles.” Experimenting with purely abstract forms and bright, contrasting colors, Calder developed a signature vocabulary that has become recognizable as his own. After winning first prize for sculpture in the 1952 Venice Biennale, Calder received numerous major public commissions in both the US and abroad until his death in 1976. Today, Calder’s work may be found in the permanent collections of the Centre Georges Pompidou, Paris; the Museo Nacional Centro de Arte Reina Sofía, Madrid; the Museum of Modern Art, New York; and the Whitney Museum of American Art, New York, which has the largest Calder collection. Undoubtedly due to its iconic nature and overall desirability, according to Sotheby’s Mei Moses the average compound annual return for Alexander Calder is 12.8%, with 93.4% of works increasing in value.

Alexander Calder

Surrealism and Its Legacy

Provenant de la Collection de Natalie et Léon Seroussi, Paris

Provenant de la Collection de Natalie et Léon Seroussi, Paris Alexander Calder 1898 - 1976 Mobile tôle, fil métallique et peinture 56 x 175 x 50 cm; 18 ⅛ x 68 ⅞ x 19 ¾ in. Exécuté en 1950. Cette œuvre est enregistrée dans les archives de la Fondation Calder, New York, sous le numéro A00883.

mobile

Modernités

Alexander Calder 1898 - 1976 L’Epine Jaune incisé des initiales de l'artiste et de la date 65 (sur l'élément rouge) tôle, fil métallique et peinture 57,2 x 90,2 cm; 22 ½ x 35 ½ in. Exécuté en 1965. Cette œuvre est enregistrée dans les archives de la Fondation Calder, New York, sous le numéro A14005.

l'epine jaune

The complete portfolio of <a href="https://www.sothebys.com/en/search?query=Alexander+Calder&amp;pfilters.dateRange=upcoming" rel="noopener noreferrer" target="_blank">Alexander Calder</a>'s illustrations for <a href="https://www.sothebys.com/en/search?query=e.e+cummings&amp;pfilters.dateRange=past" rel="noopener noreferrer" target="_blank">E.E Cumming</a>'s play Santa Claus.<ul><li>Sold as a set of 9.</li><li>Alexander Calder (American, 1898-1976).</li><li>After the play by E.E. Cummings (American).</li><li>Paris: Editions de l'Herne, 1974.</li><li>Large folio.</li><li>Limited edition, number 172 on grand vélin d'Arches from a total edition of 175.</li><li>9 etchings, each signed by Calder in pencil.</li><li>Loose as issued in brown printed wrappers and brown cloth box with Calder's design to upper cover and title to spine.</li></ul> Santa Claus was originally published by Cummings in 1946 and is an allegory in five scenes. The characters are Death, Santa Claus, the Crowd, the Child and the Woman and was inspired by Cumming's reunion with his daughter Nancy after a bitter divorce. Alexander Calder illustrates this monumental artist's book with nine full-page etchings, whose simplified linear motifs deftly convey the emotional power of the story.

Santa Claus | Complete Portfolio of Etchings

Parallelogram

Alexander Calder: Red Gouache, 1953, gouache, 29 3/4 by 42 1/2 in.

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