Modern Evening Auction

Leonora Carrington 1917 - 2011 The Garden of Paracelsus signed Leonora Carrington (lower right) oil on canvas 33 ½ by 47 ¼ in. 85.1 by 120 cm. Executed in 1957. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

View 1 of Lot 5: The Garden of Paracelsus

the garden of paracelsus

Modern & Contemporary Day Auction

Property from a Private European Collection

Property from a Private European Collection Leonora Carrington 1917 - 2011 A Set of 3 Masks gouache, decorator's gold paint, papier-mâché, cardboard, plaster of Paris, scrim, canvas, metal armature, tape, string and elastic width: 54.5cm., 21½in. (yellow mask); width: 36cm., 14⅛in. (red mask); width: 49.5cm., 19½in. (turquoise mask) Executed in 1959. This lot is accompanied by the original 1959 production programme for The Tempest. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

a set of 3 masks

Modern Day Auction

Property from the Estate of Harrison Eddins, Jr.

Property from the Estate of Harrison Eddins, Jr. Leonora Carrington 1917 - 2011 Stag at Mourn signed Leonora Carrington and dated 74 (lower right); numbered 13/80 (lower left) lithograph 22 by 30 in. 56 by 76.2 cm. Executed in 1974; this work is number 13 from an edition of 80. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

stag at mourn

Modern Discoveries

Property from a Private Collection In the Style of Leonora Carrington Sueño de sirenas (Bocetos) each: signed Leonora Carrington (lower left) pencil and pen and ink on paper, in three parts i. 37 ½ by 11 ½ in. 95.3 by 29.2 cm. ii. 37 ½ by 22 ⅞ in. 95.3 by 58.1 cm. iii. 37 ½ by 11 ¼ in. 95.3 by 28.6 cm. Executed circa 1960.

View 1 of Lot 2171: Sueño de sirenas (Bocetos)

sueño de sirenas (bocetos)

Property from a Private Collection Leonora Carrington 1917 - 2011 Easter Sunday signed Leonora Carrington and dated 1986 (lower left); titled (on the verso) pen and ink and pencil on paper 22 ½ by 15 in. 57.2 by 38.1 cm. Executed in 1986. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

easter sunday

Property from an Important Private Collection

Property from an Important Private Collection Leonora Carrington 1917 - 2011 The Return of Boadicea signed Leonora Carrington (lower left); signed Leonora Carrington, titled and dated 1969 (on the reverse) oil on canvas 31 ¾ by 31 ¾ in. 80.6 by 80.6 cm. Executed in 1969. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

View 1 of Lot 661: The Return of Boadicea

the return of boadicea

Impressionist & Modern Art Day Sale

Property from a Private European Collection Leonora Carrington 1917 - 2011 A Set of 3 Masks (used in the 1959 production of The Tempest) gouache, decorator's gold paint, papier-mâché, cardboard, plaster of Paris, scrim, canvas, metal armature, tape, string and elastic Width: 54.5cm., 21½in. (yellow mask) Width: 36cm., 14⅛in. (red mask) Width: 49.5cm., 19½in. (turquoise mask) Executed in 1959. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

View 1 of Lot 207: A Set of 3 Masks (used in the 1959 production of The Tempest)

a set of 3 masks (used in the 1959 production of the tempest)

Impressionist and Modern Art Online

LEONORA CARRINGTON (1917 - 2011) UNTITLED Signed Leonora Carrington (lower right) Tempera on board 10¼ by 5½ in. (26 by 13.9 cm) Framed: 17¼ by 12⅞ in. (43.8 by 32.7 cm) Painted circa 1945-50. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

leonora carrington | untitled

Leonora Carrington 1917 - 2011 Sueño (Nephesh as the Soul in a State of Sleep) 利奧諾拉．卡林頓 《睡眠（休眠狀態中的靈魂）》 ﻿ signed Leonora Carrington. (lower right) oil on linen 49⅝ by 59 in. 126 by 149.9 cm. Executed in 1959. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work. 款識：藝術家簽名Leonora Carrington.（右下） 油彩亞麻布 49 5/8 x 59 英寸 126 x 149.9 公分 感謝哈羅德・加布里埃爾・薇茲・卡靈頓博士為此作提供認證。 感謝所羅門・格林伯格博士為此拍品編目所提供之協助。

View 1 of Lot 11: Sueño (Nephesh as the Soul in a State of Sleep) 

sueño (nephesh as the soul in a state of sleep)

Impressionist & Modern Art Evening Sale

The Vanguard Spirit: Modern and Surrealist Masterworks from an Important Estate

The Vanguard Spirit: Modern and Surrealist Masterworks from an Important Estate LEONORA CARRINGTON 1917-2011 TUESDAY Signed Leonora Carrington and dated 23 June 1946 (lower right); inscribed Tuesday, 23 June 1946, Property of Edward James (on the reverse) Egg tempera on panel 21¼ by 32¾ in. 54 by 83.2 cm Painted on June 23, 1946. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

leonora carrington | tuesday

Précieuses reliures d’une bibliophile — Collection Georgette J. Salles 

Bellmer, Georges — Georges Hugnet Œillades ciselées en branche. Paris, Jeanne Bucher, 1939. In-32 grand aigle (131x 92 mm). Veau rose, plats ornés d’une large composition géométrique à 5 compartiments ornés chacun d’un œil et recouverts de dentelle noire, dos lisse avec titre à l’oeser noir orné d’une pièce de dentelle noire, doublure de veau rose et gardes de daim rose, couverture rose recouverte de papier dentelle et dos, chemise et étui (Leroux, 1970). L’exemplaire de Max Ernst et Leonora Carrington. Avec un dessin original de Bellmer, dans une reliure à guipure de Georges Leroux. Édition originale, dédiée à Germaine Hugnet et à Margarete Bellmer, de cet ouvrage "précieux et inquiétant" (F. Chapon). Poèmes de Georges Hugnet, calligraphiés par lui. 25 dessins de Hans Bellmer reproduits en héliogravure et rehaussés en couleurs, dont un placé en frontispice et 6 à pleine page. Exemplaire d’auteur, justifié par Hugnet, d'un tirage à 231 exemplaires. L'ouvrage, réalisé selon la technique de l'héliogravure coloriée à la main en plusieurs passages, reproduit avec fidélité les poèmes calligraphiés d'Hugnet et les dessins de Bellmer qui a joué avec les espaces laissés libres par le texte. Exemplaire de Leonora Carrington et de Max Ernst, avec envois autographes de Hugnet et Bellmer : Envoi autographe de Hans Bellmer en pied du premier feuillet de garde :"à Leonora Carrington et à Max Ernst avec l’admiration et l’amour de Hans Bellmer". Double envoi de Hugnet sur le faux-titre :"à Leonora Carrington l’armure de haute école." Et : "à Max Ernst le flambeau des sphinx Très affectueusement Georges Hugnet 1939". Un dessin original de Hans Bellmer, non signé (146 x 85 mm) au crayon sur papier Japon, est monté en tête du volume. Max Ernst avait rencontré Leonora Carrington à Londres en 1937 avant de revenir en France avec elle (période durant laquelle ils reçoivent ces Œillades ciselées en branche), jusqu'à leur séparation forcée en 1940. L’ouvrage lui a été offert l’année de la publication du livre conçu avec Bellmer : Schöpfungen, die Geschichte der Einbildungskraft.

View 1 of Lot 10: Œillades ciselées en branche. Paris, 1939. Reliure à guipure en veau rose de Leroux. Édition originale. Exemplaire de Max Ernst et de Leonora Carrington, avec trois envois et un dessin original de Bellmer.

œillades ciselées en branche. paris, 1939. reliure à guipure en veau rose de leroux. édition originale. exemplaire de max ernst et de leonora carrington, avec trois envois et un dessin original de bellmer.

Property of an Important Collector Leonora Carrington 1917 - 2011 Belfry signed Leonora Carrington (lower left) tempera on Fibracel 14 7/8 by 30 in. 37.8 by 76.2 cm. Executed in 1988. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

belfry

Property from the Estate of Harrison Eddins, Jr. Leonora Carrington 1917 - 2011 View from Gold Street dated september 28th, 1972 (lower right); titled (on the verso) pen and ink and pencil on paper 17 by 14 in. 43.2 by 35.6 cm. Executed on 28 September 1972 We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

view from gold street

Property from a Private Collection Leonora Carrington 1917 - 2011 Ash Wednesday signed Leonora Carrington (lower left); signed Leonora Carrington, titled and dated NYC. 1987 (on the reverse) acrylic on canvas 23 ⅝ by 30 ¾ in. 60 by 78 cm. Executed in 1987. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

ash wednesday

The Sleep of Reason Part II: A Private Collection of Surrealist Art Online

LEONORA CARRINGTON (1917-2011) LA VÍRGEN MORENA Signed Leonora Carrington (lower left); dated July 16 1973 No I (lower right); titled and dedicated For Jean and Julien love from Leonora (lower center) and extensively inscribed Aquatint and ink on paper 14 by 11 in. (35.6 by 27.9 cm) Frame: 24¼ by 21⅜ in. (61.6 by 54.3 cm) We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

leonora carrington | la vírgen morena

Property from the Collection of the Pedro Friedeberg Estate

Property from the Collection of the Pedro Friedeberg Estate Pedro Friedeberg & Leonora Carrington 1936 - 2026 | 1917- 2011 Cadaver exquisito signed Friedeberg and Carrington and dated 1988 (lower right) colored pencil and pen and ink on paper 14 ¾ by 6 ⅞ in. 37.5 by 17.5 cm. Executed in 1988.

cadaver exquisito

LEONORA CARRINGTON (1917 - 2011) STUDY FOR "AND THEN WE SAW THE DAUGHTER OF THE MINOTAUR" Signed Leonora Carrington (lower right) Pencil on paper 11 by 8½ in. (27.9 by 21.6 cm) Framed: 16¼ by 14⅛ in. (41.3 by 35.9 cm) We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

leonora carrington | study for "and then we saw the daughter of the minotaur"

Property from a Distinguished Private American Collection

Property from a Distinguished Private American Collection Leonora Carrington (1917 - 2011) La Grande Dame (The Cat Woman) oil on wood height: 79 ½ in. 201.9 cm. Executed in 1951. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

View 1 of Lot 103: La Grande Dame (The Cat Woman)

la grande dame (the cat woman)

The Sleep of Reason | A Private Collection of Surrealist Art Online

LEONORA CARRINGTON (1917 - 2011) TUESDAY: TWO PRINTS Two lithographs, the first printed in sepia, the second printed in colors, 1987, each signed in pencil, the first numbered 6/30, the second numbered 41/150, on wove paper, each with the blindstamps of the printer, American Atelier, published by Brewster Editions, New York (2 prints) Each sheet (approximately): 25⅝ by 36 in. (65 by 91.5 cm) Framed (sepia): 33½ by 43¼ in. (85 by 110 cm)

leonora carrington | tuesday: two prints

Property from the Collection of the Pedro Friedeberg Estate Pedro Friedeberg, Leonora Carrington & Alan Glass 1936 - 2026 | 1917 - 2011 | 1932- 2023 Cadaver exquisito signed Alan, Leonora and Friedeberg (lower right) colored pencil, pen and ink on paper 14 ⅝ by 7 ⅞ in. 37 by 20 cm. Executed circa 1980.

Leonora Carrington 1917 - 2011 Nigrum inscribed Leonora Carrington, dated 1994 and numbered 5/6 (near the base) bronze height: 26 ⅜ in. 67 cm. Conceived and cast in 1994; this example is number 5 from an edition of 6. This work is accompanied by a certificate of authenticity signed by the artist. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

nigrum

Property from a Distinguished Private American Collection Leonora Carrington 1917 - 2011 Les Distractions de Dagobert signed Carrington and dated 1945, September (lower right) tempera on Masonite 29 ¾ by 34 ¼ in. 75.6 by 87 cm. Executed in 1945. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

View 1 of Lot 20: Les Distractions de Dagobert

les distractions de dagobert

Property from a Private Collection Leonora Carrington 1917 - 2011 Character Studies for The Tempest: A Group of Five Works i. signed Leonora Carrington (lower left) gouache on cardboard 14 ¼ by 7 ⅜ in. 36.2 by 18.7 cm. ii. signed Leonora Carrington (lower left) gouache on cardboard 14 ¼ by 7 ⅜ in. 36.2 by 18.7 cm. iii. signed Leonora Carrington (lower left); inscribed Adrian (upper left); inscribed Gonzalo (upper right) gouache on cardboard 14 ¼ by 11 in. 36.2 by 27.9 cm. iv. signed Leonora Carrington (lower left); inscribed Ariel (Harpy) (upper left) gouache on cardboard 13 ¾ by 11 ¼ in. 34.9 by 28.6 cm. v. signed Leonora Carrington (lower left); inscribed Sebastian Antonio (upper left) gouache on cardboard 14 ¼ by 11 ¼ in. 36.2 by 28.6 cm. Executed circa 1960. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

View 1 of Lot 354: Character Studies for The Tempest: A Group of Five Works

character studies for the tempest: a group of five works

Impressionist & Modern Art | New York

Property from a Private Collection, Texas

Property from a Private Collection, Texas Leonora Carrington 1917-2011 Sin título Signed Carrington (lower left) Oil on paper laid down on cardboard 4 3/4 by 3 3/8 in. (12.1 by 8.6 cm) Framed: 16 1/2 by 14 1/2 in. (41.9 by 36.8 cm) Executed circa 1960. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

sin título

Property from the Estate of Harrison Eddins, Jr. Leonora Carrington 1917 - 2011 La naguala signed Leonora Carrington and dated 1975 (lower left); titled (on the reverse) oil on canvas 21 ⅝ by 31 ⅝ in. 54.9 by 80.3 cm. Executed in 1975. This work has an unfinished oil sketch on the reverse. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

la naguala

Property from a Private Collection Leonora Carrington 1917 - 2011 The Saints of Hampstead Heath signed Leonora Carrington and dated 1997 (lower left); signed with the initials LC, titled and dated 1997 (on the reverse) oil and gold leaf on canvasboard 18 by 14 in. 45.7 by 35.6 cm. Executed in 1997. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

View 1 of Lot 337: The Saints of Hampstead Heath

the saints of hampstead heath

Property from an Important North American Private Collection

Property from an Important North American Private Collection Leonora Carrington 1917 - 2011 Who art thou, White Face? signed Leonora Carrington (lower left) oil on canvas 27 ¾ by 39 ½ in. 70.5 by 100.3 cm. Executed in 1959. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

View 1 of Lot 22: Who art thou, White Face?

who art thou, white face?

Jacques and Natasha Gelman: Collecting Modern Mexico

Jacques and Natasha Gelman: Collecting Modern Mexico Leonora Carrington 1917 - 2011 Phoenix Rides Beetle signed Leonora Carrington, titled and dated 1951 (on the reverse) oil, tempera and gold leaf on panel 17 ⅞ by 15 in. 45.4 by 38.1 cm. Executed in 1951. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work.

phoenix rides beetle

Modern & Contemporary Evening Auction

Leonora Carrington 1917 - 2011 The Return of Boadicea signed Leonora Carrington (lower left); signed Leonora Carrington, titled and dated 1969 (on the reverse) oil on canvas 80.6 by 80.6 cm. 31¾ by 31¾ in. Executed in 1969. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work. This work has been requested for the Leonora Carrington retrospective at Tate Britain scheduled to open in November 2028.

View 1 of Lot 116: The Return of Boadicea

Property from a Distinguished Private Collection

Property from a Distinguished Private Collection Leonora Carrington 1917 - 2011 Untitled signed Leonora Carrington (lower left); inscribed Manners & Tone in Good Society (lower right) graphite and colored pencil on paper 22 ½ by 30 in. 57 by 76 cm. Executed circa 1960. We wish to thank Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in cataloguing this work.

untitled

Property from a Prestigious Southwestern Collection

Property from a Prestigious Southwestern Collection Leonora Carrington (1917 - 2011) Temple of the Word signed Leonora Carrington and dated July 1954 (lower left) oil and gold leaf on canvas 39 ½ by 31 ¾ in. 100.3 by 80.6 cm. Executed in July 1954. We are grateful to Dr. Harold Gabriel Weisz Carrington for confirming the authenticity of this work. We wish to thank Dr. Salomon Grimberg for his kind assistance in the cataloguing of this work.

temple of the word

Prints & Multiples

Leonora Carrington 1917 - 2011 Tuesday; and Crookhey Hall each signed in pencil, the first numbered XIV/L and the second numbered 149/150 two lithographs printed in colors on wove paper largest image: 20⅝ by 32 in. 525 by 812 mm. largest sheet: 25⅜ by 36 in. 645 by 912 mm. Executed in 1987; these impressions are from editions of no larger than 150, one with the blindstamp of the printer, American Atelier, published by Brewster Editions. (2 prints)

View 1 of Lot 48: Tuesday; and Crookhey Hall

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