The Sex Pistols: The Stolper-Wilson Collection

Jamie Reid with Sophie Richmond and Vivienne Westwood

Jamie Reid with Sophie Richmond and Vivienne Westwood Anarchy in the UK newspaper No. 1. Glitterbest: London [December 1976] (450 x 320mm.), 12 pages, tabloid newspaper format, one horizontal fold, small chip to outer edge This fanzine, the only one issued, was intended for the Anarchy tour and first went on sale on 20 December at the Cleethorpes concert (copies were brought up from London by Debbie Juvenile and Tracey O’Keefe). Its content spans visual profiles of the band members as well as of its early fans the ‘Bromley Contingent’, as well as a page contributed by Vivienne Westwood and Reid’s re-working of Situationist Suburban Press graphics. Incorporating photographs by Ray Stevenson from the group's September 1976 Paris trip and their first appearance at the 100 Club, as well as a cover photo of Soo Catwoman, the fanzine proclaims a punk transgressive antagonism.

View 1 of Lot 17: Jamie Reid with Sophie Richmond and Vivienne Westwood | Anarchy in the UK newspaper No. 1, [December] 1976

jamie reid with sophie richmond and vivienne westwood | anarchy in the uk newspaper no. 1, [december] 1976

Fine Watches and Rare Sneakers

Offered Without Reserve Swatch Pop Swatch Orb Design, Reference PWZ 104 A limited edition plastic wristwatch, Designed by Vivienne Westwood, Circa 1993 Pop Swatch Orb Design 型號 PWZ 104 限量版塑膠腕錶，由 Vivienne Westwood 設計，約1993年製 Dial: mirror Calibre: quartz Case: plastic Closure: black Swatch leather strap and plastic buckle Size: 37 mm diameter Signed: case, dial and movement Accessories: Swatch warranty and presentation box 附帶證書及盒子

View 1 of Lot 8283: Pop Swatch Orb Design, Reference PWZ 104 A | limited edition plastic wristwatch, Designed by Vivienne Westwood, Circa 1993 | Pop Swatch Orb Design 型號 PWZ 104 | 限量版塑膠腕錶，由 Vivienne Westwood 設計，約1993年製

pop swatch orb design, reference pwz 104 a | limited edition plastic wristwatch, designed by vivienne westwood, circa 1993 | pop swatch orb design 型號 pwz 104 | 限量版塑膠腕錶，由 vivienne westwood 設計，約1993年製

Malcolm McLaren and Vivienne Westwood Business card for Seditionaries, 1977 (98 x 60mm.) McLaren and Westwood's names head the card, with Seditionaries printed upside down. The last line features the slogan 'Clothes for Heroes'. At the end of 1976 Westwood changed the name of her King's Road shop from SEX to Seditionaries. The shop pioneered punk fashion, with muslin tops, frayed t-shirts, and highly charged graphics.

View 1 of Lot 23: Malcolm McLaren and Vivienne Westwood | Business card for Seditionaries, 1977

malcolm mclaren and vivienne westwood | business card for seditionaries, 1977

Handbags & Fashion

Vivienne Westwood Yellow Lace Dress with Sequin Embellishments and Platform Boots, designed by Vivienne Westwood as Belle from Beauty and The Beast, dress - length: 110cm, waist: 44cm, shoulder: 48cm; boots - size: 39, heel: 20cm.

Vivienne Westwood Yellow Lace Dress with Sequin Embellishments and Platform Boots, designed by Vivienne Westwood as Belle from Beauty and The Beast, dress - length: 110cm, waist: 44cm, shoulder: 48cm; boots - size: 39, heel: 20cm. Homologue by Emily Cheong White Cards Pattern Dress with Cutout Details, designed by Homolog as the Card Guard from Alice in Wonderland, length: 140cm, waist: 46cm, sleeve: 82cm.

View 1 of Lot 48: Vivienne Westwood Yellow Lace Dress with Sequin Embellishments and Platform Boots and Homologue White Cards Pattern Dress with Cutout Details

vivienne westwood yellow lace dress with sequin embellishments and platform boots and homologue white cards pattern dress with cutout details

Fashion Icons including The Original Birkin

Vivienne Westwood Gold Label, Veste à basque asymétrique en laine façonnée écossaise, collection « Storm in a tea cup », Automne-Hiver 1996, similaire à celle portée par Laetitia Casta, look 18 du défilé, col cranté en velours noir et double boutonnage logo, étiquette tissus en laine écossaise lochcarron , gold label souligné du portrait de Vivienne Westwood et griffe de la boutique Gigi à Nice présente, taille UK 12 (approx. taille S), dimensions : longueur: 57 cm, longueur des manches : 61 cm, taille : 33 cm, épaule : 46 cm, aisselles : 38 cm.

Vivienne Westwood Gold Label, Veste à basque asymétrique en laine façonnée écossaise, collection « Storm in a tea cup », Automne-Hiver 1996, similaire à celle portée par Laetitia Casta, look 18 du défilé, col cranté en velours noir et double boutonnage logo, étiquette tissus en laine écossaise lochcarron , gold label souligné du portrait de Vivienne Westwood et griffe de la boutique Gigi à Nice présente, taille UK 12 (approx. taille S), dimensions : longueur: 57 cm, longueur des manches : 61 cm, taille : 33 cm, épaule : 46 cm, aisselles : 38 cm. Veuillez noter que ces mesures sont approximatives. Bibliographie: Fashion Designers, The Collection of the Museum at FIT, éditions Taschen, 2016, p. 588-590. Vivienne Westwood Gold Label, Asymmetrical Peplum Jacket in Shaped Scottish Wool, from the “Storm in a Tea Cup” collection, Autumn-Winter 1996, same as the one worn by Laetitia Casta, look 18 in the runway, features a notched black velvet collar and double logo button fastening, wool fabric label from Lochcarron, gold label highlighted with Vivienne Westwood’s portrait, and boutique label from Gigi in Nice present, size UK 12 (approx. size S), dimensions: length: 57 cm; sleeve length: 61 cm; waist: 33 cm; shoulder width: 46 cm; bust (underarm to underarm): 38 cm. Please note that these measurements are approximate. Bibliography: Fashion Designers, The Collection of the Museum at FIT, Taschen editions, 2016, p. 588-590.

View 1 of Lot 5: Gold Label, Asymmetrical Peplum Jacket in Shaped Scottish Wool, from the “Storm in a Tea Cup” collection, Autumn-Winter 1996

gold label, asymmetrical peplum jacket in shaped scottish wool, from the “storm in a tea cup” collection, autumn-winter 1996

Handbags & Accessories

Louis Vuitton x Vivienne Westwood Monogram Canvas Centennial Bum Bag, No. 0015, 1996

Louis Vuitton x Vivienne Westwood Monogram Canvas Centennial Bum Bag, No. 0015, 1996 Featured monogrammed canvas over a wire frameIncludes belt, shoulder strap, and dust bagDimensions: 40 x 23 cm

View 1 of Lot 130: x Vivienne Westwood Monogram Canvas Centennial Bum Bag, No. 0015, 1996 

x vivienne westwood monogram canvas centennial bum bag, no. 0015, 1996

Contemporary Curated

erin o'connor wears vivienne westwood

1921-2010 Les Petites Robes Noires, Collection Didier Ludot

vivienne westwood, circa 1995

Bike

5 C-prints, diasec mounted, on the reverse of each signed artist's label and Von Lintel Gallery label. Printed 2004. Ed. 1/7.

kato ai & nakashima mika wear vivienne westwood #431, 2004

Photographs

C-type. Number 3 from an edition of 7. Framed.

kato ai and nakashima mika wear vivienne westwood, 2004

three pairs of vivienne westwood shoes, late 1990s, comprising: pair of black patent...

a rare vivienne westwood let it rock wet-look dirndl skirt, english, circa 1971,...

vivienne westwood, half length dressed puppet, eyes with side to side movement,...

comprising World's End Pirate collection white matelot trousers, baggy shirt, printed and plain black sashes; together with a Miss Mouse pleated skirt; Mr Freedom orange satin hot pants suit and a spangled T-shirt, (8)

a group of vivienne westwood and british boutique clothing, 1970s-80s

oversized, mounted, signed, titled, and dated by the photographer in pencil on the reverse of the mount, 1989 (Cyclops, unpaginated)

'gabrielle reece, vivienne westwood, comedie française, paris'

a group of vivienne westwood watches and jewellery, 1990s, comprising orb swatch...

a group of vivienne westwood bags and accessories, 1990s, including pink canvas...

a vivienne westwood red wool three piece suit, early 1990s, comprising short jacket...

a group of vivienne westwood ties, t-shirts and knitwear, 1990s, many un-used or...

a group of mainly black and grey vivienne westwood garments, mainly 1990s, many of...

a vivienne westwood harlequin patterned cotton play suit, early 1980s, comprising:...

a group of vivienne westwood bodices and blouses, 1990s, nine, including mae west...

Rencontres Couture à Paris de la Collection Didier Ludot

collection "on liberty" ensemble en madras rayé

sac "faux-cul" en toile monogramme

collection "on liberty"ensemble de jour, veste et chapeau en velours crispé, jupe en tartan mc poiret, botillons alaïa

Hip Hop

EDWIN SACASA AKA SHIRT KING PHADE KOOL G RAP, 1990. 2018. Acrylic paint, airbrush & marker on archival digital pigment print, 13 x 19 in. Signed lower right. "People in the audience Kool G Rap is my name I write rhymes and insert them inside your brain And DJ Polo, the man I'm behind He operated the turntables when I'm rocking my rhymes..." A unique Phade portrait of Kool G Rap, one of the most skilled MCs of all time, and one half of the group Kool G Rap & DJ Polo. Phade has painted directly onto the 1990 photograph that he took of Kool G Rap, in his signature Shirt King Phade style. In the early days of Hip Hop, a graffiti artist from New York known as Shirt King Phade created a following with his custom airbrushed t-shirts. In the Eighties, Edwin “Phade” Sacasa transferred his passion for graffiti from the surface of trains to the surface of t- shirts. Fabric became his new canvas and soon enough, Shirt King Phade, along with his partners “the Shirt Kings”, transferred street culture and street art onto clothing becoming the first to commercialize their graffiti. Some say this was the birth of the streetwear concept. Customization was the hallmark of the Shirt Kings. For every piece and customer, the graffiti was custom-made. Always painted with airbrush, the Shirt King style is immediately recognizable. Remixing pop culture elements and icons, we see Mickey Mouse sporting a gold chain while smoking, the Pink Panther reclining on a champagne bottle, and more. Through their vision, cartoons became badass, and a part of the foundation of graffiti streetwear. After opening a store in Queens at the Coliseum Mall, the shop became iconic in the hip-hop scene, in the same way Vivienne Westwood and Malcolm McLaren’s SEX shop was to the punk scene. Some of the hip-hop’s biggest stars began passing through their doors. From the likes of Jay Z, Jam Master Jay and RZA, Phade and the Shirt Kings’ apparel found their way into several of these artists’ visual media helping to create some of hip-hop’s most iconic images. Today, Shirt King Phade continues to work with the biggest names in Hip Hop, Hollywood, and beyond. His artwork has undoubtedly transcended boundaries, and influenced style movements. Phade has collaborated with the biggest names in streetwear including Supreme, Stüssy, Nike, Champion, and others. REFERENCE: See, Alan "Ket" Maridueña and Edwin "Phade" Sacasa. Shirt Kings: Pioneers of Hip Hop Fashion, 2013.

shirt king phade | " kool g rap, 1990", 2018.

EDWIN SACASA AKA SHIRT KING PHADE RAKIM, 1991. 2018 Acrylic paint, airbrush & marker on archival digital pigment print, 13 x 19 in. Signed lower right. “Used to be the shit, why they have to stop... Hit the Shirt Kings for an ill airbrush top." ("Queen's Day", Run DMC) A unique Phade portrait of Rakim, aka The God MC, aka Rakim Allah, one half of the golden age Hip Hop duo, Eric B. & Rakim, who is widely recognized as one of the most skilled MCs of all time. Phade has painted directly onto the 1991 photograph that he took of Rakim, in his signature Shirt King Phade style. In the early days of Hip Hop, a graffiti artist from New York known as Shirt King Phade created a following with his custom airbrushed t-shirts. In the Eighties, Edwin “Phade” Sacasa transferred his passion for graffiti from the surface of trains to the surface of t- shirts. Fabric became his new canvas and soon enough, Shirt King Phade, along with his partners “the Shirt Kings”, transferred street culture and street art onto clothing becoming the first to commercialize their graffiti. Some say this was the birth of the streetwear concept. Customization was the hallmark of the Shirt Kings. For every piece and customer, the graffiti was custom-made. Always painted with airbrush, the Shirt King style is immediately recognizable. Remixing pop culture elements and icons, we see Mickey Mouse sporting a gold chain while smoking, the Pink Panther reclining on a champagne bottle, and more. Through their vision, cartoons became badass, and a part of the foundation of graffiti streetwear. After opening a store in Queens at the Coliseum Mall, the shop became iconic in the hip-hop scene, in the same way Vivienne Westwood and Malcolm McLaren’s SEX shop was to the punk scene. Some of the hip-hop’s biggest stars began passing through their doors. From the likes of Jay Z, Jam Master Jay and RZA, Phade and the Shirt Kings’ apparel found their way into several of these artists’ visual media helping to create some of hip-hop’s most iconic images. Today, Shirt King Phade continues to work with the biggest names in Hip Hop, Hollywood, and beyond. His artwork has undoubtedly transcended boundaries, and influenced style movements. Phade has collaborated with the biggest names in streetwear including Supreme, Stüssy, Nike, Champion, and others. REFERENCE: See, Alan "Ket" Maridueña and Edwin "Phade" Sacasa. Shirt Kings: Pioneers of Hip Hop Fashion, 2013.

shirt king phade | "rakim 1991", 2018.

EDWIN SACASA AKA SHIRT KING PHADE DMC, 1990. Acrylic paint, airbrush & marker on archival digital pigment print, 13 x 19 in. Signed lower right. “Used to be the shit, why they have to stop... Hit the Shirt Kings for an ill airbrush top." ("Queen's Day", Run DMC) A unique Phade portrait of Darryl McDaniels aka DMC (founding member off Hip Hop group Run-D.M.C.). Phade has painted directly onto the photograph that he took of DMC in 1990, in his signature Shirt King Phade style. In the early days of Hip Hop, a graffiti artist from New York known as Shirt King Phade created a following with his custom airbrushed t-shirts. In the Eighties, Edwin “Phade” Sacasa transferred his passion for graffiti from the surface of trains to the surface of t- shirts. Fabric became his new canvas and soon enough, Shirt King Phade, along with his partners “the Shirt Kings”, transferred street culture and street art onto clothing becoming the first to commercialize their graffiti. Some say this was the birth of the streetwear concept. Customization was the hallmark of the Shirt Kings. For every piece and customer, the graffiti was custom-made. Always painted with airbrush, the Shirt King style is immediately recognizable. Remixing pop culture elements and icons, we see Mickey Mouse sporting a gold chain while smoking, the Pink Panther reclining on a champagne bottle, and more. Through their vision, cartoons became badass, and a part of the foundation of graffiti streetwear. After opening a store in Queens at the Coliseum Mall, the shop became iconic in the hip-hop scene, in the same way Vivienne Westwood and Malcolm McLaren’s SEX shop was to the punk scene. Some of the Hip Hop’s biggest stars began passing through their doors. From the likes of Jay Z, Jam Master Jay and RZA, Phade and the Shirt Kings’ apparel found their way into several of these artists’ visual media helping to create some of Hop Hop’s most iconic images. Today, Shirt King Phade continues to work with the biggest names in Hip Hop, Hollywood, and beyond. His artwork has undoubtedly transcended boundaries, and influenced style movements. Phade has collaborated with the biggest names in streetwear including Supreme, Stüssy, Nike, Champion, and others. REFERENCE: See, Alan "Ket" Maridueña and Edwin "Phade" Sacasa. Shirt Kings: Pioneers of Hip Hop Fashion, 2013.

shirt king phade | "dmc, 1990", 2018.

Fine Watches

Swatch A collection of 75 resin wristwatches featuring rare prototypes, limited and special edition, Circa 1987-2000 一套共75枚腕錶，備稀有原型、限量版及特別版，約1987到2000年製 Original: 40 pieces Original Lady's: 5 pieces Automatic: 4 pieces Chronograph: 7 pieces SteelTech: 8 pieces Scuba 200: 6 pieces Special Edition: Pirelli 1984, Swatch Yuri 1992, Putti by Vivienne Westwood 1992, Trésor Magique (platinum) 2001

View 1 of Lot 8031: A collection of 75 resin wristwatches featuring rare prototypes, limited and special edition, Circa 1987-2000 | 一套共75枚腕錶，備稀有原型、限量版及特別版，約1987到2000年製

a collection of 75 resin wristwatches featuring rare prototypes, limited and special edition, circa 1987-2000 | 一套共75枚腕錶，備稀有原型、限量版及特別版，約1987到2000年製

EDWIN SACASA AKA SHIRT KING PHADE REVOLT 60S. RIOT 90S. REPENT 2020. [TRIPTYCH] [2020] Acrylic paint, airbrush, and marker on canvas. Rightmost canvas signed lower right. Each measuring 30 x 48 in. This powerfully symbolic triptych combines Phade's trademark graffiti style, interspersing cartoon characters with scenes representing the 1960s, 1990s, and 2020. Juxtaposing Angela Davis and a shadow-figure carrying an upside down American flag with 1960s cartoon characters Boris & Natasha, Riot scenes of the 1990s with a police van in flames alongside 1990s characters such as Stewie Griffin, Sponge Bob Squarepants, and Marvin the Martian, and in a 2020 scene, a shadow-figure carrying a sign reading "Repent!" next to Lisa from the Simpsons wearing a face-mask, in a clear reference to the Covid pandemic. In the early days of Hip Hop, a graffiti artist from New York known as Shirt King Phade created a following with his custom airbrushed t-shirts. In the Eighties, Edwin “Phade” Sacasa transferred his passion for graffiti from the surface of trains to the surface of t- shirts. Fabric became his new canvas and soon enough, Shirt King Phade, along with his partners “the Shirt Kings”, transferred street culture and street art onto clothing becoming the first to commercialize their graffiti. Some say this was the birth of the streetwear concept. Customization was the hallmark of the Shirt Kings. For every piece and customer, the graffiti was custom-made. Always painted with airbrush, the Shirt King style is immediately recognizable. Remixing pop culture elements and icons, we see Mickey Mouse sporting a gold chain while smoking, the Pink Panther reclining on a champagne bottle, and more. Through their vision, cartoons became badass, and a part of the foundation of graffiti streetwear. After opening a store in Queens at the Coliseum Mall, the shop became iconic in the Hip Hop scene, in the same way Vivienne Westwood and Malcolm McLaren’s SEX shop was to the punk scene. Some of the hip-hop’s biggest stars began passing through their doors. From the likes of Jay Z, Jam Master Jay and RZA, Phade and the Shirt Kings’ apparel found their way into several of these artists’ visual media helping to create some of hip-hop’s most iconic images. Today, Shirt King Phade continues to work with the biggest names in Hip Hop, Hollywood, and beyond. His artwork has undoubtedly transcended boundaries, and influenced style movements. Phade has collaborated with the biggest names in streetwear including Supreme, Stüssy, Nike, Champion, and others. REFERENCE: See, Alan "Ket" Maridueña and Edwin "Phade" Sacasa. Shirt Kings: Pioneers of Hip Hop Fashion, 2013. Shawna Kenney "Phade, Portrait of a Shirt King": https://www.rockthebells.com/blogs/articles/phade-portrait-of-a-shirt-king

shirt king phade | "revolt 60s. riot 90s. repent 2020."

JOHNNY NELSON "LADIES FIRST" MT. RUSHMORE RE-IMAGINED WITH QUEEN LATIFAH, MC LYTE, LADY OF RAGE, AND ROXANNE SHANTE, 2020. Custom hand-made four finger ring in solid 14K gold, signed "JN" on one side, and "Sotheby's" on the other. "LADIES FIRST — MT RUSHMORE RE-IMAGINED" A one-of-a kind ring, custom designed for this sale, depicting some of the greatest female MCs of all time: Queen Latifah, MC Lyte, Lady of Rage, and Roxanne Shanté. Johnny Nelson was born in England and raised in Brooklyn. His biggest influences include Vivienne Westwood, Alexander McQueen, and the iconic neighborhood jewelers that elevated Hip Hop culture in the 80s and 90s. He founded Johnny Nelson Jewelry in 2017. Each piece is proudly crafted in NYC using various fine metals and stones. Johnny Nelson Jewelry was brought to fruition long before it’s initial inception. Nelson’s transition into jewelry design began in 2014, when he was on tour and decided it was time to look as good as he felt while performing. His solution? Jewelry. The first piece was an attention-grabbing 3-finger ring, made with stone and wire, that he asked his mom to bring to life. It was then Nelson found he had not just a genuine passion for jewelry, but the raw talent and creative vision to match. In his designs, Nelson draws inspiration from his diverse artistic and cultural experiences that merge punk, Hip Hop, and spirituality. The line heavily focuses on statement pieces that spark conversation amongst consumers. His work has been featured frequently in press, and is popular with a host of celebrities; the custom sculpture portrait buttons and Black power cuff-links he designed for Kerby Jean Raymond (his 8 favorite Hip Hop artists) and Lena Waithe's (8 LGBTQ icons) 2019 Met Gala suits were a tremendous hit. REFERENCE: Leanna Commins. "After a Met Gala Boost, Johnny Nelson's Hip-Hop-Inspired Jewelry Is About to Blow Up": https://fashionista.com/2019/05/johnny-nelson-jewelry PROVENANCE: Courtesy the artist

johnny nelson | "ladies first" 4 finger ring, w/ queen latifah, mc lyte, lady of rage, and roxanne shante, 2020.

Jamie Reid Silly Thing/Who Killed Bambi, promotional poster, 30 March 1979 (1050 x 695mm.), some marginal tears Silly Thing and Who Killled Bambi? are two songs from The Great Rock n Roll Swindle; Silly Thing was performed by and credited to Paul Cook and Steve Jones, Who Killed Bambi? was performed by Eddie Tenpole Tudor and credited to him and Vivienne Westwood.

View 1 of Lot 56: Jamie Reid | Silly Thing/Who Killed Bambi, promotional poster, 30 March 1979

Results for "Vivienne Westwood"