TRIOMPHE

NIKE, NIKE SB DUNK LOW PRO, TAILLE 9 Caoutchouc, Cuir, Coton, Daim 2009 NIKE, NIKE SB DUNK LOW PRO, SIZE 9 Rubber, Leather, Cotton, Suede 2009

View 1 of Lot 860: Nike SB Dunk Low Pro ‘McDonald’s’ Sample | Size 9

nike sb dunk low pro ‘mcdonald’s’ sample | size 9

Life is Beautiful: Paris

NIKE, NIKE SB DUNK LOW TAILLE US 9 EUR 42.5 Caoutchouc, Daim, Cuir, Coton 2009 NIKE, NIKE SB DUNK LOW SIZE US 9 EUR 42.5 Rubber, Suede, Leather, Cotton 2009

View 1 of Lot 51: SB Dunk Low ‘McDonalds’ Sample | Taille US 9, EUR 42.5

sb dunk low ‘mcdonalds’ sample | taille us 9, eur 42.5

Contemporary Art Online

The History of Now: The Collection of David Teiger Sold to Benefit Teiger Foundation for the Support of Contemporary Art

The History of Now: The Collection of David Teiger Sold to Benefit Teiger Foundation for the Support of Contemporary Art SPENCER SWEENEY b.1973 I. LAST TANGO IN PHILLY II. NIDNG III. STOCKHAUSEN IV. WILLIAM BLAKE V. ACROSS THE STREET FROM MCDONALD'S VI. THE MUMMY [6 WORKS] ii. inscribed Quique on the reverse v. inscribed Spencer TTX - 212 431-0303 on the reverse vi. signed on the reverse i. and ii. ink on paper iii. colored pencil and ink on paper iv. colored pencil on paper v. ink, wax crayon and colored pencil on paper vi. ink, wax crayon and graphite on paper Sheet: i. 10¼ by 14⅛ in. (26 by 36.2 cm.) ii. 10¼ by 14¼ in. (26 by 36.2 cm.) iii. 10¼ by 14¼ in. (26 by 36.2 cm.) iv. 11¾ by 9⅛ in. (29.8 by 23.2 cm.) v. 10⅝ by 7¾ in. (27 by 19.7 cm.) vi. 10 by 9⅛ in. (25.4 by 23.2 cm.) Each framed: 20½ by 16½ in. (52 by 42 cm.) Each executed in 2002.

spencer sweeney | i. last tango in philly | ii. nidng | iii. stockhausen | iv. william blake | v. across the street from mcdonald's | vi. the mummy [6 works]

Important Watches

Paul Newman's racing suit worn during his last professional race in 2007, and his last ever laps at Lime Rock Park in 2008

Paul Newman's racing suit worn during his last professional race in 2007, and his last ever laps at Lime Rock Park in 2008 Sparco Model R507 EN-340, featuring "PLN" and "Butch" embroidery and patches from Hole in the Wall Gang Camp, Victory Junction Gang, and McDonald's Color: white Material: 95% meta-aramid, 5% para-aramid, neck-to-hip zipper closure, velcro straps Measurement: size 54, chest measurement 92-96, height measurement 170-176

View 1 of Lot 29: Paul Newman's racing suit worn during his last professional race in 2007, and his last ever laps at Lime Rock Park in 2008 | Sparco Model R507 EN-340, featuring "PLN" and "Butch" embroidery and patches from Hole in the Wall Gang Camp, Victory Junction Gang, and McDonald's

paul newman's racing suit worn during his last professional race in 2007, and his last ever laps at lime rock park in 2008 | sparco model r507 en-340, featuring "pln" and "butch" embroidery and patches from hole in the wall gang camp, victory junction gang, and mcdonald's

Hoarder V: The No Reserve Auction

Kevin Coventry b. 1958 McDonalds signed and dated 2011 (on the reverse) oil on canvas 11¾ by 9¼ in. 29.8 by 23.5 cm. Executed in 2011

mcdonalds

Nike SB | 20 Years 

NIKE, NIKE SB DUNK LOW, SIZE 9 Rubber, Suede, Leather, Cotton 2009

View 1 of Lot 8638: Nike SB Dunk Low 'McDonald’s’ Sample | Size 9

nike sb dunk low 'mcdonald’s’ sample | size 9

Contemporary Art 

Katherine Bernhardt b. 1975 McDonalds Restaurant signed, titled and dated 2000 on the overlap acrylic and spray paint on canvas 24 by 36 in. (61 by 91.4 cm.)

mcdonalds restaurant

Sports Memorabilia | Part II

View 1 of Lot 5: Michael Jordan Signed 1981 McDonald’s All-American Program

michael jordan signed 1981 mcdonald’s all-american program

HEAT

NIKE, NIKE DUNK LOW PRO SB, SIZE 9 Rubber, Leather, Cotton, Suede 2009

View 1 of Lot 65: Nike Dunk Low Pro SB ‘McDonald’s’ Sample | Size 9

nike dunk low pro sb ‘mcdonald’s’ sample | size 9

hobo angel: mcdonald's

Contemporary Art Day Sale

mcdonalds - great criticism series

They Would Be Kings An Exhibition Curated by Steve Lazarides

liquidated mcdonald's

valentino mcdonald's

david hockney (b. 1937), joe mcdonald (s.a.c. 175), lithograph, 1976, signed and dated...

Contemporary Discoveries

Ida Ekblad b. 1980 Untitled (8 M) each: stamped with ink and chlorin by the means of a stolen McDonalds sign (towards the corner tips) ink, dye and chlorin on paper, in artist's frame, in eight parts each: 108 by 79.7 cm. 42½ by 31⅝ in. overall: 216 by 318.8 cm. 85 by 125½ in. Executed in 2008.

untitled (8 m)

Escape Artists: The Non-Conformists Online

signed in Latin and dated '1991' on the reversescreenprint on canvasAlexander Kosolapov has worked in New York City since 1975. He is a leading proponent of the movement known as Sots Art (short for Socialist Art), often referred to as Soviet Pop Art, which appeared in Moscow in the early 1970s and is characterized by an irreverent appropriation of ubiquitous propaganda images and slogans from the Soviet Union, often paired with advertising images from the United States. His twist on the Molotov cocktail has the same entertaining and grotesque effect of his other famous images,  'Lenin Coca Cola', 'Malevich Marlborough' and 'Lenin McDonald's'.

molotov cocktail

comprising: two framed banknotes of New Zealand, two framed copies of paintings, a bust, all of which depict Captain James Cook, a Russian Communist flag and a McDonalds flag, a penguin light and a wooden sculpture of a penguin, seven various baseball caps, a penguin bath mat, five various boxes, two pairs of reading glasses, a videotape of San Antonio, three African souvenirs, two Tasmanian souvenirs, a small display containing various items and an extensive collection of maps of countries and cities all over the world

a collection of various travel related items

The Connoisseur's Autumn Collection

Despite the major economic, social and technological revolutions of the past fifty years, Australia's national identity remains significantly connected to the pastoral industries, and in particular to sheep and wool. As well as the general social mythology of rural life, of boss cockies and bushmen and drovers' wives, the specific imagery of sheep and shearing is deeply embedded in the national imagination, and can be seen in a host of cultural artefacts: from Tom Roberts's celebrated paintings Shearing the rams and The golden fleece to Ken Hannam's 1975 film Sunday too far away; from Banjo Paterson's poem Waltzing Matilda to Roger McDonald's novel The ballad of Desmond Kale.

Despite the major economic, social and technological revolutions of the past fifty years, Australia's national identity remains significantly connected to the pastoral industries, and in particular to sheep and wool. As well as the general social mythology of rural life, of boss cockies and bushmen and drovers' wives, the specific imagery of sheep and shearing is deeply embedded in the national imagination, and can be seen in a host of cultural artefacts: from Tom Roberts's celebrated paintings Shearing the rams and The golden fleece to Ken Hannam's 1975 film Sunday too far away; from Banjo Paterson's poem Waltzing Matilda to Roger McDonald's novel The ballad of Desmond Kale. In the two decades prior to Federation, the Australian colonies certainly 'rode on the sheep's back': there were more than 100 million head of stock, almost 60,000 shearers and shed hands, and the income from wool was a full two-thirds of the export earnings of the colonies. Given this economic context, shearing also had an important bearing on Australia's political history. It was in the outback shearing sheds of the 1880s and 1890s that capital met labour at close quarters, that industrial relations were tested, and that the Australian Labor Party was born. This is the context in which John Robert ('Jackie') Howe (1861 – 1920) became a folk hero. Shearer, publican and unionist, Jackie Howe was a big, broad man: he was 5 ft 10 in. (177.8 cm.) tall, weighed 14 stone (89 kg.), measured 50 in. (127 cm.) around the chest, 27½ in.(70 cm.) around the thigh and 17 in. (43 cm.) around the biceps, and had 'a hand the size of a small tennis racquet.'[1] Despite his size, he was agile and light on his feet; he won prizes at a Warwick sports day for dancing the Irish Jig and the Sailor's Hornpipe, and reputedly once ran 100 yards in 11 seconds in bare feet.[2] But Howe's most celebrated achievements were not as an athlete, but as a shearer. Historian Patsy Adam-Smith called him 'the Bradman of the boards'[3], and after his death the blue shearer's singlet became known as a 'Jackie Howe', in acknowledgement of Howe's great prowess as a 'ringer', and his pioneering preference for a sleeveless flannel work shirt. By the late 1880s, Howe had a well-established and formidable reputation in the Queensland shearing sheds, but his 1892 season was extraordinary, cementing his place as a national bush hero. That year he was working at 'Alice Downs', north of Blackall. A substantial property, at the time 'Alice Downs' carried over 200,000 head, and maintained a 47-stand shed over a ten-week season. Between 3 and 10 October Howe notched up the extraordinary weekly (5½ day/44 hour) tally of 1,437 sheep. The following week he did even better: on Monday 10 October he shore 321 sheep in only 7 hours and 40 minutes, securing a record that was not broken until 1950, and then only with machine shears. As a hand-shears record it has never been beaten, and nor has the earlier weekly total. Moreover, later that season, at 'Barcaldine Downs', Howe used the newly-introduced machine shears for the first time – and made another record daily tally: 237. These phenomenal totals led to Howe's being awarded both of the gold medals offered that year by Colemane & Sons Ltd, a Cootamundra eucalyptus oil  manufacturer: the 10 guinea medal for the 'highest tally of Sheep Shorn/in the Colonies in eight hours/for the season 1892./by Hand Shearing' and the smaller, 5 guinea medal for the 'highest tally with/shearing machines/Season, 1892./(in eight hours)'  Jack Howe is the only  shearer ever to have set a blade as well as a machine shearing record in the same year. The present lot features both of these medals, and Howe's gold watch and chain – photographs taken later in his life show the two gold discs hung proudly on the front of his waistcoat. A further and later element of the ensemble is a monogrammed and engraved fob shield, presented to Howe in 1918 by 'Members of the BLACKALL W.P.O. [Workers' Political Organisation]/For Services Rendered/To/The Labor Movement.' Howe had been involved with shearers' unions since at least 1887, and in 1891 was elected a member of the Queensland Shearers' Union Committee. He retained his firm commitment to labour politics into the 1900s, not only as President of the Blackall W.P.O., but also as sponsor of T.J. Ryan's 1909 campaign for the seat of Barcoo. Ryan subsequently became Premier, leading Queensland's first A.L.P. majority government from 1915 to 1919. On Howe's death in 1920 Ryan sent his widow a telegram which read: 'I have lost a true and trusted friend and Labor has lost a champion.' Jackie Howe was indeed a true rural champion. This watch, fob, chain and medals constitute a unique historic memorial of the life and achievements of an Australian legend. [1] H.J. Gibbney, 'Howe, John Robert', in Australian Dictionary of Biography,Melbourne University Press, Melbourne, 1983, p. 379 [2] Barry R. Muir, Jack Howe: the man and the legend (3rd ed.), B. & J. Muir, Blackall, 1993, p. 31 [3] Patsy Adam-Smith, The Shearers, Nelson, Melbourne, 1982

the jackie howe shearing medal, gold fob watch with original photographs 

Document signed ("HClinton"), oblong half-sheet (12 3/4 x 8 in.; 325 x 203 mm), accomplished in a clerical hand, New York, 25 December 1780, being Archibald McDonald's appointment as a "Surgeon to the Guides & Pioneers commanded by Colonel Beverly Robinson, countersigned by Nathaniel Philips, embossed paper seal, integral blank docketed Archibald McDonald, Esqr. | Surgeon | Guides & Pioneers; some separations at vertical folds, far right quadrant completely separated. Contained in its original tin document case.

clinton, henry

Modern & Contemporary Discoveries

Peter McDonald b. 1973 Deity signed, titled and dated 2005 (on the reverse) acrylic and gouache on canvas 61 by 46 cm. 24 by 18⅛ in. Executed in 2005. ---------------------------------------- 彼得 · 麥當勞 1973年生 神靈 款識 Peter McDonald，DEITY，2005（作品背面） 壓克力水粉畫布 61 x 46 公分 24 x 18⅛ 英寸 2005年作

View 1 of Lot 865: Peter McDonald 彼得 · 麥當勞 | Deity 神靈

peter mcdonald 彼得 · 麥當勞 | deity 神靈

Contemporary Discoveries | Down the Rabbit Hole

Peter McDonald b. 1973 Introductions I acrylic gouache and glitter glue on canvas signed, titled and dated 2020 on the reverse 30.3 by 30.3 cm. 11⅞ by 11⅞ in. ---------------------------------------------- 彼得・麥當勞 1973年生 介紹 I 壓克力水粉及閃光膠於畫布 2020年作 款識 Peter McDonald，《Introductions I》，2020（作品背面） 30.3 x 30.3 公分，11⅞ x 11⅞ 英寸

View 1 of Lot 1110: Introductions I | 介紹 I

introductions i | 介紹 i

Olympic Dreams

Generously Donated by HomeArt, Hong Kong, and Commissioned Through Kate MacGarry, London

Generously Donated by HomeArt, Hong Kong, and Commissioned Through Kate MacGarry, London Peter McDonald b. 1973 Swimming (Tokyo 2020) acrylic gouache on paper signed, titled and dated 2021 on the reverse 21 by 30 cm. 8¼ by 11¾ in. ----------------------------- 由香港，HOMEART透過倫敦, Kate MacGarry畫廊委託創作後慷慨捐贈 彼得・麥當勞 1973年生 游泳（東京 2020年） 水粉塑膠彩紙本 2021年作 款識 Peter McDonald，《Swimming (Tokyo 2020)》，2021（作品背面） 21 x 30 公分，8¼ x 11¾ 英寸

View 1 of Lot 23: Peter McDonald 彼得・麥當勞 | Swimming (Tokyo 2020) 游泳（東京 2020年）

peter mcdonald 彼得・麥當勞 | swimming (tokyo 2020) 游泳（東京 2020年）

Generously Donated by HomeArt, Hong Kong, and Commissioned Through Kate MacGarry, London Peter McDonald b. 1973 Team Table Tennis (Tokyo 2020) acrylic gouache on canvas signed, titled and dated 2021 on the reverse 140 by 100 cm. 55⅛ by 39⅜ in. ---------------------------- 由香港，HOMEART透過倫敦, Kate MacGarry畫廊委託創作後慷慨捐贈 彼得・麥當勞 1973年生 乒乓球團隊（東京2020年） 水粉塑膠彩畫布 2021年作 款識 《Team Table Tennis (Tokyo 2020)》，2021，Peter McDonald （作品背面） 140 x 100 公分，55⅛ x 39⅜ 英寸

View 1 of Lot 9:  Peter McDonald 彼得・麥當勞 | Team Table Tennis (Tokyo 2020)  乒乓球團隊（東京2020年）

peter mcdonald 彼得・麥當勞 | team table tennis (tokyo 2020) 乒乓球團隊（東京2020年）

The Library of Henry Rogers Broughton, 2nd Baron Fairhaven Part II

Richard Watson Dickson ("Alexander McDonald")

Richard Watson Dickson ("Alexander McDonald") A complete dictionary of practical gardening: comprehending all the modern improvements in the art... with correct engravings... from original drawings by Sydenham Edwards. London: R. Taylor and Co. for George Kearsley, 1807 FIRST EDITION, 2 volumes, 4to (268 x 206mm.), 61 hand-coloured engraved plates after Sydenham Edwards, 13 plain plates of garden equipment and buildings, contemporary straight-grained red morocco, spines with raised bands in six compartments, edges gilt, marbled endpapers, scattered spotting and browning, some transfer from plates onto facing text leaves, inkstain to front endpapers in volume 1, upper joints starting to split, spine ends frayed After studying medicine at Aberdeen University Dickson became principally interested in agriculture. He wrote extensively and this, his second book, was published under the pseudonym of Alexander Macdonald. LITERATURE: Nissen BBI 479

View 1 of Lot 430: Alexander McDonald | A complete dictionary of practical gardening, London, 1807, 2 vols, straight-grained red morocco

alexander mcdonald | a complete dictionary of practical gardening, london, 1807, 2 vols, straight-grained red morocco

Contemporary Art Evening Sale

Peter McDonald b. 1973 Chairlift acrylic and gouache on canvas signed, titled and dated 2010 on the reverse 140 by 114 cm. 55⅛ by 44⅞ in. ---------------------------------------------- 彼得・麥當勞 1973年生 纜車 壓克力及水粉畫布 2010年作 款識 《CHAIRLIFT》，2010，Peter McDonald（作品背面） 140 x 114 公分，55⅛ x 44⅞ 英寸

View 1 of Lot 1101: Peter McDonald 彼得・麥當勞 | Chairlift 纜車

peter mcdonald 彼得・麥當勞 | chairlift 纜車

Eclectic

Peter McDonald b. 1973 Auction Party Executed in 2011 acrylic gouache on paper signed, titled and dated 2011 on the reverse artwork 29 by 41 cm, frame 37.4 by 49.5 cm 2011年作 ---------------------------------------------- Peter McDonald b. 1973 拍賣派對 紙本水粉塑膠彩 款識 《Auction Party》，Auction 2011，Peter McDonald（作品背面） 彼得・麥當勞（1973年生）

View 1 of Lot 2031: Peter McDonald | Auction Party 拍賣派對

peter mcdonald | auction party 拍賣派對

Contemporary Day Auction

Peter McDonald b. 1973 Bendies acrylic gouache, glitter glue and gold leaf on canvas signed, titled and dated 2020 on the reverse 140 by 200 cm. 55⅛ by 78¾ in. ---------------------------------------------- 彼得・麥當勞 1973年生 彎曲 壓克力水粉，閃光膠與金箔畫布 2020年作 款識 Peter McDonald，2020，《Bendies》（作品背面） 140 x 200 公分，55⅛ x 78¾ 英寸

View 1 of Lot 549: Peter McDonald 彼得・麥當勞 | Bendies 彎曲

peter mcdonald 彼得・麥當勞 | bendies 彎曲

Peter McDonald b. 1973 Stonehenge Couple acrylic and gouache on paper signed, titled and dated 2016 on the reverse 29.7 by 21 cm. 11¾ by 8¼ in. ---------------------------------------- 彼得 · 麥當勞 1973年生 巨石陣情侶 壓克力水粉紙本 2016年作 款識 Peter McDonald，《Stonehenge Couple》，2016（作品背面 ) 29.7 x 21 公分，11¾ x 8¼ 英寸

View 1 of Lot 5611: Stonehenge Couple | 巨石陣情侶

stonehenge couple | 巨石陣情侶

Generously Donated by HomeArt, Hong Kong, and Commissioned Through Kate MacGarry, London Peter McDonald b. 1973 Team Table Tennis (Tokyo 2020) acrylic gouache on paper signed, titled and dated 2021 on the reverse 29.5 by 21 cm. 11⅝ by 8¼ in. -------------------------------- 由香港，HOMEART透過倫敦，Kate MacGarry畫廊委託創作後慷慨捐贈 彼得・麥當勞 1973年生 乒乓球團隊（東京2020年） 水粉塑膠彩紙本 2021年作 款識 《Team Table Tennis (Tokyo 2020)》，2021，Peter McDonald （作品背面） 29.5 x 21 公分，11⅝ x 8¼ 英寸

View 1 of Lot 10: Peter McDonald  彼得・麥當勞 | Team Table Tennis (Tokyo 2020) 乒乓球團隊（東京2020年）

Peter McDonald b. 1973 Curlers acrylic and gouache on canvas signed, titled and dated 2005 on the reverse 61 by 51 cm. 24 by 20 in. ---------------------------------------- 彼得 · 麥當勞 1973年生 捲髮 壓克力水粉畫布 2005年作 款識 Peter McDonald，《CURLERS》，2005（作品背面） 61 x 51 公分，24 x 20 英寸

curlers | 捲髮

Peter McDonald b. 1973 Matisse Figures acrylic gouache on paper signed, titled and dated 2016 on the reverse 21 by 29.6 cm. 8¼ by 11⅝ in. ---------------------------------------------- 彼得 · 麥當勞 1973年生 馬諦斯人物 壓克力紙本 2016年作 款識 Peter McDonald，2016，《Matisse Figures》（作品背面） 21 x 29.6 公分，8¼ x 11⅝ 英寸

View 1 of Lot 517: Peter McDonald 彼得 · 麥當勞 | Matisse Figures 馬諦斯人物

peter mcdonald 彼得 · 麥當勞 | matisse figures 馬諦斯人物

Generously Donated by HomeArt, Hong Kong, and Commissioned Through Kate MacGarry, London Peter McDonald b. 1973 Fencing Study (Tokyo 2020) acrylic gouache on paper signed, titled and dated 2021 on the reverse 20.5 by 30 cm. 8⅛ by 11¾ in. ------------------------------------- 由香港，HOMEART透過倫敦，Kate MacGarry畫廊委託創作後慷慨捐贈 彼得・麥當勞 1973年生 擊劍研究（東京 2020年） 水粉塑膠彩紙本 2021年作 款識 Peter McDonald，《Fencing Study (Tokyo 2020)》，2021（作品背面） 20.5 x 30 公分，8⅛ x 11¾ 英寸

View 1 of Lot 3: Peter McDonald 彼得・麥當勞 | Fencing Study (Tokyo 2020) 擊劍研究（東京 2020年）

Results for "McDonald's"