





Photograph Archive of a WWII Soldier's Life In The Pacific Theater
1927 - 1946
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Details
Description
An archive of more than 1100 photos from the service of a single soldier before, during, and immediately after World War II.
Contents and Condition Notes:
Oblong string-tied commercial album, imitation leather titled "Photographs" with small portrait photo, cut to the shape of a key-hole, fixed to front cover.
Oblong commercial photo album, lacquer cover with surfing scene and "Aloha Hawaii" at rear; lacking front cover.
Oblong string-tied commercial album titled "Photographs," hand-lettered title page "G.I./ Memories/Feb. 6 1942-Nov. 17 1945" (above right) with domestic and Pacific theatre place names listed.
Oblong string-tied album, brown imitation leather with "Photographs" printed at front cover.
Oblong string-tied commercial album, imitation leather embossed with a horse bust design and "Photographs" at front cover.
Collection by Peter R. Betz with detailed and captioned photographs of the Philippines Campaign, as well as many other experiences of a soldier's life during the WWII.
Peter R. Betz (identified by his name and postwar address in the rear of two of the albums) served with the U.S. Army in the Pacific, and his photographs document that theater and the Philippines Campaign in detail. Nearly every photograph features Betz's neat, holograph captions, and the albums in general are highly organized, making for an incredibly thorough photographic biography of a soldier.
The earliest photographs are dated 1927 and feature images of a Boy Scout troop and camping trip. Two of the albums also contain several images of the Betz's family, including parents, siblings, and cousins. Many of these family portraits are hand tinted. Betz's documentation of his Army career begins in 1937 and '38, with his service in Hawaii and Panama. The photographs regarding this time are casual and candid: soldiers relaxing in barracks and off-base in Honolulu and Waikiki beach, hiking trips in the mountains of Hawaii, native Hawaiians in traditional dress, a visit from President Roosevelt, as well as (separately) from Gracie Allen and George Burns. And photographs of the Panama Canal lock system in action reveal a keen interest in mechanics and engineering. Wartime photographs are contained primarily in two albums. The first, titled "G.I. Memories, Feb. 6, 1942 - Nov. 17, 1945" (above) features over 200 images. These include stateside images of Camp Croft and Sand Hill, SC. A second deployment to Hawaii also features heavily, including many of the same kinds of images as appeared earlier.
The album contains a notable series of 28 photographs taken in New Guinea, identified by Betz as "Native dance...started Friday thru Sunday night." 47 photos from December 1944 to January 1945 in Leyte, Philippines show US Army barracks and soldiers, native Filipinos (mostly children), countryside, numerous aircraft and ships, and the aftermath of one or more unidentified battles (as left). The second album focuses almost entirely on operations in the Philippines. These include eighteen photographs, with aerial shots, labeled "Air Drop," eleven photographs "taken from" and of Japanese soldiers, and six showing a Japanese surrender on an unidentified airfield. Most importantly, however, over 60 photos that trace the U.S. effort to retake islands from the Japanese, including the January 29, 1945 beach landing at San Narciso, which marked the beginning of the Battle of Bataan. Also noteworthy: Mariveles and the aftermath of fighting in Zig Zag Pass, preparing for the detonation of Fort Drum in Manila Bay on April 12, 1945, followed by images of a beach landing on and aerial shots of Carabao Island on April 16. Additionally: 100 photos, dated January-October 1946, of Luzon after the liberation of the island. The photographs show soldiers and native Filipinos, including Negrito resistance fighters armed with bow and arrow, as well as villages and buildings, many showing the effects of the war.
A final album documents, in over 200 images, Betz's experience immediately after the end of hostilities, where he served out his enlistment in Nanking and Shanghai, China. Dated Now. 9, 1945 - Feb. 12, 1946, these photographs show various aspects of the city, soldiers, and people, as well as US and Japanese planes, ships, and like. The album concludes with photographs taken from the deck of the USS General Scott during Betz's return voyage to the United States. Betz was a serious student of photography, and his images demonstrate a keen eye for framing and documentary. As comprehensive an archive of a soldier's WWII service as we've encountered. While vernacular albums from this era do turn up, we aren't aware of any as large, or as comprehensively-captioned, that focuses on a single person as this one. Indeed, both circumstances of life in the Pacific theater, as well as formal censorship policies and security restrictions made assembling such a large collection extraordinarily difficult. A rare, compelling, and significant collection.
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