
Property of a lady | 女史收藏
Auction Closed
May 5, 01:09 PM GMT
Estimate
800,000 - 1,500,000 HKD
Lot Details
Description
150.5 by 57.5 by h. 81.5 cm
This Huanghuali table epitomizes the minimalist aesthetic of "less is more" in ancient Chinese literati culture. It features clean, straight lines and a squared silhouette, with the elegantly curved "knife-blade" spandrels showcasing a flowing, cloud-like wood grain and a warm, lustrous hue. Eschewing elaborate carving, it relies entirely on precise proportions, the refined quality of the wood, and a scientifically engineered structure to convey its character.
As noted by the late scholar Wang Shixiang, its structural principles are derived from the traditional post-and-beam system of Chinese wooden architecture. The table's sturdiness comes from its "framed-panel tenon" joints, where the top of each leg is notched to tightly encase the spandrels and apron, forming a stable triangular load-bearing structure. This design evenly distributes the weight of the tabletop to all four legs, combining durability with visual elegance. The legs splay slightly outward, a feature known as "sì tuǐ bā zhā" (four legs, eight splayed directions), which enhances the table's stability and creates a visually restrained yet imposing presence, much like the columns in traditional architecture that convey a sense of solemnity and balance. The spandrels are left entirely plain, with their graceful arcs unadorned, embodying the Ming literati ideal of "craftsmanship that highlights the inherent beauty of the material."
This piece of furniture is not merely functional; it is, in essence, a three-dimensional architectural sculpture. With its simplest lines and finest material, it defines what is often called the "structural essence of Ming-style design."
這張黃花梨平頭案代表了中國古代文人審美中少即是多的極致。線條簡潔,輪廓方正;刀子牙板的線條美感,色澤溫潤,紋理如行雲流水。它摒棄了繁縟雕花,完全依靠精準的比例、溫潤的木材和科學的結構來展現氣質。
王世襄先生曾指出,它的結構原理源自中國古建築的樑架體系。夾頭榫是它堅固的秘訣,腿足頂部開長口,嵌夾住牙條和牙頭,形成一個穩定的三角受力結構。這種設計能將案面的重量均勻傳遞至四足,既美觀又極其耐用。四條腿微微向外撇(四腿八挓),增加了底盤的穩定性,更營造出一種視覺上的內斂氣勢,如同古建築的柱子,穩重端莊。牙頭光素無紋飾,保留優雅的弧線,體現了明代文人的材美工巧理念。
這件家具不僅是一件實用器,更是一件「立體的建築雕塑」。它用最簡單的線條和最高級的木材,定義了何為「明式風骨」。
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