Pablo Picasso

(possibly) Wilhelm Uhde, Paris 

Edwin Suermondt, Aachen (possibly acquired from the above) 

Galerie Kahnweiler, Paris (acquired from the above) 

Hôtel Drouot, Paris, 1er Vente Kahnweiler, 13 June 1921, lot 81 

M Winberg, Paris (acquired at the above sale, probably on behalf of Kahnweiler)

Galerie Louise Leiris, Paris

Acquired circa 1953 by the present owner

Paris, Musée National d'Art Moderne, Le Cubisme, 1907-1914, 1953, no. 24, p. 23 

New York, M. Knoedler & Co., Picasso: An American Tribute, 1962, no. 40, n.p., illustrated

Christian Zervos, Pablo Picasso: Oeuvres de 1906 à 1912, vol. II*, Paris, 1942, no. 145, pl. 73, illustrated

Maurice Raynal, Picasso, Paris, 1922, pl. 33, illustrated

Paul Éluard, Pablo Picasso, New York, 1947, p. 42, illustrated

Tristan Tzara, Pablo Picasso et les chemins de la connaissance, Geneva, 1948, n.p., illustrated in color (titled L’Arlequin accoudé)

Jacques Lassaigne, Picasso, Paris, 1949, pl. 41, illustrated (titled Buste d’arlequin)

Albert Skira, The Taste of Our Time, vol. IV, Lausanne, 1953, pl. 50, illustrated in color (titled Leaning Harlequin)

José Camón Aznar, Picasso y el cubismo, Madrid, 1956, fig. 310, p. 439, illustrated 

Maurice Raynal, Picasso, Geneva, 1959, pl. 50, illustrated in color; p. 133 (titled Leaning Harlequin)

Olga Neigemont, Picasso, Munich, 1966, p. 17, illustrated in color (titled Harlekin mit aufgestütztem Ellenbogen)

Paul Waldo Schwartz, Cubism, New York, 1971, no. 25, p. 43, illustrated; pp. 44 and 207

Tokyo International Publishers, ed., Picasso, New York, 1971, p. 83, illustrated in color; p. 121 (titled Harlequin Resting His Elbow)

Ronald Penrose and John Golding, eds., Picasso 1881-1973, London, 1973, fig. 64, pp. 44 and 275; p. 45, illustrated (titled Harlequin Leaning on his Elbow)

Theodore Reff, “Love and Death in Picasso’s Early Work,” Artforum, vol. 11, no. 9, May 1973, p. 70, illustrated; p. 73 (titled Leaning Arlequin)

Malcolm Gee, Dealers, Critics and Collectors of Modern Painting: Aspects of the Parisian Art Market Between 1910 and 1930, PhD Dissertation, Courtauld Institute of Art, London, 1977, pp. 29 and 44, note 137 (titled Arlequin accoudé, vu à mi-corps)

Fiorella Minervino, Tout l’oeuvre peint de Picasso, 1907-1916, Paris, 1977, no. 230, n.p., illustrated

Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907-1916, Boston, 1979, no. 261, p. 64; pp. 65 and 239, illustrated (titled Harlequin Leaning on his Elbow)

Exh. Cat., Kunsthalle Bielefeld, Picasso: Todesthemen, 1984, fig. 18, p. 71, illustrated

Josep Palau i Fabre, Picasso Cubism (1907-1917), Paris, 1990, no. 352, p. 126, illustrated; pp. 127 and 500 (titled Harlequin Leaning on his Left Hand)

Anatoly Podoksik, Pablo Picasso: The Creative Eye (from 1881 to 1914), Bournemouth, 1996, p. 126, illustrated