View full screen - View 1 of Lot 100. A George III satinwood, harewood, tulipwood and marquetry Pembroke table, circa 1775.

Property from English Private Collection (Lots 96-103)

A George III satinwood, harewood, tulipwood and marquetry Pembroke table, circa 1775

Auction Closed

May 22, 05:01 PM GMT

Estimate

10,000 - 15,000 GBP

Lot Details

Description

the top centred by a marquetry panel of an urn enclosed by rinceaux and anthemia, with additional floral marquetry decoration to the drop-leaves and the friezes, the table with cross-banded tulipwood borders throughout, the square tapering legs terminating in bronze cappings and castors


70.7cm high, 50.7cm wide, 93cm wide when extended, 68.5cm deep

This lot contains endangered species. Sotheby’s recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. For example, US regulations restrict or prohibit the import of certain items to protect wildlife conservation. Please note that Sotheby’s will not assist buyers with the shipment of this lot to the US. A buyer’s inability to export or import these lots cannot justify a delay in payment or sale cancellation.

Previously in the collection of Mary Pauline Cookson.

'Pembroke' tables are, according to Thomas Sheraton, said to be named after "the lady who first gave orders for one of them, and who probabaly gave the first idea of such a table to the workmen", possibly Elizabeth Herbert, Countess of Pembroke (1737–1831).1 Their form and ornament followed wider trends in furniture design, which in the late eighteenth century often gave preference to marquetry. While oval-form tables were more common, square and rectangular tops are also seen on the work of important furniture makers including Mayhew and Ince, and also William Moore of Dublin, who had trained in their workshop in London.2 Calke Abbey in Derbyshire has a rectangular Pembroke table (NT 288463), though with inlaid marquetry in a different manner, and a few notable examples of rectangular Pembroke tables on the market have also featured showpiece marquetry with tendrils and floral details that recalls the present lot.


1 T. Sheraton, The Cabinet Dictionary, New York, 1973, vol II, p.284.

2 For Mayhew and Ince, see H. Roberts and C. Cator, Industry and Ingenuity: The Partnership of William Ince and John Mayhew, London, 2022, p.399, figs.431 and 432.

For William Moore, see J. Peill and the Knight of Glin, Irish Furniture, New Haven, 2007, pp.162-167 for examples of marquetry in various forms and Christie's London, 4th July 2002, lot 17 for a rectangular Pembroke table "possibly by William Moore of Dublin".

3 see Sotheby's New York, 21st October 2005, lot 8; Sotheby's New York, 18th October 1997, lot 501 and the example pictured in Country Life, 23rd October 1969, p.1039.

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