View full screen - View 1 of Lot 650. Totoya Hokkei (1780-1850) | The complete set of A Set of Fans on Flowing Water in Five Colours (Goshiki bantsuzuki ogi nagashi) | Edo period, 19th century.

Totoya Hokkei (1780-1850) | The complete set of A Set of Fans on Flowing Water in Five Colours (Goshiki bantsuzuki ogi nagashi) | Edo period, 19th century

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June 13, 11:37 AM GMT

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Description

Totoya Hokkei (1780-1850)

The complete set of A Set of Fans on Flowing Water in Five Colours (Goshiki bantsuzuki ogi nagashi)

Edo period, 19th century


the complete set of five woodblock prints, surimono, embellished with metallic pigment and embossing, from the series A Set of Fans on Flowing Water in Five Colours (Goshiki bantsuzuki ogi nagashi), signed Hokkei, privately issued, circa 1825-26; each with collector’s seal of Gerhard Pulverer to the verso, and comprising:

 

- Blue: New Year’s Pine Decoration

- Yellow: Potted Adonis Plant

- Red: Spiny Lobster

- White: Plum Blossoms

- Black: Crow

 

Each shikishiban surimono: each approx. 20.5 x 18.4 cm., 8⅛ x 7¼ in.


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Totoya Hokkei (1780-1850), Série complète des éventails flottants sur l'eau en cinq couleurs, époque Edo, XIXe siècle

Gerhard Pulverer (b. 1930)

Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection], exhibited at the following venues: 


Matsuzakaya Department Store, Osaka, 27th December 1990 - 8th January 1991

Matsuzakaya Department Store, Ginza, 24th - 29th January 1991

Narazaki Muneshige, ed., Hizo ukiyo-e taikan, Puruvera korekushon [Ukiyo-e Masterpieces in Western Collections: The Pulverer Collection] (Tokyo, 1990), monochrome pl., nos. 61-65. 

Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection] (Tokyo, 1990), pp. 80-81, no. 2-64.

Each surimono features two fans set against a decorative flowing river motif in deep blue embossed with silver that is contiguous across all five prints in this pentaptych. The motif of floating fans derives from the Muromachi period (1392–1568).


Another complete set is illustrated in Timothy Clark, Edo no surimono: ikijintachi no okurimono, exhib. cat., (Tokyo, 1997), no. 269.

 

Two prints from the set are in the collection of the Museum of Fine Arts, Boston, accession numbers 51.35 and 37.336.