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June 13, 09:06 AM GMT
Estimate
4,000 - 6,000 EUR
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Description
Nishimura Shigenaga (1697-1756)
Chapter 24, Butterflies (Kocho)
Edo period, 18th century
woodblock print, sumizuri-e, with hand-applied colour and embellished with metallic pigment, from the series Genji in Fifty-Four Sheets (Genji gojuyonmai no uchi), signed Eishi Nishimura (Nishimura, the painter), published by Izumiya Gonshiro, circa 1735; with collector's seal of Gerhard Pulverer to verso
Horizontal hosoban: 16 x 34.2 cm., 6¼ x 13⅜ in.
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Nishimura Shigenaga (1697-1756), Chapitre Vingt-quatre, Papillons, époque Edo, XVIIIe siècle
Gerhard Pulverer (b. 1930)
Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection], exhibited at the following venues:
Matsuzakaya Department Store, Osaka, 27th December 1990 - 8th January 1991
Matsuzakaya Department Store, Ginza, 24th - 29th January 1991
Narazaki Muneshige, ed., Hizo ukiyo-e taikan, Puruvera korekushon [Ukiyo-e Masterpieces in Western Collections: The Pulverer Collection] (Tokyo, 1990), no. 9.
Doitsu Puruvera korekushon ukiyo-e hanga meihinten [Masterpieces of Ukiyo-e from the Pulverer Collection] (Tokyo, 1990), p. 25, no. 1-15.
Genji in Fifty-Four Sheets was conceived as a series of woodblock prints illustrating each chapter of the classic novel written by Lady Murasaki Shikibu during the Heian period. Each reniform (suhama), or folding fan-shaped, scene was named with a chapter title and corresponding Genji crest. The set was a collaborative work by Nishimura Shigenaga and Torii Kiyomasa II: Shigenaga designed the first twenty-six prints, Kiyomasu the remaining twenty-eight. Only twenty-three of the designs are known.
Other prints by Shigenaga in the series with suhama-form cartouches are in the collection of the Museum of Fine Arts, Boston, accession numbers 11.19133, 11.19140 and 11.19141.
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