A cinnabar lacquer cup stand, Song dynasty | 宋 朱漆盞托

A Japanese private collection.

See four related cinnabar lacquer cup stands dated to the Southern Song dynasty, illustrated in The Colors and Forms of Song and Yuan China: Featuring Lacquerwares, Ceramics, and Metalwares, Nezu Institute of Fine Arts, Tokyo, 2004, nos 154, 155, 157 and 158; one is modelled with chrysanthemum petals, one is in the form of a lotus, and the remaining two are circular. See also a related black lacquer example of this mallow form in the Los Angeles County Museum of Art, Los Angeles, published in Hai-wai yi-chen. Chinese Art in Overseas Collections. Lacquerware, Taipei, 1987, pl. 24; and a further example from the collection of Sakamoto Gorō (1923-2016), sold in these rooms, 8th October 2013, lot 149. Compare also a cup stand with a barbed rim, from the Arthur M. Sackler Gallery, Smithsonian Institution, Washington D.C., included in Monika Kopplin, ed., The Monochrome Principle, Munich, 2008, pl. 9, and another example from the Aoyama Studio Collection, sold in these rooms, 9 October 2020, lot 7.

來源

日本私人收藏

可參照四件南宋朱漆盞托實例曾展於《The Colors and Forms of Song and Yuan China: Featuring Lacquerwares, Ceramics, and Metalwares》，根津美術館，東京，2004年，編號154、155、157、158）：其一作菊花瓣式，其二為蓮瓣形制，餘兩件則為圓形樣式。

另見洛杉磯郡立美術館藏同式錦葵形黑漆例載於《海外遺珍：漆器》，台北，1987年，圖版24，以及阪本五郎舊藏一例售於香港蘇富比2013年10月8日，編號149。華盛頓史密森尼學會賽克勒美術館藏花口盞托見 Monika Kopplin 編，《The Monochrome Principle》，慕尼黑，2008年，圖版9。青山居舊藏另一例售香港蘇富比2020年10月9日，編號7。