200. Italian, Probably Ferrara, Early 16th century

Casket with reliefs of Marcus Atilius Regulus

201. Italy, Venice, late 16th or early 17th Century

A pair of candlesticks

202. Italy, Venice, late 16th Century

A ewer and basin, centered by a coat of arms

203. A near pair of gilt-bronze mounted glass ewers, Venice or Florence, late 16th-early 17th century

204. Italian or Flemish, 18th century, Neptune and a Triton

205. After Balthasar Ferdinand Moll (1717 - 1785), Austrian or Northern Italian, 19th Century

A bronze bust of Charles V (1500-1558) as Roman Emperor

206. Italy, Probably Naples

A mastiff on a cushions

207. A Sicilian marble and Spanish Broccatello, tabernacle, 18th century

208. A chalcedony glass beaker and trembleuse stand and a flask, Venice, Murano, 17th and 18th century

209. An Italian diaspro di giuliana, amethyst and alabaster frame, Rome, second half 17th century

210. An Italian scagliola and lapis lazuli ebonized frame, in 17th century Roman manner

211. A group of three Italian frames, in 17th century Roman manner

212. An Italian jasper and gilt-bronze crucifix, Sicily, 18th century

213. An Italian Sicilian red jasper and ebony frame, Rome, 17th century

214. A pair of Italian jasper, bianco e nero d’Aquitania and white marble obelisks in the Neapolitan manner

215. An Italian Sicilian red jasper, lapis lazuli octagonal ebony frame, Rome, mid-17th century

216. A carved oval agate cameo head of blackamoor, 19th century

217. A group of nine Italian pietre paesina and pietre dure panels, Florence, Grand Ducal Workshops, first half 18th century

218. A pair of Italian pietre tenere panels, probably Opificio delle Pietre Dure, Florence, late 18th century

219. A group of nine Italian pietre dure panels, Florence, 18th/19th century

220. A set of three Italian pietre dure panels, Florence, 18/19th century

221. A group of nine Italian pietre dure panels, Florence, 18th/19th century

222. A group of three Italian scagliola panels, early 18th century

223. A pair of Italian scagliola monochrome panels, after Bloemaert, 18th century

224. An Italian scagliola panel, attributed Tarsilla Vittoria Seyter, mid-18th century

225. A pair of Italian scagliola panels, attributed to Enrico Hugford, Florence, circa 1750

226. An Italian scagliola panel by Tarsilla Vittoria Seyter, Florence, 1762

227. A North Italian Rosso di Verona marble octagonal font, Veneto, 16th Century

228. Italy, Probably Venice, Veneto-Saracenic, early 16th century

229. A Venetian glass enamelled armorial ewer, early 16th century

230. A bronze doorknocker with the arms of the Pigatti family, Venice, early 17th Century

231. An Italian painted mother-of-pearl and parcel-gilt armorial casket, Venice, partly 16th century

232. A Portuguese painted armorial travel document holder, 17th century

233. An Italian parcel-gilt jug, incuse mark LC below a cross and with three other unidentified marks, probably Venice or Venetian Empire, 16th century

234. Workshop of the Pompei family - Castelli, circa 1574 - 1589, Two plates with arms of Cardinal Alessandro Farnese

235. Plate in painted maiolica, Italian, probably workshop of the Pompei family, Castelli, early 17th century

236. A Castelli maiolica ewer, probably workshop of the Pompei Family, late 16th-early 17th century

237. A pair of Italian maiolica busts of Isabella and Ippolito d'Este, Minghetti factory, Bologna, last quarter of the 19th century

238. An Italian armorial tapestry, Grand-Ducal Workshops, Florence, with the Medici coat-of-arms, mid-17th century

239. Probably German, late 17th - early 18th Century, Two oval busts silhouettes depicting Giangastone de' Medici, Grand Prince of Tuscani (1671 - 1737), and Anna Maria Luisa de' Medici, Electress Palatine (1667 - 1743)

240. An Italian polychrome painted and giltwood Medici armorial triple stool, Florence, last quarter of the 16th century

241. Pietro Marchetti (1766 - 1846), Italy, late 18th - early 19th Century, Bust of Sébastien Le Prestre, Marquis de Vauban (1633 - 1707)

242. A pair of Italian gilt-bronze armorial pricket candlesticks, Rome, signed Joannes Maria Riminaldus and dated 1766

243. A pair of Doccia porcelain blue-ground portrait medallions, circa 1751-57

244. An Italian armorial silver tray, assay’s mark of Nicola Alvino, Naples, 1745-1751

245. An oval engraved mother-of-pearl plaque, 17th century, probably Venice and a possibly Italian gold binding, Venice, circa 1760, maker’s mark PM

246. An Italian parcel-gilt and painted wood frame, Emilia-Romagna, early 18th century

247. Two Roman carved and giltwood figures after Bernini, 18th century