View full screen - View 1 of Lot 507. A Rectangular Two-Color Gold and Ivory Portrait Presentation Snuff Box, John Northam, London, 1807.

A Rectangular Two-Color Gold and Ivory Portrait Presentation Snuff Box, John Northam, London, 1807

Auction Closed

October 16, 06:35 PM GMT

Estimate

8,000 - 12,000 USD

Lot Details

Description

rectangular, the lid later set with a circular portrait miniature of Margaret Power, Countess of Blessington (1789-1849), after Sir Thomas Lawrence, painted on ivory, in a rose gold locket frame, surrounded by scrolling foliage on a sablé ground, within chased yellow gold borders, the base and sides similarly decorated, fully hallmarked 


Length 3 ¼ in.

8.4 cm


This lot contains ivory. Commercial trade in ivory is regulated by multiple governments and international organizations around the world, including through prohibitions, restrictions, and individual circumstances and the relevant auction / sale. Sotheby's therefore recommends that, before taking any action in relation to a potential purchase or handling of an ivory item, buyers obtain advice on the regimes and requirements applicable to them. Sotheby's will also not conduct any applications for buyers for exemption certificates, CITES licenses, registrations, or similar that may be required, including renewal or update of the same, or arrange or import or export permits needed for international shipping. A buyer's inability or delay to obtain necessary documentation, or lawfully arrange the export or import of the lot will not justify sale cancellation or a delay in payment.

John Northam registered his mark in 1793 and was active between then and 1835. He worked primarily as an outworker for the royal goldsmiths Rundell, Bridge and Rundell, and also did repairs for Wakelin and Garrard, for whom he supplied boxes and carried out numerous repairs between 1793 and 1808 (see Charles Truman, The Gilbert Collection of Gold Boxes, Los Angeles, 1991, 337). English goldsmithing of this period was characterised by richly chased varicoloured-gold decoration. In fact, Charles Truman comments that pieces produced by John Northam and Alexander James Strachan in this period, ‘display a confidence of both form and ornament hitherto unattained by English goldsmiths’ (Truman, p. 275).