201. Giulio Benso

The Finding of Moses

202. Carlo Maratti

The Madonna and Child Appearing to Saints Ambrosius, Francis of Sales and Nicholas of Bari

203. Jacopo Negretti, called Palma Giovane

Pentecost

204. Francesco Maffei

Recto: Studies of a kneeling man Verso: Study of a standing man and subsidiary study of a kneeling figure

205. Jacopino del Conte

Saint Catherine of Alexandria

206. Master of the Annunciation to the Shepherds

Meeting of Jacob and Rachel

207. Jacopo Negretti, called Palma Giovane

Martyrdom of Saint Lawrence

208. Biagio Pupini, called Biagio dalle Lame

The scourging of a male Saint 

209. Cornelis Cornelisz. van Haarlem

Studies of a Reclining Woman and Two Seated Couples

210. Pietro Buonaccorsi, called Perino del Vaga

Double-Sided Sheet of Studies: Recto: Studies of men on horseback and in combat, Hector's corpse dragged by Achilles's chariot, dogs and horses, with subsidiary studies of horses legs and the right leg and buttock of a man Verso: Studies of horses

211. Giulio Cesare Procaccini

Recto: A sheet of studies of standing, seated and reclining figures and the Madonna and Child seated Verso: Saint Margaret and other figures 

212. Ciro Ferri

Recto: Julius Caesar preferring his Agrarian Law Verso: A partial male figure study and a study of a kneeling child with clasped hands

213. Salvator Rosa

Two Anchorites in a rocky landscape

214. Jacopo Amigoni

Ecstasy of Saint Teresa

215. Gioacchino Assereto

Death of Saint Joseph

216. Bernardo Strozzi

The Head of Christ in Profile to the Right

217. Bernardo Castello

Christ Healing the Centurion's Servant

218. Paolo Farinati

Galatea

219. Attributed to Francesco Torbido, called Il Moro

Adoration of the Shepherds

220. Alessandro Turchi, called l'Orbetto

The Entombment with Angels

221. Pietro Torrigiani

Virgin and Child (Virgo Lactans)

222. Italian, Venice, 17th century or later, In Renaissance Style

Pair of Figural Andirons

223. A Rare German Silver-Gilt Tazza, Maker’s Mark a Stylized Arrow Flanked by Pellets (Rosenberg 3, no. 4771), Ulm, circa 1590

224. A Dutch Baroque Ebony and Rosewood Kussenkast, Third Quarter 17th Century

225. A William and Mary Oyster-Veneered Olivewood, Walnut and Fruitwood Marquetry Chest of Drawers, Circa 1690

226. A William and Mary Oyster-Veneered Olivewood, Walnut, Ebony, Bone and Fruitwood Marquetry Chest of Drawers, Circa 1690

227. Luca Giordano

Calling of Saints Peter and Andrew

228. Giovanni Francesco Barbieri, called Guercino

Saint Mary Magdalene

229. Guido Reni

Lucretia

230. Pietro Berrettini, called Pietro da Cortona

Christ on the Cross

231. Giovanni Francesco Barbieri, called Guercino

A Man Wearing a Turban in Profile to the Left, Raising His Left Hand, Bust-Length

232. Giuseppe Cesari, called Cavaliere d'Arpino

Recto: The Assumption of the Magdalene Verso: Studies of a Soldier and Two Nudes Resting

233. Roman School, early 17th century

Study of a Male Nude

234. Jacopo Negretti, called Palma Giovane

Saint Sebastian

235. Biagio Pupini, called Biagio dalle Lame

Mystic Marriage of Saint Catherine of Alexandria

236. Bolognese or Roman School, 17th century

Head Study of a Bearded Man

237. Guido Reni

Bearded Male Saint Reading

238. Italian, 18th century, After the Antique

Laocoön and His Sons

239. Italian or French, mid-17th century, Cast After a Model by Alessandro Algardi

Bust of Jupiter

240. Jacopo da Ponte, called Jacopo Bassano, and Workshop

Saint John the Baptist in the Wilderness

241. A William and Mary Oyster-Veneered Walnut, Olivewood, Ebony, Fruitwood, Ivory and Green-Stained Bone Marquetry Cabinet on Stand, Circa 1690

242. A Dutch Rococo Figured Walnut and Ash Inlaid Bureau Cabinet, Circa 1740

243. A Pair of Dutch Delft Blue and White Chinoiserie Two-Handled Reticulated Strawberry Dishes and Stands, Mid-18th Century

244. A Dutch Delft Blue and White Large Rectangular Plaque, 'Abraham Kneeling before the Three Angels', Late 18th/19th Century

245. Giovanni Battista Franco, called Semolei

Sermon of Saint John the Baptist

246. Luca Giordano

The Calling of St. Peter and St. Andrew

247. Giovanni Battista Beinaschi

Standing Male Nude seen from Behind

248. Ubaldo Gandolfi

Design for a Fountain with Two Satyrs and a Nymph