Old Master & 19th Century Paintings
Old Master & 19th Century Paintings
Property from Ollerton Grange: an Interior by Robert Kime
Portrait of a gentleman, three-quarter-length, traditionally identified as Robert Boyle (1627–1691)
No reserve
Lot Closed
April 10, 11:40 AM GMT
Estimate
5,000 - 7,000 GBP
Lot Details
Description
Property from Ollerton Grange: an Interior by Robert Kime
Circle of Sir Peter Lely
Portrait of a gentleman, three-quarter-length, traditionally identified as Robert Boyle (1627–1691)
oil on canvas
unframed: 126.3 x 101.4 cm.; 49¾ x 39⅞ in.
framed: 145 x 119.7 cm.; 57⅛ x 47⅛ in.
Possibly by descent to the sitter's sister, Dorothy Boyle (1617–1668), wife of Sir Arthur Loftus;
Possibly by descent to her great-granddaughter Jane, Baroness Wharton, wife of Robert Coke, who left her estate to Anna Maria Draycott (c. 1736–1787), wife of George, 2nd Earl of Pomfret;
Thence by family descent at Easton Neston, Northamptonshire;
Their sale ('Easton Neston'), on the premises, Sotheby's, 17 May 2005, lot 156 (as circle of Sir Peter Lely), for £10,800;
Where acquired by the present owner.
This portrait has by tradition been thought to be a likeness of the famous Irish-born scientist Robert Boyle (1627–1691). It relates to another painting of Boyle by Sir Peter Lely, presumed to be the prime version from which this example was based, a work sold from the collections of the Earls of Cork and Orrey in 1951.1 Although the identification was supported through its provenance in the Boyle family, its connection with him has been questioned in recent times on the grounds of a lack of similarity with other accepted portraits of the celebrated scientific figure.2
Note on Provenance
When sold from the collections at Easton Neston, Northamptonshire, it was suggested that the painting may have descended with Boyle's sister Dorothy (1617–1668), who married Sir Arthur Loftus (d. 1665). If this is correct, the painting would later have been inherited by Anna Maria Draycott (c. 1736–1787), 2nd Countess of Pomfret, and later descended with her heirs until offered for sale in 2005 (see Provenance).
1 Oil on canvas, 48 x 37½ in. Christie's, 4 May 1951, lot 113.
2 For a period engraving of Boyle, made around the time of this portrait, see William Faithorne, Robert Boyle, line engraving, 1664. The National Portrait Gallery, London. https://www.npg.org.uk/collections/search/portrait/mw116009/Robert-Boyle?LinkID=mp00522&role=sit&rNo=2
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