Claude Monet

Boussod, Valadon et Cie., Paris (acquired directly from the artist on 4 June 1888)

Paul Aubry, Paris (acquired from the above on 14 June 1888)

Galerie Georges Petit, Paris, 10 May 1897, lot 19 (consigned by the above)

Galerie Durand-Ruel, Paris and New York (acquired at the above sale)

William H. Fuller, New York (acquired from the above on 22 July 1897)

The American Art Association, New York, 12-13 March 1903, lot 149 (consigned by the estate of the above)

George Augustus Dowden, Newark (acquired at the above sale and until circa 1915)

Pedro Valenilla de Echeverría, Caracas (acquired by 1957)

Wildenstein & Co. Inc., New York (acquired from the above in May 1962)

Florence J. Gould, Juan-les-Pins (acquired from the above in November 1962)

Sotheby's, New York, 24 April 1985, lot 41 (consigned by the estate of the above)

Private Collection, Japan (acquired at the above sale)

Yasuji Hatano, Tokyo (acquired by 1997)

Christie’s, New York, 12 May 1999, lot 32

Private Collection, United States (acquired at the above sale)

Sotheby's, London, 3 February 2015, lot 8 (consigned by the estate of the above)

Acquired at the above sale by the present owner

Gustave Geffroy, “Dix Tableaux de Claude Monet,” La Justice, 17 June 1888, p. 1

Eaque [Paul Robert], “Claude Monet,” Le Journal des Arts, 6 July 1888

(possibly) Alphonse de Calonne, “L'art contre nature,” Supplement to Le Soleil, 23 June 1889, no. 102 (review of 1989 Galerie Georges Petit exhibition)

Gustave Geffroy, “Histoire de l’Impressionnisme,” La Vie artistique, no. 3, vol. II, Paris, 1894, p. 79

William H. Fuller, Claude Monet and His Paintings, New York, 1899, no. 17, pp. 17-18

“W. H. Fuller's Monets Sold,” The Sun, 14 March 1903, vol. LXX, no. 195, p. 2 

“Some Recent Art Sales,” Brush & Pencil, vol. 12, no. 1, April 1903, p. 75 (titled Dawn at Antibes)

Gustave Geffroy, Claude Monet: Sa vie, son temps, son oeuvre, Paris, 1922, pp. 278-90

Gaston Diehl, El Arte Moderno Frances en Caracas, 1957, no. 6, p. 16, illustrated (titled Antibes)

Daniel Wildenstein, Monet, Impressions, Lausanne, 1967, p. 49, illustrated in color

Denis Rouart and Jean-Dominique Rey, Monet Nymphéas ou les miroirs du temps, Paris, 1972, p. 49

Luigina Rossi Bortolatto, L'Opera completa di Claude Monet, 1870-1889, Milan, 1972, no. 322, p. 109, illustrated  

John Rewald, “Theo van Gogh, Goupil and the Impressionists,” Gazette des Beaux-Arts, vol. LXXXI, nos. 1248-1249, January-February 1973, p. 25, illustrated; Appendix I

Daniel Wildenstein, Claude Monet, Biographie et Catalogue raisonné, vol. III, Lausanne and Paris, 1979, no. 1167, p. 5, note 653; p. 7; p. 80, note 1413, letter no. 1392; pièce justificative, no. 116; p. 102; p. 103, illustrated

John House, Monet: Nature into Art, New Haven and London, 1986, p. 187, illustrated

Exh. Cat., Paris, Musée Rodin, Claude Monet—Auguste Rodin, Centenaire de l'exposition de 1889, 1989-90, p. 56; p. 91, illustrated

Richard Kendall, ed., Monet by Himself, Paintings, drawings, pastels, letters, Boston, Toronto and London, 1990, pl. 163, illustrated in color

Daniel Wildenstein, Claude Monet, Catalogue raisonné, vol. V, Lausanne, 1991, no. 1167, p. 46

Paul Hayes Tucker, Claude Monet, Life and Art, New Haven and London, 1995, no. 150, p. 132, illustrated in color

Daniel Wildenstein, Claude Monet, Catalogue raisonné, vol. III, Cologne, 1996, no. 1167, p. 443-44 (W. 1169 illustrated incorrectly in place of W. 1167)

Christiane Eluère, Monet et la Riviera, Paris, 2006, no. 96, p. 128, illustrated in color 

Paris, Galerie Boussod, Valadon et Cie., Dix marines d'Antibes de M. Claude Monet, 1888

(possibly) Paris, Galerie Georges Petit, Monet-Rodin, 1889, no. 102 (titled Antibes, vue de la Salice)

New York, Lotos Club, Pictures by Claude Monet, 1899, no. 17 (titled Morning at Antibes)

Pittsburgh, Carnegie Institute, Loan Exhibition of Paintings at the Carnegie Institute, 1902-03, no. 112 (titled Dawn at Antibes)

New York, Wildenstein & Co., A Loan Exhibition of Paintings by Claude Monet 1840-1926, 1945, no. 54, p. 47 (titled Vue d'Antibes, Le Matin) 

Caracas, Sala de Exposiciones Fundacion Eugenio Mendoza, Cien Años de Pintura Moderna 1840-1940, Muestra de Pintura Moderna de las Colecciones Particulares de Caracas, 1957, no. 5, p. 9, illustrated (titled Antibes)

Paris, Galerie Durand-Ruel, Exposition Claude Monet, 1970, no. 36, pl. 36, illustrated

Tokyo, Seibu Museum of Art; Kyoto Municipal Museum and Fukuoka, Cultural Center, Claude Monet, 1973, no. 49, illustrated

Paris, Grand Palais, Hommage à Claude Monet (1840-1926), 1980, no. 95, pp. 275-77; p. 276, illustrated

Fort Worth, Kimbell Art Museum and Brooklyn Museum of Art, Monet and the Mediterranean, 1997-98, no. 54, p. 127, illustrated in color

Basel, Fondation Beyeler, Monet. Light, Shadow, and Reflection, 2017, n.n., p. 103, illustrated in color

London, National Gallery, Monet & Architecture, 2018, no. 68, p. 77, illustrated in color

Denver Art Museum and Potsdam, Museum Barberini, Claude Monet: The Truth of Nature, 2019-20, no. 109, p. 227, illustrated in color