August Strindberg

Adolf Paul, Finland (acquired from the artist)

Sven Strindberg, Helsinki (acquired by 1914)

Ivar Kreuger, Stockholm

Svensk-Franska Konstgalleriet, Stockholm, Collection Ivar Kreuger, 14 September 1932, lot 9 (as Röd svamp vid havet)

Signe Lindström, Stockholm (acquired by 1949)

Göran Carlbom, Stockholm (acquired by 1974)

Private Collection (acquired from the above)

Bukowskis, Stockholm, 24 April 1990, lot 264 (consigned by the above)

Acquired from the above by the present owner

Torsten Måtte Schmidt, ed., Strindbergs Måleri, Malmö, 1972, no. 54, pp. 341-342, pl. VI, illustrated in colour

Lars Dahlbäck, Strindbergs Hemsöborna: en monografi, Stockholm, 1974, p. 336

Philippe Roberts-Jones, Beyond Time and Place: Non-Realist Painting in the Nineteenth Century, Oxford, 1978, no. 153, p. 150, illustrated

Olof Lagercrantz, August Strindberg, Stockholm, 1979, illustrated in colour on the dust jacket

Angelika Gundlach, ed., Der andere Strindberg: Materialien zu Malerei, Photographie und Theaterpraxis, Insel Verlag, 1981, pp. 225 and 335, pl. 62, illustrated in colour

Reidar Dittmann, Eros and Psyche: Strindberg and Munch in the 1890s, Essex, 1982, p. 99

Tony Godfrey, "Artscribe International", November/December 1986, pp. 73-74, illustrated in colour

Douglas Feuk, August Strindberg: Inferno Painting Pictures of Paradise, Copenhagen, 1991, pp. 48-49, illustrated in colour

Göran Hellström and Carl-Gustaf Petersén, Det stora konstspelet-Hur 80-talets gyllene konstmarknad förvandlades till trauma pa 90-talet, 1992, pp. 47, 196-197, 202, 204-206 and 271

Catherine C. Fraser, Ensam och Allén: ord och bild hos Strindberg, Stockholm, 1994, p. 54, illustrated in colour

Harry G. Carlson, Out of Inferno: Strindberg’s Reawakening as an Artist, Seattle and London, 1996, pp. 169-170, pl. 1, illustrated in colour

Grischka Petri, Der Bildprozess bei August Strindberg, Cologne, 1999, p. 68-71, 224 and 241, illustrated in colour (a letter from Strindberg to Frida Uhl written on 4 July 1893 mentions the sale of the painting Der einsame Giftpilz to a Finnish man for 100 Marks)

Thomas Parsons and Iain Gale, Post-Impressionism: The Rise of Modern Art, 1880-1920, 1999, Toronto, nos. 326 and 328, illustrated in colour

Ulrike Jekutsch and Walter Kroll, eds., Slawische Literaturen im Dialog: Festschrift für Reinhard Lauer zum 65. Geburtstag, Wiesbaden, 2000, pp. 507-508 and 518, illustrated (according to which the painting was a gift from the artist to his fiancée Frida Uhl)

Exh. Cat., Stockholm, Nationalmuseum, August Strindberg (1849-1912) Painter and Photographer, 2001, no. 33, p. 47, illustrated in colour

Exh. Cat., London, Tate Modern, August Strindberg, Painter, Photographer, Writer, 2005, p. 19, illustrated in colour

Pedro Westerdahl, Året Utställning: Strindberg på Bukowskis, "Bukowskis Revue", no. 34, February 2012, p. 13, illustrated in colour

Michael Robinson, Studies in Strindberg, London, 2013, p. 29

Jonathan Schroeder, Anna Westerstahl Stenport and Eszter Szalczer, eds., August Strindberg and Visual Culture: The Emergence of Optical Modernity in Image, Text and Theatre, London, 2018, pp. 29 and 40-42, illustrated in colour

Arnold Weinstein, Northern Arts: The Breakthrough of Scandinavian Literature and Art from Ibsen to Bergman, Princeton and Oxford, 2021, pp. 446-447, pl. 5.1, illustrated

Stockholm, Nationalmuseum; Rådhuset Örebro; Örebro Centralbibliotek and Lunds Universitets Konstmuseum, Strindberg som målare och modell, 1949, no. 32 (lent by Signe Lindström)

Stockholm, Galleri Observatorium, August Strindberg. Oljemålning, 1960, no. 12

Ulm, Kunstverein Ulm; Paris, Musée National d'Art Moderne; Bruges, Provinciaal Hof; London, British Museum; Marburg, Universitätsmuseum für Kunst und Kulturgeschichte and Humlebæk, Louisiana, August Strindberg, 1962-63, no. 7

Oslo, Kunstforening; Gothenburg, Konstmuseum; Stockholm, Moderna Museet and Lund, Krognoshuset, August Strindberg 1849-1912, 1963, nos. 6, 7, 11, pp. 6 and 11, illustrated (Oslo) (lent by Signe Lindström)

Stockholm, Nationalmuseum, Goethe, Hugo, Strindberg - diktare, bildkonstnärer, 1974, no. 183, p. 24, illustrated in colour (lent by Göran Carlbom)

Oslo, Munch Museum, Strindberg Maler, 1976-77, no. 14

Stockholm, Prins Eugen Waldemarsudde, Landskap, 1977, no. 77

Linz, Burgmuseum Clam, Strindberg-Ausstellung, 1978

Düsseldorf, Kunstmuseum; Munich, Lenbachhaus; Berlin, Akademie der bildenden Künste and Stockholm, Kulturhuset, Der andere Strindberg, 1981

London, The Hayward Gallery; Düsseldorf, Kunstmuseum; Paris, Musée du Petit Palais and Oslo, Nasjonalmuseet, In the Light of the North: Scandinavian Paintings at the Turn of the Century, 1986-87, pp. 266-267, illustrated (London); no. 92, pp. 266-268, illustrated (Düsseldorf); pp. 324-325, illustrated (Paris); no. 114, pp. 324-325, illustrated (Oslo)

Malmö, Konsthall, August Strindberg: Underlandet, 1989-90, no. 54, pp. 120-121, illustrated in colour

Stockholm, Bukowskis, Strindberg på Bukowskis, 2012