665 Dante, Le terze rime, Venice, Aldo, 1502, nineteenth-century citron morocco, the Clark copy

666 Dante, Le terze rime, Venice, Aldo, 1502, Venetian brown morocco, probably by the Mendoza Binder, 1530s

667 Dante, Le terze rime, Venice, Aldo, 1502, printed on vellum, second issue with the Aldine device

668 Dante, Le terze rime, Venice, Aldo, 1502, illuminated, contemporary Bolognese morocco binding

669 Dante, Le terze rime, [Lyon, 1502-1503?], a near-immediate Lyonese counterfeit of the 1502 Aldine edition

670 Dante, Le terze rime, [Lyon, 1502-1503?], a luxury Lyonese counterfeit of the 1502 Aldine edition, printed on vellum

671 Dante, Dante col sito, Venice, Heirs of Aldo & Torresano, 1515, French dark green morocco, early 1540s

672 Dante, Dante col sito, et forma dell'Inferno, Venice, Aldo, 1515, contemporary Italian morocco gilt

673 Delfino, mathematici praestantissimi, [Venice], Accademia Veneziana, 1559, modern dark brown morocco

674 Della Casa, Rime, et prose, Venice, Bevilacqua for Gimini, 1558, half calf

675 Della Casa, Rime, et prose, Venice, Bevilacqua, 1558, contemporary Venetian russet morocco by the Fugger binder

676 Demosthenes, Logoi, duo kai exekonta, Venice, Aldo, 1504, Editio princeps in contemporary roll-panelled English calf

677 Demosthenes, Logoi, duo kai exekonta, Venice, Aldo, 1504 [but ca. 1520-1527], contemporary Italian light brown goatskin morocco alla greca

678 Demosthenes, Orationes, Venice, Sons of Aldo, 1549, early limp vellum, first Aldine edition

679 Demosthenes, Orationes, Venice, Sons of Aldo, 1551, late eighteenth-century English calf, from the Bibliotheca Sussexiana

680 Demosthenes, Logon, Venice, Paulo Manuzio, 1554, nineteenth-century vellum

681 Demosthenes, Oratione, Venice, Paolo Manuzio, 1555, nineteenth-century English green morocco by Storr of Grantham

682 Demosthenes, Cinque orationi, Venice, [Paolo Manuzio], 1557, late eighteenth-century long-grain red morocco

683 Didymus Chalcenterus, Scholia, Venice, Heirs of Aldo & Torresano, 1521, French straight-grained red morocco by Badiejoux

684 Didymus Chalcenterus, Scholia, Venice, Heirs of Aldo & Torresano, 1521, Bolognese brown morocco, ca. 1530s, by binder of German students

685 Dio Cassius, Vitae Caesarum, Venice, house of Aldo Manuzio & Andrea Torresano, 1519, contemporary Italian morocco

686 Dio Cassius, Neruae et Traiani, Venice, house of Aldo Manuzio & Andrea Torresano, 1519, French brown morocco by Claude Picques

687 Dio Cassius, Vitae Caesarum, Venice, house of Aldo Manuzio & Andrea Torresano, 1519, contemporary Bolognese morocco gilt by S. Salvatore binder

688 Dio Chrysostomus, Logoi 80, Venice, Torresano, 1551, nineteenth-century vellum, armorial stamp of Henri Eugène Philippe Louis d'Orléans, duc d'Aumale

689 Dionysius Halicarnassensis, De Thucydidis, Venice, Paolo Manuzio, 1560, eighteenth-century vellum, presentation inscription to András Dudith von Horehowicza

690 Dionysius Periegetes, De situ habitabilis orbis, Venice, Imperatore, 1543, late nineteenth/early twentieth century vellum

691 Dioscorides, Venice, Heirs of Aldo & Torresano, 1518, nineteenth-century red long-grain morocco

692 Dolce, Didone, Venice, Sons of Aldo, 1547, late eighteenth-century French citron morocco, Renouard's copy

693 Dolce, Didone, Venice, Sons of Aldo, 1547, early nineteenth-century vellum

694 Dolce, Fabritia, Venice, Heirs of Aldo, 1549, nineteenth-century English red morocco, Syston Park copy

695 Dolce, Giocasta, Venice, Heirs of Aldo, 1549, early limp vellum

696 Egnazio, De Caesaribus, Venice, Heirs of Aldo & Torresano, 1516, contemporary German pigskin

697 Egnazio, De Caesaribus, Venice, Heirs of Aldo & Torresano, 1516, contemporary French calf

698 Egnazio, De exemplis, Paris, Ménier for Torresano, 1554, contemporary limp vellum

699 Emiliano, Encomiastica, Venice, Aldo, 1504, late nineteenth-early twentieth-century limp vellum

700 Epistolae diversorum philosophorum, Venice, Aldo, 1499, eighteenth-century half vellum

701 Erasmus, Adagiorum, Venice, Aldo, 1508, seventeenth-century brown calf

702 Erasmus, Opusculum, Venice, Heirs of Aldo & Torresano, 1515, contemporary Roman green goatskin

703 Erasmus, Pacis querela, Venice, Heirs of Aldo & Torresano, 1518, contemporary vellum

704 Erasmus, Adagiorum, Venice, Heirs of Aldo & Torresano, 1520, Parisian brown morocco by Picard for Grolier

705 Erasmus, Adagia, Venice, Compagnia degli Uniti, 1585, contemporary limp vellum

706 Estienne, Agricoltura nuova, Venice, Aldo II, 1591, early limp vellum

707 [Etymologicum Magnum], Mega etymologikon, Venice, Torresano, 1549, nineteenth-century brown diced calf

708 Euripides, Tragodiai, Venice, Aldo, 1503, German sixteenth-century blind-tooled pigskin by Thomas Kruger of Wittenberg

709 Euripides, Tragodiai, Venice, Aldo, 1503, printed on vellum

710 Euripides, Tragodiai, Venice, Aldo, 1503, Roman black morocco, ca. 1540, by the Torres binder, L.T. to lower cover

711 Euripides, Tragodiai, Venice, Aldo, 1503, early Venetian marbled morocco

712 Euripides, Tragodiai, Venice, Aldo, 1503, printed on vellum, the Powis-Doheny copy