
PROPERTY FROM AN IMPORTANT EUROPEAN PRIVATE COLLECTION | 歐洲私人收藏
Lot Closed
December 12, 10:51 AM GMT
Estimate
4,000 - 6,000 EUR
We may charge or debit your saved payment method subject to the terms set out in our Conditions of Business for Buyers.
Read more.Lot Details
Description
Property from an Important European Private Collection
A gilt-copper repoussé figure of a deer
Inner Mongolia, 18th century
Length 24.5 cm, 9⅝ in.
__________________________________________________________________________
Collection particulière européenne
Statuette de daim en cuivre doré repoussé, Mongolie intérieure, XVIIIe siècle
__________________________________________________________________________
歐洲私人收藏
內蒙古 十八世紀 鎏金銅捶揲臥鹿
The male deer with a single horn, his head raised and forelegs folded, kneeling in obeisance on a lotus pedestal. Deer (mriga) worshipping a wheel of the law (dharmachakra) is one of the earliest emblems of Buddhism. The deer symbolise the First Sermon given by the historical Buddha shortly after he attained enlightenment at the vajrasana site in Bodh Gaya. The Buddha is believed to have taught the Four Noble Truths to disciples gathered in the deer park (mrigadawa) at Sarnath. The deer are said to have been attracted by the Buddha’s serene presence and joined the disciples. The male and female deer together symbolise harmony and fidelity, and in Chinese mythology are symbols of longevity. Gilt copper deer flanking a dharmachakra wheel are often placed on altars or monastery roofs in Tibet, Mongolia and China, such as those above the gates of the Jokhang, Lhasa, see Giuseppe Tucci, Tibet: Land of Snows, Calcutta, Bombay, New Delhi, 1967, p. 62, pl. 24. Gilt copper deer are often depicted in a recumbent posture with all four legs folded beneath the bodies, such as the pair sold in these rooms, 16th December 2010, lot 85, while those kneeling with only their front legs folded, like the present example, are rare, cf. the similar kneeling posture of a gilt copper single-horned male deer from the collection of Eduard von der Heydt in Museum Rietberg, see Blanche Christine Olschak, Mystic Art of Ancient Tibet, Boston & London, 1987, p. 56.
You May Also Like