Richard Lindner

Cordier & Ekstrom, New York

Harry N. Abrams, New York (acquired from the above)

Acquired by descent from the above by the present owner

John Gruen, “Richard Lindner’s Nightmare Women,” World Journal Tribune, 15 January 1967, p. 26, illustrated 

Rolf-Gunter Dienst, “Ausstellungen in New York. Richard Lindner (Galerie Cordier & Ekstrom),” Das Kunstwerk, February - March 1967, 20, nos. 5 and 6, p. 25

Dore Ashton, “It’s a big country,” Studio International, 173, no. 887, March 1967, p. 153, illustrated

Anon., “Malerei. Lindner: Mutters Rätsel,” Der Spiegel, vol. 22, no. 44, 28 October 1968, p. 172, illustrated

Hjorvardur Harvard Arnason, History of Modern Art: Painting, Sculpture, Architecture, London 1969, pl. 235, p. 578, illustrated in color

Anon., “Rummel mit Robotern, Der Spiegel, vol. 23, no. 10, 3 March 1969, p. 139, illustrated in color

Thomas Albright, “Pop People In a Plastic World,” San Francisco Chronicle, 22 June 1969, p. 30, illustrated 

Anon., “Warum Richard Lindner Maschinen-Frauen malt,” Twen, vol. 11, no. 6, June 1969, pp. 73-74, illustrated in color

Dore Ashton, Richard Lindner, New York 1970, pl. 158, illustrated in color 

Rolf-Gunter Dienst, Modern Painters: Richard Lindner, New York 1970, p. XIX

Christopher Finch, "Harry N. Abrams Collects," Auction, October 1970, vol. IV, no. 2, p. 38

Edmund Burke Feldman, Varieties of Visual Experience: Art as Image and Idea, New York 1972, p. 191, illustrated in color

Sam Hunter, American Art of the 20th Century, New York 1972, fig. 576, illustrated in color

Jean-Hubert and Marielle Tabart, “Informations diverses. Musée National d’Art Moderne: Richard Lindner,” La revue du Louvre et des musées de France, vol. 23, 1973, p. 406 

Hilton Kramer, “Lindner’s Ladies,” Playboy, vol. 20, March 1973, p. 98, illustrated in color

Jean-Françoise Lyotard, “Le corps vénal: Les filles machines folles de Lindner,” L’art vivant, July 1973, no. 41, p. 8, illustrated (detail)

Sam Hunter and John Jacobus, American Art of the 20th Century, fig. 681, New York 1973, illustrated in color

Werner Spies, “Der Totentanz der Erinnerung. Richard Lindner und das Exil : Austerllung im Pariser Musée National d’Arte Moderne,” Frankfurter Allgemeine Zeitung, 31 January 1974, p. 28, illustrated

Anon., "Lindner,” Bulletin Museum Boymans-van Beuningen Rotterdam, no. 10, April 1974, p. 75, illustrated

Françoise de Gruson, “Richard Lindner: De la contiguité des corps,” Clés pour les arts, May 1974, no. 43, p. 19, illustrated 

Axel Hecht, “Richard Lindner: Ein deutscher Maler wurde mit aggressiven Großstadt-Bildern aus New York berühmt,” Stern, 27, no. 34, 6-12 June 1974, p. 42, illustrated in color

Exh. Cat., Kunsthalle Bern, Les Machines célibataires, July - August 1975, p. 213

Hilton Kramer, Richard Lindner, Boston 1975, p. 33, illustrated in color

Frank Kusán, “Venus I vinyl,” Paletten, 4, 1976, p. 32, illustrated 

Sam Hunter and John Jacobus, Modern Art from Post-Impressionism to the Present: Painting, Sculpture, and Architecture, New York 1976, fig., 444, illustrated in color

Hjorvardur Harvard Arnason, History of Modern Art, New York 1977, pl. 248, p. 625, illustrated in color

Larry Rivers, “A Send-off for Richard Lindner, 66,” Art in America, November - December 1978, no. 6, p. 150

Gilbert Lascault, “Information About Planet Lindner,” Homage to Richard Lindner: Special Issue of the XXe Siècle Review, New York 1980, pp. 52-53 and p. 58, illustrated

Maiten Bouisset, “Biographical Notes on Richard Lindner,” Homage to Richard Lindner: Special Issue of the XXe Siècle Review, New York 1980, p. 127

Exh. Cat., Kunsthalle Nürnberg; Wiesbaden, Nassauischer Kunstverein; Kulturhaus Graz; Rupertinum Salzburg; Kunstverein Heilbronn, Kunsthalle in der Harmonie, Richard Lindner, December 1986 - August 1988, p. 14

Peter Gorsen, Sexualästhetik: Grenzformen der Sinnlichkeit im 20. Jahrhundert, Reinbek 1987, pp. 262, 268, 271, 273, 276

Marina Schneede, “Richard Lindner (1901-1978). ‘Das Treffen’ (1953),” 100 Meisterwerke aus den großen Museen der Welt, Cologne 1988, p. 225, illustrated in color

Paul Richard, ‘A Fool for Full Figures: Richard Lindner’s Obsessive Secret,” Washington Post, 20 October 1996, p. G 13, illustrated

Mario Naves, “Richard Lindner: A New Yorker in Washington,” The New Criterion, vol. 15, no. 5, January 1997, p. 49

Werner Spies, “Hitler, Kafka und das Korsett – Spiel mit dem Geheimnis: Der Maler Richard Lindner,” Frankfurter Allgemeine Zeitung, 11 January 1997, n.p., illustrated 

Annette Lettau, “Grelle Schaubude – Wiederentdeckt: die poppigen Großstadtikonen Richard Lindners,” Focus, no. 8, 17 February 1997, p. 124

Alfred Welti, “Im Wartezimmer des Lebens,” Art. Das Kunstmagazin, no. 3, March 1997, p. 22, illustrated in color

Werner Spies, ed., Richard Lindner: Catalogue Raisonné of Paintings, Watercolors, and Drawings, New York 1999, no. 84, p. 83, illustrated

New York, Cordier & Ekstrom, Richard Lindner, January - February 1967

Sao Paolo Biennial, United States of America/ Estados Unidos da America, IX Biennial of the Museum of Modern Art, September 1967 - January 1968, no. 22

Städtisches Museum Leverkusen; Staatliche Kunsthalle Baden-Baden, Richard Lindner, October 1968 - March 1969, no. 67

Hanover, Kestner-Gesellschaft; Berlin, Haus am Waldsee; Richard Lindner, December 1968 - May 1969, no. 137, p. 75, illustrated in color 

Berkley, University Art Museum, University of California; Minneapolis, Walker Art Center, Lindner, June - August 1969, no. 77, p. 31, illustrated in color

Paris, Centre Georges Pompidou; Rotterdam, Museum Boymans-van-Beuningen, Kunsthalle Düsseldorf, Kunsthaus Zurich; Vienna, Museum des 20. Jahrhunderts; Kunsthalle Nuremberg, Richard Lindner, January 1974 - February 1975, no. 29, n.p., illustrated in color

Ridgefield, The Aldrich Museum of Contemporary Art, Fall 1977: Contemporary Collectors, September - December 1977

St. Paul de Vence, Fondation Maeght; Liège, Musée Saint-Georges, Richard Lindner, May - October 1979, no. 21, p. 77, illustrated

Fort Lauderdale, Museum of Art, An American Renaissance: Painting and Sculpture Since 1940, January - March 1986, Abbeville Press Inc., New York, pl. 60, p. 119, illustrated in color

Washington, D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; Munich, Haus der Kunst, Richard Lindner: Paintings and Watercolors 1948-1977, October 1996 - April 1997, no. 44, pp. 29, 90, 92 and p. 105, illustrated in color

Madrid, Fundación Juan March; Valencia, IVAM Centre Julio González, Generalitat Valenciana, Richard Lindner, October 1998 - March 1999, no. 21, p. 57 illustrated in color (and illustrated in color on the cover)