1. French, Paris or Burgundy, 14th/ 15th century and later

Ewer

2. Italian, Venice, 15th/ 16th century

Ciborium

3. Italian, probably Faenza, circa 1515

Maiolica Ewer

4. Workshop of Maestro Giorgio Andreoli

Maiolica broad-rimmed bowl

5. A silver-gilt standing cup and cover of the St George’s guild of Middelburg Crossbowmen, Jan Smit, Middelburg, 1601

6. Italian, Deruta, circa 1500-1520

Maiolica deep dish

7. A suite of Louis XIV silver-mounted furniture, the silver French, circa 1670, by André Regnier and bearing the marks of Pierre Fourfault, the ebonised supports English, circa 1820

8. A silver-mounted pier mirror, the silver French or Flemish, late 17th century, the supporting frame English, circa 1820

9. ‘Audience with the Emperor’, A Louis XIV tapestry, from the series The Story of the Emperor of China, French, Beauvais Manufactory woven late 17th/early 18th century, after designs of 1685-1690 by Jean-Baptiste Monnoyer (1636-1699), Guy Vernansal (1648-1729) and Jean Baptiste Belin de Fontenay (1653-1715

10. An English delftware figure of a mermaid, circa 1675, London, Southwark

11. A gold-mounted Japanese Imari porcelain cup and saucer with a gold spoon and fitted case, the cup and saucer mounts, Jean Gaillard, Paris, 1727-32; the spoon 1717-22; the porcelain late 17th/early 18th century

12. An exceptional gold and hardstone presentation box, Louis Siriès, Florence, circa 1745

13. A pair of Italian gilt-bronze mounted pietre dure, ebony and kingwood caskets, Florence, Granducal Workshops, second quarter 18th century, after designs by Gianbattista Foggini, the panels circa 1720

14. A pair of George I gilt-gesso and giltwood pier mirrors, circa 1715-25, attributed to John Belchier

15. A George II gilt and carved pine X-frame stool, circa 1735-40, the design attributed William Kent and executed by Henry Williams

17. A pair of George I 8 ¾-inch terrestrial and celestial table globes by John Senex, circa 1715

18. A pair of George III mahogany side tables, circa 1760-65, possibly by Gillows

19. An exceptional gilt-bronze mounted Meissen porcelain nine-light chandelier, the shaft and arms modelled by J.J. Kändler, circa 1739/40, and probably mounted in Berlin in the mid-18th Century.

20. A pair of Louis XV gilt-bronze candlesticks, in the manner of Juste-Aurèle Meissonnier, circa 1740

21. A pair of early Louis XV gilt-bronze and gilt-metal-mounted Chinese celadon-ground pot-pourri bowls and covers, the porcelain Qianlong mark and period

22. A pair of Louis XV gilt-bronze mounted Meissen porcelain figures of leopards, the porcelain circa 1745, the mounts mid-18th century

23. A pair of Louis XV gilt-bronze mounted Chinese turquoise-glaze pot-pourri vases and covers, the porcelain Kangxi (1662-1722)

24. A Louis XV gilt-bronze mounted Chinese 'Clair de Lune' porcelain three-piece garniture, the porcelain 18th century, probably Qianlong (1736-1795)

25. A late Louis XV gilt-bronze mounted Sèvres green porcelain pot-pourri vase and cover, circa 1765-70

26. A late Louis XV gilt-bronze mounted three-piece garniture of Sèvres vases and covers ('vase à monter'), circa 1765-70

27. A Louis XV gilt-bronze mounted Chinese blue porcelain vase, the porcelain Qianlong, the mounts circa 1765

28. A Louis XV gilt-bronze mounted Chinese flambé glazed vase, the porcelain Qianlong, the mounts circa 1765

29. A Louis XVI gilt-bronze mounted Sèvres soft-paste porcelain ‘Vase a Monter’, attributed to Pierre Gouthière, probably commissioned by Dominique Daguerre, circa 1785

30. A pair of Louis XV gilt-bronze mounted Nymphenburg porcelain vases, circa 1765

31. A pair of French silver soup tureens, covers and stands, Joseph-Pierre-Jacques Duguay, Paris, 1772-1773

32. A Louis XVI ormolu "pendule au cercles tournants", Joseph-Léonard Roque, Paris, circa 1775, the case attributed to Marcel-François Noël

33. A pair of Spanish colonial silver-mounted parcel-gilt mother-of-pearl bureau-cabinets Vice royalty of Peru, Lima, second half 18th century

34. A pair of George III gilt-bronze mounted carved mahogany, lime and pine urns and pedestals by John Linnell, 1767, the urns designed by Robert Adam

35. A George III mahogany and carved giltwood longcase clock, Thomas Mudge and William Dutton, London, circa 1770

36. An Italian specimen pietre dure and marble table top, circa 1805, attributed to Giacomo Raffaelli

37. A monumental Italian cast bronze urn, circa 1805, possibly by Francesco Righetti

38. A Consulat carved mahogany fauteuil de bureau, circa 1798, attributed to the frères Jacob

39. A set of four Italian parcel-gilt silver salts, Giuseppe Valadier, Rome, circa 1804

40. A German silver-gilt breakfast service, the majority Frantz Peter Bundsen, Hanover, circa 1789

41. A pair of Russian neoclassical gilt-bronze four-light candelabra, circa 1800

42. An Italian gilt-bronze model of the Arch of Constantine, circa 1820, attributed to Wilhelm Hopfgarten and Ludwig Jollage

43. A magnificent and rare gold and enamel collar of the Order of St Andrew the First Called, the collar Pannasch, St Petersburg, 1836; the badge Keibel, St Petersburg, 1862

44. A Sèvres porcelain plaque: The Mystic Marriage of St. Catherine, painted by Abraham Constantin (Swiss, 1785-1851), after the painting by Correggio (Italian, 1489-1540), dated 1819

45. A Sèvres porcelain gilt-bronze mounted vase (vase étrusque carafe 1ère grandeur), 1832

46. A pair of French gilt-bronze mounted marble candelabra by Sormani of Paris, circa 1870, after the model by Jean-François Lorta