
Black White
Auction Closed
November 9, 12:13 AM GMT
Estimate
2,000,000 - 3,000,000 USD
Lot Details
Description
Ellsworth Kelly
(1923 - 2015)
Black White
initialed and dated 1970 (on the overlap); signed, dated 1970 and numbered 436B (on the stretcher); numbered 436A (on the stretcher)
oil on canvas, on two joined panels
70 by 107 ½ in. 177.8 by 273.1 cm.
Executed in 1970.
The artist (until 1997)
Matthew Marks Gallery, New York
Acquired from the above in May 1997 by the present owner
Sidney Janis Gallery, New York, Recent Paintings by Ellsworth Kelly, November 1971, no. 7, illustrated (inverted) (titled Two Panels: Black White)
Amsterdam, Stedelijk Museum; London, Hayward Gallery; Paris, Centre Georges Pompidou; and Baden, Staaliche Kunsthalle, Ellsworth Kelly: Paintings and Sculptures 1963-1979, December 1979 - September 1980, no. 8, p. 63, illustrated (Amsterdam); no. 3, pp. 38-39, 61 illustrated (Paris); no. 6, p. 72, 117, illustrated in color and illustrated in color (frontispiece) (Baden); n.p. (London)
Los Angeles County Museum of Art, The Spiritual in Art: Abstract Painting: 1980-1985, November 1986 - November 1987, p. 350, illustrated
New York, Solomon R. Guggenheim Museum, Ellsworth Kelly: A Retrospective, October 1996 - January 1997
New York, Fisher Landau Center for Art, Visual Conversations: Selections from the Collection, September - December 2012
John Coplans, Ellsworth Kelly, New York, 1971, no. 195, p. 262, illustrated in color
John Elderfield, "Color and Area: New Paintings by Ellsworth Kelly," Artforum, no. 3, November 1971, p. 47 (titled Two Panels: Black White)
James R. Mellow, "Too Much with Too Little and Too Little Too Much," The New York Times, 21 November 1971, p. D25 (titled 2 Panels: Black White)
John Perreault, "Wavering Home: Kelly's Light Slabs," The Village Voice, 11 November 1971, pp. 23-24
Eugene Goosen, “The Paris Years,” Arts Magazine, November 1973, p. 90, illustrated (titled Two Panels: Black White)
Joseph Masheck, “Hard-core Painting,” Artforum, April 1978, p. 51, illustrated (titled Two Panels: Black White)
Bernard Blistène, “Ellsworth Kelly: La Peinture en Representation,” Artistes, February-March 1980, p. 21, illustrated
Richard H. Axsom, The Prints of Ellsworth Kelly: A Catalogue Raisonné 1949-1985, vol. 1, New York, 1987, p. 242
Claudine Humblet, La Nouvelle Abstraction Américaine 1950-1970, Milan, 2003: Section 5, no. 265, pp. 564, 587 (English); no. 265, pp. 564, 586 (French)
Mark Stephen Archer, The New Formal: Interiors by James Aman, New York, 2016, p. 128, illustrated in color (in installation)
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