
Tropical sea shells on a stone ledge | Coquillages tropicaux sur un entablement
Lot Closed
June 14, 01:28 PM GMT
Estimate
6,000 - 10,000 EUR
Lot Details
Description
Circle of Nicolas Matthes
Tropical sea shells on a stone ledge
Oil on panel
40 x 54 cm; 15¾ by 21¼ in.
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Entourage de Nicolas Matthes
Coquillages tropicaux sur un entablement
Huile sur panneau
40 x 54 cm ; 15¾ by 21¼ in.
Anonymous sale, Christie's, London, 10 March 1978, lot 124 (as Balthasar van der Ast);
Anonymous sale, Christie's, Amsterdam, 20 June 1989, lot 46 (as Abraham van Calraet).
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Vente anonyme, Christie's, Londres, 10 mars 1978, lot 124 (comme Balthasar van der Ast) ;
Vente anonyme, Christie's, Amsterdam, 20 juin 1989, lot 46 (comme Abraham van Calraet).
Nikolaus Christopher Matthes was a German painter mainly known for his still lifes of exotic shells, as in the present painting. Considered as marvels which the rich collectors of the seventeenth and eighteenth centuries displayed in their wunderkammern, or cabinets of curiosities, shells also acted as memento mori, because they had contained living creatures and thus symbolized the empty tomb after Christ’s resurrection.
We are grateful to Dr. Fred G. Meijer who kindly suggested the present attribution to the circle of the Hamburg painter Nicolaus Matthes (Hamburg 1729-1796) and provided information concerning its provenance. The painting was first attributed to Balthasar van der Ast (Christie's, London, 10 March 1978, lot 124) and then to Abraham van Calraet (Christie's, 20 June 1989, lot 46).
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Nikolaus Christopher Matthes est un peintre allemand principalement connu pour ses natures mortes de coquillages exotiques à l’instar de notre tableau. Considérés comme des merveilles que les riches collectionneurs des XVIIe et XVIIIe siècles exposaient dans leurs wunderkammern, ou cabinets de curiosité, les coquillages servaient également de memento mori, car ils ont contenu un animal vivant, et symbolisent le tombeau vide du Christ après sa résurrection.
Nous remercions le Dr. Fred G. Meijer qui a aimablement suggéré l'attribution actuelle au cercle du peintre hambourgeois Nicolaus Matthes (Hambourg 1729-1796) et a aimablement fourni les informations de provenance. Le tableau avait en effet été attribué successivement à Balthasar van der Ast (Christie's, Londres, 10 mars 1978, lot 124) et Abraham van Calraet (Christie's, 20 juin 1989, lot 46).
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