
Half Dome, Reflections, Merced River, Winter, Yosemite National Park, California
Lot Closed
October 5, 04:29 PM GMT
Estimate
30,000 - 50,000 USD
Lot Details
Description
Ansel Adams
1902 - 1984
Half Dome, Reflections, Merced River, Winter, Yosemite National Park, California
mural-sized gelatin silver print, mounted, framed, typed caption on the photographer's letterhead on the reverse, circa 1945, printed 1959-60
image: 17¾ by 22⅞ in. (45.1 by 58.1 cm.)
frame: 24¼ by 30¼ in. (61.6 by 76.8 cm.)
Acquired from the photographer, 1960
By descent through family
Andrea Gray Stillman, ed., Ansel Adams: 400 Photographs (Boston, 2007), p. 313 (variant cropping)
"Water, while quite transparent, has considerable reflective powers, as everyone who has stood by a still pool must know. Rocks, trees, buildings, and sky are reflected with startling clarity and brilliance in a still, deep pool. . .As the surface of the water becomes rippled and broken by wind or for other reasons, the effect of transparency is reduced and the surface reflections become chaotic."
(Ansel Adams, Natural-Light Photography: Basic Photo 4, New York, 1952, p. 52)
The photographs in Lots 27 through 31 were acquired by Bill and Winnie Kinard directly from Ansel Adams in late 1959 or early 1960, and they have remained with the Kinard Family for more than six decades. These photographs are accompanied by a copy of the original typed correspondence with Adams on his early '131 24th Avenue · San Francisco 21, California / Telephone Skyline 1 1282' letterhead. When asked recently to reflect on these photographs, the Kinard descendants wrote:
'Our parents, Bill & Winnie Kinard, worked in Yosemite during their college breaks in the late 1930s. It was during these years they met Ansel Adams. Their mutual love of Yosemite found our parents seeing Ansel again at his home in San Francisco in 1959. Ansel invited them in for drinks and he entertained them with his accomplished piano playing. During their visit, Ansel helped our parents select winter images of Yosemite which he felt complemented each other. As a follow-up to this meeting, Ansel sent a typed letter to our Mom in January 1960, sharing his ideas about how the mural-sized prints he personally developed should be framed and displayed. Needless to say, we, as a family, have enjoyed these wonderful prints for over 63 years. We trust anyone who acquires them will cherish them as much as we have.'
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