View full screen - View 1 of Lot 10. Still life with a roemer, an upturned tazza, nuts, acorns, a knife and a peeled and sliced lemon on a pewter plate.

Property from a European Private Collection

Willem Claesz. Heda

Still life with a roemer, an upturned tazza, nuts, acorns, a knife and a peeled and sliced lemon on a pewter plate

Auction Closed

December 6, 06:47 PM GMT

Estimate

250,000 - 350,000 GBP

Lot Details

Description

Property from a Private Collection


Willem Claesz. Heda

Haarlem circa 1596–1680

Still life with a roemer, an upturned tazza, nuts, acorns, a knife and a peeled and sliced lemon on a pewter plate


signed and dated lower left: .HEDA.1630.

oil on oak panel

unframed: 45 x 60.5 cm.; 17¾ x 23⅞ in.

framed: 64 x 79.2 cm.; 25¼ x 31⅛ in.

Please note this painting is displayed in a loan frame from Arnold Wiggins and Sons. Should you wish to purchase it please contact a member of the Old Master Paintings department.

Hermann Sthamer, Hamburg;

His sale ('Der gemälde-sammlung des herrn Hermann Sthamer in Hamburg'), Cologne, J.M. Heberle, 8–9 October 1883, 1st day of sale, lot 44;

Where acquired by Konsul Eduard Friedrich Weber (1830–1907), Hamburg;

By whose estate sold (‘Galerie Weber, Hamburg’), Berlin, Rudolph Lepke, 20–22 February 1912, 2nd day of sale, lot 228, for 4,300 Marks to Wesselhoeft, Hamburg;

Johannes Wesselhoeft (1862–1951), Hamburg;

Acquired by P. De Boer, Amsterdam, 1953;

From whom acquired by Dr Heinrich Becker, Dortmund, by 1967;

With G. Cramer Oude Kunst, The Hague, 1975–76;

Private collection.

The Hague, G. Cramer Oude Kunst, Paintings by Old Masters XX, 1975–76, no. 34;

Münster, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, and Baden-Baden, Staatliche Kunsthalle, Stilleben in Europa, 25 November 1979 – 24 February 1980 and 15 March – 15 June 1980, no. 223;

The Hague, Mauritshuis, Terugzien in bewondering. A Collector's Choice, 19 February – 9 March 1982, no. 42.

J. von Pflugk-Hartung in Separatabdruck aus dem Repertorium, 1885, vol. 8, p. 94;

J. Nöhring, Gemälde alter Meister der Sammlung Weber, Lubeck 1898, n.p., reproduced;

K. Woermann, Wissenschaftliches Verzeichnis der älteren Gemälde der Galerie Weber in Hamburg, rev. and enlarged ed., Dresden 1907, pp. 158–59;

N.R.A. Vroom, De schilders van het monochrome banketje, Amsterdam 1945, pp. 71 and 210, no. 178;

R. Fritz (ed.), Sammlung Becker. I Gemälde Alter Meister, Dortmund 1967, n.p., no. 68, reproduced;

Paintings by Old Masters XX, Gallery G. Cramer Oude Kunst, The Hague 1975–76, pp. 6667, no. 34, reproduced;

G. Langemeyer and H-A. Peters (eds), Stilleben in Europa, exh. cat., Münster and Baden-Baden, 1979, pp. 42526, no. 223, reproduced;

N.R.A. Vroom, A modest message: as intimated by the painters of the 'monochrome banketje', vol. 2, Schiedam 1980, p. 66, no. 329, reproduced;

W.L. van de Watering (ed.), Terugzien in bewondering. A Collector's Choice, exh. cat., The Hague 1982, pp. 12524, no. 42, reproduced;

N.R.A. Vroom, A modest message: as intimated by the painters of the 'monochrome banketje', Nuremberg 1999, pp. 128, 129 and 152, reproduced figs 97 and 98;

C. Schmincke, Sammler in Hamburg. Der Kaufmann und Kunstfreund Konsul Eduard Friedrich Weber (1830–1907), PhD. Diss., Hamburg 2004, pp. 191 and 387, no. 228.