View full screen - View 1 of Lot 17. Terrasse au bord de la mer.

Property from a Private Collection, United Kingdom

Mikhail Fedorovich Larionov

Terrasse au bord de la mer

Lot Closed

April 19, 01:17 PM GMT

Estimate

40,000 - 60,000 GBP

Lot Details

Description

Mikhail Fedorovich Larionov

1881 - 1964

Terrasse au bord de la mer

signed M.L (lower left)

oil on canvas laid down on board

58 by 79.5cm., 22¾ by 31¼in.

Framed: 79.1 by 101.2cm., 31⅛ by 39⅞in.

Jacques Spreiregen (possibly acquired from the artist)

Private Collection, United Kingdom (a gift from the above)

Thence by descent to the present owners

Paris, Galerie Granoff, Collection d'un amateur, 1963, no. 35 (with incorrect measurements)

The present work, as well as lot 58 also by Larionov, come from the collection of Jacques Spreiregen (1894-1982). Born into a Jewish family in Warsaw, Spreiregen first moved to Paris, and then, in 1914, to London. There, he entered the headwear business, importing berets from France. In 1938, Spreiregen opened the first Kangol factory in Cumbria, supplying berets to the British army during World War II. After the War, the company collaborated with designers such as Mary Quant, and produced a range of Beatles caps, before its berets were adopted by members of the American hip-hop community during the 1980s.


The success of his business allowed Spreiregen to put together a significant collection of Impressionist and Modern art, which included works by several Russian émigré artists such as Jean Pougny, Chaim Soutine and Mikhail Larionov. In 1960, the Jacques Spreiregen collection was exhibited at the Musée des Beaux Arts de Rouen. The catalogue for this exhibition, titled Choix d’un amateur, lists two oils and two works on paper by Larionov. In 1963, works from the Spreiregen collection were shown anonymously at the Galerie Granoff in Paris at an exhibition titled Collection d’un amateur. The exhibition featured seven oils by Larionov, including both paintings offered in this sale. The preface to the exhibition catalogue was written by Waldemar Georges, who would soon publish his monograph on Larionov. Spreiregen gifted both paintings to a relative and they have remained in the family ever since.