
Sunrise
Lot Closed
October 4, 06:09 PM GMT
Estimate
10,000 - 15,000 USD
Lot Details
Description
Charles Ephraim Burchfield
1893 - 1967
Sunrise
stamped C.E. Burchfield Foundation and numbered 21 (lower left)
watercolor and gouache on paper
13 7/8 by 20 in.
35.1 by 50.8 cm.
Executed in January 1917.
We are grateful for the research conducted by Nancy Weekly, Burchfield Scholar, Burchfield Penney Art Center, Buffalo, New York.
The artist
Frank K.M. Rehn Galleries, New York
Mr. and Mrs. Steven T. Florie, New Britain, Connecticut
Kraushaar Galleries Inc., New York
Acquired from the above by the present owner
New Britain, Connecticut, The New Britain Museum of American Art, Sound and Silence: Charles E. Burchfield (1893-1967) / Edward Hopper (1882-1967), 1973, no. 4, n.p., illustrated
Little Rock, Arkansas Arts Center, 2001 Collector's Show, 2001-02, no. 94
Joseph S. Trovato, Charles Burchfield: Catalogue of Paintings in Public and Private Collections, Utica, New York, 1970, no. 255, p. 56
J. Benjamin Townsend, ed., Charles Burchfield's Journals: The Poetry of Place, Albany, New York, 1993, pp. 248n11 and 727
Colleen Lahan, Charles Burchfield: An Annotated Bibliography, Lanham, Maryland, 1996, no. 758, pp. 86 and 205
"A light snow in the night all things covered with white – a cold faraway winter sunrise– there is a combination of midwinter and the yellow mellowness of late fall; apples plums & peaches in green leaf yet, snow-spattered" (Charles E. Burchfield, Journals, vol. 31, 1 November 1917, p. 10).
Executed in 1917, the period often referred to as the "golden year" of Charles Burchfield's career, Sunrise depicts a vantage point from the second story of the artist's home looking towards an alley (Joseph S. Trovato, Charles Burchfield: Catalogue of Paintings in Public and Private Collections, Utica, New York, 1970, p. 55). The snow-covered roofs and grass juxtaposed against the vibrant sky creates a striking contrast within this composition. Layered brushstrokes of warm yellow and orange hues cascade across the upper register of the sheet, signaling a beautiful morning sunrise. Burchfield had been captivated by sunrises since the onset of his career, writing in a 1912 letter of their ability to cause "the beholder to stop, and "drink in" its beauty, almost unconsciously, until the blinding glaring of the sun awakens him" (Journals, 24 February 1912). Sunrise perfectly encapsulates the artist's infatuation with the impact of natural phenomena on his immediate surroundings.
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