Modern & Contemporary African Art

Modern & Contemporary African Art

View full screen - View 1 of Lot 10. Mythologie Bété: la légende de 'Zignonkplebhlo', A Series of 21 Drawings.

Frédéric Bruly Bouabré

Mythologie Bété: la légende de 'Zignonkplebhlo', A Series of 21 Drawings

Lot Closed

March 21, 03:10 PM GMT

Estimate

10,000 - 15,000 GBP

Lot Details

Description

Frédéric Bruly Bouabré

Ivorian

1923-2014

Mythologie Bété: la légende de 'Zignonkplebhlo', A Series of 21 Drawings


(7)

signed and dated 18-10-2000 (on the reverse); each numbered 1-7 respectively (on the reverse)

pen and coloured crayon on card

16 by 11cm., 6¼ by 4⅜in.


(7)

signed and dated 19-10-2000 (on the reverse); each numbered 8-14 respectively (on the reverse)

pen and coloured crayon on card

16 by 11cm., 6¼ by 4⅜in.


(7)

signed and dated 20-10-2000 (on the reverse); each numbered 15-21 respectively (on the reverse)

pen and coloured crayon on card

16 by 11cm., 6¼ by 4⅜in.

Private Collection, France

On March 11, 1948, Frédéric Bruly Bouabré left his life as a public servant behind and became an artist. On that day, Bouabré says: 


"The heavens opened up before my eyes and seven colourful suns described a circle of beauty around their Mother-Sun. I became Cheik Nadro: "He who does not forget.’ "

Frederic Bruly Bouabre cited in: Andre Magnin, African Art Now, 2005, p. 74 


In the years that followed, the artist would become a polymath, dedicating himself to conducting extensive research in fields such as philosophy, art, language and tradition, amongst many others. Born in Zéprégühé, Ivory Coast, as a member of the Bété community, Bouabré was one of the first from this historically non-literate group to be exposed to written language. This exposure, in combination with a desire to preserve Bété history and knowledge, sparked the artist’s desire to create a new alphabet. With 448 characters, this pictorial alphabet, ‘which can transcribe all human sounds, reflects the essence of [the artist’s] thoughts: to achieve universality and to unite mankind’ (Andre Magnin, African Art Now, 2005, p. 74). Bouabré documented each character in the form of postcard-sized works made with pen and coloured pencil.