401. Follower of Jheronimus Bosch, late 16th or 17th century

Merrymakers in a bagpipe

402. Bartolomeo di Segnolo Caporali

Saint Peter; Saint Paul

403. Matteo di Pacino

Saint Ivo with a supplicating donor

404. Circle of Tiziano Vecellio, called Titian

Portrait of a woman, probably Elisabetta Querini, bust-length, most likely a "kapsel" portrait

405. Andrea di Nerio

Nativity; Dormition of the Virgin; Assumption of the Virgin

406. Bartolomeo di Giovanni

Holy Trinity adored by Saints Jerome, Louis of Toulouse, Benedict, John the Baptist, Catherine of Siena, and Francis

407. Master of Mezzana

Madonna and Child

408. Master of the Bargello

Triptych: Madonna and Child with Saints Andrew and Anthony Abbott; Angel Gabriel, above Saints Catherine of Alexandria (?) and Lucy; Madonna Annunciate, above the Crucifixion with the Madonna and Saints Mary Magdalene and John the Evangelist a triptych

409. Netherlandish School, late 15th and mid-16th centuries

A triptych for the Van der Does Family

410. Jacob Cornelisz

The Adoration of the Magi with portraits of two kneeling donors, Claes Hendricksz. Basgen (1488-1563) and his daughter Neel Claesdr. Basgen (1528-1594)

411. Manner of Pieter Bruegel the Elder

A bagpipe player

412. Flemish School, early 16th century

Virgin and child in a landscape with an angel

413. Flemish School, late 16th or 17th century

Portrait of a noblewoman, possibly Elizabeth I

414. Alessandro Allori and Workshop

Portrait of a Florentine noblewoman, bust-length

415. Circle of Michelangelo Buonarroti

Allegory of fortune

416. Francesco di Gentile da Fabriano

Virgin annunciate

417. Priamo della Quercia

Madonna and Child enthroned, surrounded by angels

418. Possibly Italian, After the Antique

Draped Female Torso

419. North Italian, 14th century

Architectural Fragment with a Saint

420. English, 14th century

Fragmentary Head of Christ

421. Anglo-Saxon, 8th century

Disc-Head Pin

422. French, 14th century

Head of the Virgin

423. Probably Southern French, first half 13th century

Head of a Bishop Saint

424. Southern French or Spanish, circa 1200

Madonna and Child Enthroned

425. Southern French, 12th Century

Small Corbel with a Lion

426. Italian, Perhaps Tuscan, 14th century

Figure of a Aristotle

427. German, 15th century

Stained Glass Panel of Christ before Pontius Pilate

428. Probably North Italian, Early 16th Century

Pietà

429. Spanish, 16th century

Relief of the Presentation of the Virgin

430. Giandomenico Tiepolo

Head of a bearded man in a yellow robe and a blue cap, wearing a gold chain

431. Giovanni Antonio Bazzi, called Sodoma

The Abduction of Europa

432. 16th-Century Follower of Agnolo Bronzino

Portrait of Dante Alighieri

433. Scipione Pulzone

Portrait of a woman in a black dress, bust-length

434. Santi di Tito

Madonna and Child with Saints Elizabeth and John the Baptist

435. Follower of Michelangelo Merisi, called Caravaggio, 18th or 19th century

Boy with a carafe of flowers

436. Italian School, circa 1600

Adoration of the shepherds with a circle of angels above

437. Flemish artist working in Venice, circa 1600

Allegory of Africa

438. Sir Peter Paul Rubens

The lion hunt

439. John Hamilton

A lion and tiger

440. Antwerp School, 17th Century

A painter in his studio

441. Netherlandish School, Early 17th Century

Democritus and Heraclites

442. Gerrit Dou

An elderly woman, traditionally identified as Rembrandt's mother

443. Richard Wilson, R.A.

View on Hounslow Heath

444. Peter van Lint

Portrait of a child with a red squirrel

445. Follower of Gerard ter Borch (II)

Two soldiers in an interior

446. Adriaen Jansz. van Ostade

Carpenter Shop

447. Haarlem School, 1630s

Portrait of a young girl wearing a coral necklace

448. Adriaen van Ostade

Musical Couple