
Lot Closed
December 19, 01:08 PM GMT
Estimate
5,000 - 7,000 GBP
Lot Details
Description
Utagawa Kunisada (1786-1864)
Kikugawa Eizan (1787-1867)
Utagawa Kunimaru (1793-1829)
Utagawa Kuninao (1795-1854)
A collection of fourteen woodblock prints
Edo period, 19th century
each a woodblock print, framed and glazed, and comprising:
- The First Month (Mutsuki), from the series The Five Festivals (Gosekku no uchi), signed Kunisada aratame nidaime Toyokuni ga, censor’s seal Tanaka, published by Aritaya Seimon (Yueido) in 1844
- The courtesan Komurasaki and Gonpachi, signed Eizan hitsu (Brush of Eizan)
- Yugiri and Uzaemon, signed Eizan hitsu, circa 1813-15
- Youth with falcon, signed Eizan hitsu, depicting a young falconer
- A young man holding a shakuhachi and reed hood (tengai), signed Kikugawa Eizan hitsu (Brush of Kikugawa Eizan)
- A woman and child gazing at their reflection in a water basin, signed Kikugawa Eizan hitsu
- A beauty with an umbrella in the rain, signed Kikugawa Eizan hitsu
- A courtesan reading a letter, signed Kikugawa Eizan hitsu
- A courtesan on stairs, signed Kikugawa Eizan hitsu
- A courtesan beside a shamisen and koto, signed Kikugawa Eizan hitsu
- Woman reading a letter under a lantern, signed Kikugawa Eizan hitsu, published by Aritaya Seiemon (Yueido), circa 1843-47
- Painting (Ga): Courtesans of the Gissha-ro in Ise Furuichi, from an untitled series of the Four Accomplishments (Kinkishoga), signed Edo Utagawa Kunimaru hitsu (Brush of Utagawa Kunimaru of Edo), published by Maruya Jinpachi (Enjudo), circa 1810s – 1820s
- A courtesan holding a shamisen, signed Kuninao hitsu (Brush of Kuninao), depicting a courtesan with a shamisen, her robe decorated with plovers (chidori) motif
- A woman and child bid farewell to a young man from a balcony, unsigned
Various sizes
Andrew McIntosh Patrick
Part of the above lot illustrated in:
World of Interiors, June 2007, pp. 157-159.
Nest: A Quarterly of Interiors, Spring 2002, n.p.
Times Magazine, illustrating Andrew McIntosh Patrick's home at 34 Craven Street, London, 16 March 2002, p. 52.
For a similar impression of the ninth print in the collection of the Museum of Fine Arts, Boston, accession number 36.428, go to: