View full screen - View 1 of Lot 259. A George II Revival Cream-Painted and Parcel-Gilt Pier Table, after the model by Matthias Lock , Late 19th/Early 20th Century, with a later Alabastro Fiorito Marble Top.

A George II Revival Cream-Painted and Parcel-Gilt Pier Table, after the model by Matthias Lock , Late 19th/Early 20th Century, with a later Alabastro Fiorito Marble Top

No reserve

Lot Closed

February 1, 04:00 PM GMT

Estimate

15,000 - 25,000 USD

Lot Details

Description

A George II Revival Cream-Painted and Parcel-Gilt Pier Table, after the model by Matthias Lock , Late 19th/Early 20th Century, with a later Alabastro Fiorito Marble Top


height 34 in.; width 65 in.; depth 33 in.

86.5 cm; 165 cm; 84 cm


redecorated

Ernest Cook, Esq., Barnet Hill, Surrey

Christie's, London, 6 July 2000, lot 119

Christie's New York, 7-8 October 2015, lot 271

This Kentian-style side table with a central mask of Hercules ensheathed in the pelt of the Nemean lion is a copy of a celebrated pair of side tables supplied to the Earls of Lichfield at Ditchley House, Oxfordshire and now at Temple Newsam House, Leeds (Christopher Gilbert, Furniture at Temple Newsam House and Lotherton Hall, London 1978, Vol. I no. 446 pp. 353-56). The design corresponds to a drawing attributed to Matthias Lock in the Victoria & Albert Museum, London (illustrated in Peter Ward-Jackson, English Furniture Designs of the Eighteenth Century, London 1958, p. 48), and it is possible Lock may have executed the tables himself after designs by the architect Henry Flitcroft (1697-1769), who is recorded as working at Ditchley. Other tables of identical model include pairs at Wentworth Woodhouse, Yorkshire and Shugborough Hall, Staffordshire, and a single example formerly in the Dukes of Hamilton collection now in the Metropolitan Museum, New York.

The designer and woodcarver Matthias Lock (c.1710-1765) was one of the most important practitioners of the Rococo style in mid-18th century England. He may have been born in Portsmouth, and is first recorded in London in 1734 on the occasion of his marriage to Mary Lee at St Paul's, Covent Garden. Biographical information and precise details of his commissions are limited, and he is best known for his volumes of engraved designs, which include Six Tables (1746), A Book of Ornaments (1747, later reissued as A Book of Shields); A New Drawing Book of Ornaments, Shields, Compartments, Masks, &c., and The Principles of Ornament, or the Youth's Guide to Drawing of Foliage (undated) and A New Book of Ornaments with Twelve Leaves Consisting of Chimneys, Sconces, Tables, and Panels, Spring Clock Cases, Stands, a Chandelier and Girandole, etc. published in 1752 in collaboration with the engraver Henry Copland and regarded as the most important pattern book of the Rococo style to appear prior to Chippendale's Director (1754).